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Bōjutsu
, translated from Japanese as "staff technique", is the martial art of stick fighting using a bō, which is the Japanese word for staff. Staffs have been in use for thousands of years in Asian martial arts like Silambam. Some techniques involve slashing, swinging, and stabbing with the staff. Others involve using the staff as a vaulting pole or as a prop for hand-to-hand strikes. Today ''bōjutsu'' is usually associated either with Okinawan '' kobudō'' or with Japanese '' koryū budō''. Japanese ''bōjutsu'' is one of the core elements of classical martial training. Thrusting, swinging, and striking techniques often resemble empty-hand movements, following the philosophy that the ''bō'' is merely an "extension of one’s limbs".Weapons Consequently, bōjutsu is often incorporated into other styles of empty-hand fighting, like traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weapon
A weapon, arm or armament is any implement or device that can be used to deter, threaten, inflict physical damage, harm, or kill. Weapons are used to increase the efficacy and efficiency of activities such as hunting, crime, law enforcement, self-defense, warfare, or suicide. In broader context, weapons may be construed to include anything used to gain a tactical, strategic, material or mental advantage over an adversary or enemy target. While ordinary objects – sticks, rocks, bottles, chairs, vehicles – can be used as weapons, many objects are expressly designed for the purpose; these range from simple implements such as clubs, axes and swords, to complicated modern firearms, tanks, intercontinental ballistic missiles, biological weapons, and cyberweapons. Something that has been re-purposed, converted, or enhanced to become a weapon of war is termed weaponized, such as a weaponized virus or weaponized laser. History The use of weapons is a major driver of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gatka
Gatka (; ; hi, गतका; ur, ) is a form of martial art associated primarily with the Sikhs of the Punjab and other related ethnic groups, such as Hindkowans. It is a style of stick-fighting, with wooden sticks intended to simulate swords. The Punjabi name, , refers to the wooden stick used and this term might have originated as a diminutive of a Sanskrit word, , meaning "mace". The stick used in Gatka is made of wood and is usually long, with a thickness of around . It comes with a fitted leather hilt, and is often decorated with Punjabi-style multi-coloured threads. The other weapon used in the sport is a shield, natively known as . It is round in shape, measuring , and is made of dry leather. It is filled with either cotton or dry grass to protect the hand of player in case of full contact hit by an opponent. Gatka originated in the Punjab in the 15th century. There has been a revival during the later 20th century, with an International Gatka Federation was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bando
Bando ( my, ဗန်တို, ) is a defensive unarmed martial art from Myanmar. Bando is sometimes mistakenly used as a generic word for all Burmese martial arts, but it is only one martial art; Burmese fighting systems collectively are referred to as '' thaing''. Training As with most Asian martial arts, bando schools start off by teaching the basic stances and footwork. This preliminary stage of training traditionally lasts for several months, although many instructors today avoid doing so. In the second stage of training, a series of blocking and parrying techniques is taught. Bando prioritises defense over offense so that the student will be able to protect themselves should the need arise. The defensive approach is also meant to discourage aggression and teach students to apply their skills with care. Offensive moves are taught in the third stage. Most of bando's techniques are taught through forms or ''aka''. Aka are first practiced solo, before the student progres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Silambam Association
The World Silambam Association (WSA) ( ta, உலக சிலம்பம் சங்கம்) is the official international body of Silambam for Worldwide and a recognized Non-Governmental Organization. On November 22, 1999, the primary name of Silambam, which originated from the ancient Tamil Nadu State of India, was documented by Guruji Murugan Chillayah to become the official organization name to provide Indian traditional arts and sports for education, health, fitness, culture, nature, climate change, recreation, and dissemination work. The primary name Silambam was legally registered and recognized as a formalized organization after receiving security clearance approval from the Regulatory Authority. It was followed by the formation of Silambam Asia, registered with members from twelve countries on the Asia continent and officially recognized by the United Nations, which has expanded and grown further throughout the Asia continent and worldwide. The World Silambam Associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varma Kalai
Varma Kalai ( Tamil: ''varmakkalai'', Malayalam and Sanskrit: ''marma-vidya'', Sinhala: ''maru kalā'', Telugu: ''marma-vidya kaḷa'') is a Tamil traditional art of vital points. It originated in present-day Kanyakumari,Tamilnadu, the southernmost part of India. It combines massage, alternative medicine, traditional yoga and martial arts in which the body's pressure points (''varmam'') are manipulated to heal or cause harm. The healing application called ''Vaidhiya Murai'' is part of Siddha medicine (''siddha vaidyam''). Its combat application is known as ''Adimurai'' (it includes a component called ''Varma Adi'', meaning "pressure-point striking") can be done either empty-handed or with a blunt weapon such as a stick or staff. ''Varma Kalai'' is usually taught in the advanced stage of Adimurai, Kalaripayattu, and Silambam in Kerala and Tamil Nadu respectively;Stevens, B; ''From Lee to Li'', HarperCollins 2009 strikes are targeted at the nerves, veins, tendons, soft tissues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thang-ta
