Cabaret
Cabaret is a form of theatrical entertainment featuring music song, dance, recitation, or drama. The performance venue might be a pub, casino, hotel, restaurant, or nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies (M.C.). The entertainment, as performed by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground music, underground nature. In the United States, striptease, American burlesque, burlesque, drag shows, or a solo (music), solo vocalist with a pianist, as well as the Music venue, venues which offer this entertainment, are often advertised as cabarets. Etymology The term originally came from Picard language or Walloon language words ''camberete'' or ''cambret'' for a small room (12th century). The first printed use of the word ''kaberet' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Chat Noir
(; French for "The Black Cat") was a 19th century entertainment establishment in the Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by impresario Rodolphe Salis, and closed in 1897 not long after Salis' death. is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg ('' Stray Dog Café'') to Barcelona ('' Els Quatre Gats'') to London's '' Cave of the Golden Calf''. In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and political satire. It was the subject of an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lapin Agile
Lapin Agile is a famous Montmartre cabaret, at 22 Rue des Saules, 18th arrondissement of Paris, France. History The venue existed circa 1860 under the name Au rendez-vous des voleurs, meaning "Where the Thieves Meet". Some twenty years later, the walls were decorated with portraits of famous murderers and the place became known as the Cabaret des Assassins. Tradition relates that the cabaret received this name because a band of gangsters broke in and killed the owner's son in a robbery attempt. In 1875, the artist Andre Gill painted the sign that was to suggest its permanent name. It was a picture of a rabbit jumping out of a saucepan, and residents began calling their neighbourhood night-club Le Lapin à Gill, meaning "Gill's rabbit". Over time, the name had evolved into "Cabaret Au Lapin Agile", or the Nimble Rabbit Cabaret. The original painting on canvas was stolen in 1893; a reproduction on timber was painted to take its place. The Lapin Agile was bought in the earl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Montmartre
Montmartre ( , , ) is a large hill in Paris's northern 18th arrondissement of Paris, 18th arrondissement. It is high and gives its name to the surrounding district, part of the Rive Droite, Right Bank. Montmartre is primarily known for its artistic history, for the white-domed Sacré-Cœur, Paris, Basilica of the Sacré-Cœur on its summit, and as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On 15 August 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 Rue Yvonne Le Tac, the first step in the creation of the Society of Jesus, Jesuits. Near the end of the 19th century and at the beginning of the 20th, during the Belle Époque, many artists lived, worked, or had studios in or around Montmartre, including Amedeo Modigliani, Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Henri de Toulou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eric Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rodolphe Salis
Louis Rodolphe Salis (29 May 1851 – 20 March 1897) was the creator, host and owner of the ('The Black Cat') cabaret (known briefly in 1881 at its beginning as ) in the Montmartre district of Paris. With this establishment, Salis is remembered as the creator of the modern cabaret: a nightclub where the patrons could sit at tables with alcoholic drinks and enjoy variety acts on a stage, introduced by a master of ceremonies who interacted with the audience. Biography The son of a distiller in Châtellerault, Salis came to Paris in 1872, after leaving the regiment in which he had undertaken military service. He moved into the Hôtel de Rome on Rue de Seine, in the Latin Quarter. He founded ('The Vibrant School'), soon renamed the ('The Chicago Iriso-Subversive School') in order to draw attention to his artistic group. In fact, he was earning a living by making Stations of the Cross and other religious objects, that he and his friends painted. "In fact, it he schoolhad the ov ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Café-chantant
