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Byron McKeeby
Byron Gordon McKeeby (1936-1984) was an American artist, educator and master printmaker known primarily for lithography. McKeeby's interest dovetailed with a burgeoning contemporary community in advancing lithography as an art form. He was active in all form of print exhibition. He built a full scope printmaking department of rank at the University of Tennessee that exists today. Biography Early years McKeeby, son of Byron J. and Miriam McKeeby, was born on February 27, 1936, in Humboldt, Iowa, later growing up in Cedar Rapids, IA. Growing up after the Great Depression and during the World War II 1940s, McKeeby knew the hardships of the day, particularly after his father died while he was still a teenager. McKeeby's youth, however, was enriched by his mother's interest in art, particularly Rosa Bonheur. McKeeby was the grandson of Byron H. McKeeby, a Cedar Rapids dentist, who posed as the farmer in Grant Wood's American Gothic. Ultimately he referenced this relation ...
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Humboldt, Iowa
Humboldt is a city in Humboldt County, Iowa, United States. The population was 4,792 at the time of the 2020 census, gaining 340 people over the 2000 total. History Frank A. Gotch Park (just south of present-day Humboldt and Dakota City) was a location of prehistoric and some Dakota Indian villages near where the two forks of the Des Moines River meet. During westward expansion in the 1800s, this area is thought to be the location of a fort/trading post called Fort Confederation. According to Federal records in 1825, permission was granted to build the fort to trade with the Ihanktonwan Dakota (Yankton Sioux) Indians. Information about the exact details of the fort are unclear, such as if American or French Canadian or Metis traders built it, bringing up many questions about this fort. The founder of modern Humboldt, Stephen Harris Taft, laid out the plans for Springvale, the original name of the town, in 1863. It was named Springvale because of the several natural springs fou ...
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Jim Steg
Jim Steg (1922–2001) was an artist, printmaker, and professor based in New Orleans, Louisiana. Considered the most influential printmaker to be based in New Orleans in the twentieth century, Steg made a substantial impact on printmaking in New Orleans through his own work and over his 43-year tenure as a professor of printmaking at Newcomb College. Over the course of a long artistic career that saw him engage with several 20th century art, 20th century art movements, Steg used nearly every known printmaking technique and invented some of his own. Early life Born in Alexandria, Virginia but raised on a farm in Upstate New York, James Louis Steg lived a quiet childhood between the two World Wars. He showed both a keen interest and a natural talent in drawing from an early age, and dreamed of becoming a cartoonist. While still in high school, he traveled to Chicago to attend a workshop at the Art Institute of Chicago, Art Institute, where he would receive his first formal artisti ...
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Donald Saff
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Early life Saff was born in Brooklyn, New York to Irving and Rose Saff and is the second of three sons. His brothers are Dr. Harvey Saff and mathematician Dr. Edward Saff. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro.Hennessy, Susie. "Chronology." ' ...
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Monotyping
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink is removed during the initial pressing. ...
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Screen Printing
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One colour is printed at a time, so several screens can be used to produce a multi-coloured image or design. Traditionally, silk was used in the process. Currently, synthetic threads are commonly used in the screen printing process. The most popular mesh in general use is made of polyester. There are special-use mesh materials of nylon and stainless steel available to the screen-printer. There are also different types of mesh size which will determine the outcome and look of the f ...
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Collagraphy
Collagraphy (sometimes spelled collography) is a printmaking process introduced in 1955 by Glen Alps in which materials are applied to a rigid substrate (such as paperboard or wood). The word is derived from the Greek word ''koll'' or ''kolla'', meaning glue, and ''graph'', meaning the activity of drawing. The plate can be intaglio-inked, inked with a roller or paintbrush or some combination thereof. Ink or pigment is applied to the resulting collage and the board is used to print onto paper or another material using either a printing press or various hand tools. The resulting print is termed a collagraph. Substances such as carborundum, acrylic texture mediums, sandpapers, textiles, bubble wrap, string or other fibres, cut card, leaves and grass can all be used in creating the collagraph plate. In some instances, leaves can be used as a source of pigment by rubbing them onto the surface of the plate. Different tonal effects and vibrant colours can be achieved with the techniqu ...
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Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image or ''matrix'' of images into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, wood engravings deteriorate less quickly than copper-plate engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally uses ...
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Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Technique Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and ...
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Viscosity Printing
The viscosity of a fluid is a measure of its resistance to deformation at a given rate. For liquids, it corresponds to the informal concept of "thickness": for example, syrup has a higher viscosity than water. Viscosity quantifies the internal frictional force between adjacent layers of fluid that are in relative motion. For instance, when a viscous fluid is forced through a tube, it flows more quickly near the tube's axis than near its walls. Experiments show that some stress (such as a pressure difference between the two ends of the tube) is needed to sustain the flow. This is because a force is required to overcome the friction between the layers of the fluid which are in relative motion. For a tube with a constant rate of flow, the strength of the compensating force is proportional to the fluid's viscosity. In general, viscosity depends on a fluid's state, such as its temperature, pressure, and rate of deformation. However, the dependence on some of these properties is ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, wher ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" ...
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University Of Tennessee
The University of Tennessee (officially The University of Tennessee, Knoxville; or UT Knoxville; UTK; or UT) is a public land-grant research university in Knoxville, Tennessee. Founded in 1794, two years before Tennessee became the 16th state, it is the flagship campus of the University of Tennessee system, with ten undergraduate colleges and eleven graduate colleges. It hosts more than 30,000 students from all 50 states and more than 100 foreign countries. It is classified among "R1: Doctoral Universities – Very high research activity". UT's ties to nearby Oak Ridge National Laboratory, established under UT President Andrew Holt and continued under the UT–Battelle partnership, allow for considerable research opportunities for faculty and students. Also affiliated with the university are the Howard H. Baker Jr. Center for Public Policy, the University of Tennessee Anthropological Research Facility, and the University of Tennessee Arboretum, which occupies of nearby ...
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