Huyen langlon is an Indian martial art from Manipur. In the Meitei language, means war while or can mean net, knowledge or art. consists of two main components: thang-ta (armed combat) and sarit sarak (unarmed fighting). The primary weapons of huyen langlon are the ''thang'' (sword) and ''ta'' (spear). The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling ('' mukna''). Because of Manipur's cultural similarity and geographical proximity with Myanmar, is closely related to Burmese bando and banshay. The thang-ta aspect of can be practiced in three ways: ritual, demonstration, and combat. The first way is related to tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These routines can be converted into actual fighting practices. The third way is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahtib
Tahtib ( arz, تحطيب, taḥṭīb) is the term for a traditional stick-fighting martial art originally named ''fan a'nazaha wa-tahtib'' ("the art of being straight and honest through the use of stick"). The original martial version of tahtib later evolved into an Egyptian folk dance with a wooden stick. It is commonly described in English as a "stick dance", "cane dance", "stick-dancing game", or as ritual mock combat accompanied by music. Nowadays, the word ''tahtib'' encompasses both martial practice and performance art. It is mainly practiced today in Upper Egypt. Tahtib is regularly performed for tourists in Luxor and Aswan. The stick used in tahtib is about four feet in length and is called an ''asa'', ''asaya'', ''assaya'', or ''nabboot''. It is often flailed in large figure-eight patterns across the body with such speed that the displacement of air is loudly discernible. History The oldest traces of tahtib were found on engravings from the archaeological site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silambam Asia
The Silambam Asia (SILA) ( ta, சிலம்பம் ஆசியா) (IAST: Silambam Āsiyā) is the official international body of Silambam for the Continent of Asia and a Non-Governmental Organization recognized by the World Silambam Association (WSA). On November 22, 1999, the primary name of Silambam, which originated from the ancient Tamil Nadu State of India, was documented by Guruji Murugan Chillayah to become the official organization name to provide Indian traditional arts and sports for education, health, fitness, culture, nature, climate change, recreation, and dissemination work. The primary name Silambam was legally registered and recognized as a formalized organization after receiving security clearance approval from the Regulatory Authority. It was followed by the formation of Silambam Asia, registered with members from twelve countries on the Asia continent and officially recognized by the United Nations, which has expanded and grown further throughout the Asi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardani Khel
Mardani khel is an armed Indian martial art from Maharashtra. It is particularly known for its use of the uniquely Indian patta (sword) and ''vita'' (corded lance). The early history of mardani khel as a distinct system is difficult to trace prior to the 1600s, but it is said to owe its development to the particular geographic conditions of Maharashtra. A hilly region characterized by valleys and caves, the inhabitants became expert horsemen who favoured light armour and highly mobile cavalry units during war. History Maratha empire Mardani khel began its rise to prominence during the early 1600s when the Deccan sultanates relied on the guerilla tactics of Maratha units led by Shahaji. His son Shivaji Raje Bhosale learned the art of fighting from a young age and by his adolescence was already proficient in the use of various arms. His weapon of choice was a 4-foot sword named Bhawani. At the age of 17, Shivaji took advantage of the chaotic affairs of the Deccan and subverted Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuttu Varisai
Silambam is an Indian martial art originating in South India in the Indian subcontinent. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam. Origin References in the ''Silappadikkaram'' and other works of the Sangam literature show that Silambam has been practiced since at least the 4th century BC. It derives from the Tamil word silam, meaning hill. The term silambambu referred to a particular type of bamboo from the Kurinjimala (kurinji hills) in present-day Kerala. Thus silambam was named after its primary weapon, the bamboo staff. It may have earlier used for self-defense and to ward off animals in the Kurinji hills and later evolved into the present-day martial art. Bamboo staffs – as well as swords, pearls and armor – were in great demand from foreign traders. The ancient city of Madurai formed as the point of focus of Silambam's spreading. The Silambam staff was acquired by the Egypti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krabi–krabong
Krabi-Krabong ( th, กระบี่กระบอง, ) is a weapon-based martial art from Thailand. It is closely related to other Southeast Asian fighting styles such as Pencak Silat Indonesia, Burmese banshay and Cambodian kbach kun boran. The royal bodyguard corps of the late King Bhumibol Adulyadej (Rama IX) were said to be highly trained in krabi-krabong. Weapons The system's name refers to its main weapons, namely the Thai sword (''krabi'') and staff (''krabong''). Typically, two swords (''daab song mue'') are wielded as a pair. Unarmed krabi-krabong ( muay boran) makes use of kicks, pressure point strikes, joint locks, holds, and throws. The weapons of krabi-krabong include the following: * ''Krabi'' ( th, กระบี่ ): sabre/curved sword * '' Daab'' ( th, ดาบ): single-edge sword * ''Krabong'' ( th, กระบอง): stick/ cudgel, usually either paired or used with a shield. Not very popular in present-day so often gets confused with long pole * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenjutsu
is an umbrella term for all ('' ko-budō'') schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration. Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. Kenjutsu, which originated with the samurai class of feudal Japan, means "methods, techniques, and the art of the Japanese sword". This is opposed to kendo, which means "the way of the sword" and uses a bamboo sword (shinai) and protective armour ( bōgu). The exact activities and conventions undertaken when practicing ''kenjutsu'' vary from school to school, where the word school here refers to the practice, methods, ethics, and metaphysics of a given tradition, yet commonly include practice of battlefield techniques without an opponent and techniques whereby two practitioners perform ''kata'' (featuring full contact strikes to the body in some styles and no body contact strikes permitted in others). Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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