(; French: lit. 'singing café'), , or is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted and sometimes risqué or even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. Although there is much overlap of definition with cabaret, music hall, vaudeville, etc., the was originally an outdoor café where small groups of performers performed popular music for the public. National variations The tradition of such establishments as a venue for music has its origins in Paris and London of the eighteenth century. Such establishments gained their widest popularity in the late nineteenth and early twentieth centuries with the growth of various other national "schools" of ''cafè chantant'' (besides French). Thus, one spoke of an Italian café chantant, German café chantant, or Austrian café chantant. For example, at least one Victorian era premises in England was known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Quartier Pigalle
Pigalle () is an area in Paris, France, around the Place Pigalle, on the border between the 9ème arrondissement, Paris, 9th and the 18ème arrondissement, Paris, 18th arrondissements. It is named after the sculpture, sculptor Jean-Baptiste Pigalle (1714–1785). Pigalle is famous for being a tourist district, with many sex shops, theatres and adult shows on Place Pigalle and the main boulevards. The neighbourhood's raunchy reputation led to its Second World War nickname of "Pig Alley" by Allied soldiers. Le Divan du Monde and the Moulin Rouge, a world-famous cabaret, are both located in Pigalle. History Henri Toulouse-Lautrec's studio was here. Pablo Picasso, Vincent van Gogh and Maurice Neumont also lived here, as did André Breton, and in 1928 Josephine Baker opened her first nightclub next door to Breton's apartment. American-born jazz singer Adelaide Hall lived in Pigalle in 1937–1938 and opened her nightclub ''La Grosse Pomme'' ("the Big Apple") at 73 Rue Pigalle. Other ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théâtre Des Noctambules
The Théâtre des Noctambules was a former Parisian cabaret established in 1894 by the chansonnier Martial Boyer (1872–1941) and located at 7 rue Champollion in the 5th arrondissement of Paris (Latin Quarter). In 1939, Pierre Leuris and Jean Claude turned it into a theatre. Fernand Voiturin became manager in 1952 until the venue closed down in June 1956, when the theatre was turned into a Revival house (Art et Essai) under the same name. ''The Bald Soprano'' by Eugène Ionesco premiered in this venue in 1950. Repertoire * 1940 : ''Le Loup-Garou'' by Roger Vitrac, directed by Raymond Rouleau (27 February) * 1941 : ''Le Bout de la route'' by Jean Giono, directed by Pierre Leuris (30 May) * 1941 : ''Le Pain des hommes'' by Jean-Charles Pichon, directed by France Guy * 1945 : ''Le Mal de lune'' by René-Marill Albères, directed by Pierre Leuris and Jean-Claude Leuris (January) * 1945 : '' The Dance of Death'' by August Strindberg, directed by Jean Vilar (1 February) * 1946 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Striptease
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper", "exotic dancer", or "burlesque dancer". The origins of striptease as a performance art are disputed, and various dates and occasions have been given from ancient Babylonia to 20th-century America. The term "striptease" was first recorded in 1932. In Western countries, venues where stripteases are performed on a regular basis are now usually called strip clubs, but striptease may also be performed in venues such as pubs (especially in the United Kingdom), theaters and music halls. At times, a stripper may be hired to perform at a bachelor or bachelorette party. In addition to providing adult entertainment, stripping can be a form of sexual play between partners. This can be done as an impromptu event or – perhaps for a special occasion&nb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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American Burlesque
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost its popularity, beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s. Literary and theatrical origins The term "burlesque" more generally means a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Café Des Ambassadeurs
The Café des Ambassadeurs, also known as Les Ambassadeurs or Les Ambass', was a café-concert located in the Champs-Élysées district, at 1 Avenue Gabriel, in the 8th arrondissement of Paris, which opened around 1830 and closed in 1929. ''Les Ambassadeurs'' had its heyday during the Belle Époque in Paris when the café-concert became a regular destination of some of the best known figures of art and the demi-monde in Paris. Painters such as Edgar Degas and Henri de Toulouse-Lautrec portrayed artists and visitors at the ''caf'conc'' and almost every vaudeville and music hall entertainer that mattered in those days performed in ''Les Ambass' ''. In the 1920s, the venue was transformed into an American-style music hall, which had American and African-American artists, singers, dancers and jazz orchestras performing to attract the growing number of American tourists in Paris. Early years The ''Café des Ambassadeurs'' was founded in 1764 as an open-air café near the hotels designe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |