(Italian for "little song") is a

music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...

al term, originally meaning a short

song A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usu ...

of simple character, without a second strain or any repetition of the

air An atmosphere () is a layer of gases that envelop an astronomical object, held in place by the gravity of the object. A planet retains an atmosphere when the gravity is great and the temperature of the atmosphere is low. A stellar atmosph ...

. It is now frequently applied to any simple, melodious air, as distinguished from brilliant

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

s or

recitative Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines ...

s, many of which are part of a larger movement or scena in

oratorio An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguisha ...

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

. " Ecco, ridente in cielo" from

Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote man ...

's opera ''

The Barber of Seville ''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ' ...

'', "Porgi amor" and " Se vuol ballare" from Mozart's ''

The Marriage of Figaro ''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienn ...

'' are well-known ''cavatinas.'' A famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130.

Ralph Vaughan Williams Ralph Vaughan Williams ( ; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...

also gave the title of "Cavatina" to the 3rd movement of his Symphony No. 8.

Camille Saint-Saëns Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano ...

wrote a Cavatine for trombone and piano. In opera, the term has been described as:

a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina is an aria, generally of brilliant character, sung in one or two sections without repeats. It developed in the mid-18th century, coincident with the decline of the previously favoured ''da capo'' aria (in which the musical form is ABA, with the repeated A section given improvised variations). Examples occur in the operas of Mozart, Weber, and Rossini. In 19th-century
bel canto , )—with several similar constructions (, , , pronounced in English as )—is a term with several meanings that relate to Italian singing, and whose definitions have often been misunderstood. ''Bel canto'' was not only seen as a vocal technique ...
operas of Bellini, Donizetti, and Verdi the term came to refer to a principal singer’s opening aria, whether in one movement or paired with a contrasting cabaletta. ''Encyclopædia Britannica online
at britannica.com

Derivation

In Italian, the word is the ''

diminutive A diminutive is a word obtained by modifying a root word to convey a slighter degree of its root meaning, either to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment, and sometimes to belittle s ...

'' of '' cavata'', the act of producing a sound from a

musical instrument A musical instrument is a device created or adapted to make Music, musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person ...

(especially string instruments), and by extension, the quality of that sound. For example, one can notice the grace of an expert violinist's cavata or the richness of the cavata from a cello crafted by an exceptionally skilled luthier. From this meaning comes "cavatina," understood as the entrance aria of a character in an opera. The Italian plural is ''cavatine''. In French, it is the ''cavatine'' and in German ''Kavatine''.

References

Italian opera terminology {{opera-stub