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Brygos Painter
The Brygos Painter was an ancient Greek Attic red-figure vase painter of the Late Archaic period. Together with Onesimos, Douris and Makron, he is among the most important cup painters of his time. He was active in the first third of the 5th century BCE, especially in the 480s and 470s BCE. He was a prolific artist to whom over two hundred vases have been attributed, but he is perhaps best known for the Brygos Cup, a red-figure kylix in the Louvre which depicts the "iliupersis" or sack of Troy. The name ''Brygos'' The artist’s name is derived from several cups painted in a distinctive style and bearing the signature “Brygos.” This inscription, currently present on sixteen vessels (some complete pieces and some fragments), is often accompanied by the word epoiesen. This suggests that the name refers to the potter or maker, rather than the painter, whose name would likely be followed by the word egrapsen. Some scholars persist in believing that the Brygos designation sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos Satyrs Cdm Paris 575
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were norm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos
In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre, theatre. The Ancient Rome, Romans called him Bacchus ( or ; grc, wikt:Βάκχος, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and Cult of Dionysus, his cults took many forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trojan War
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's ''Iliad''. The core of the ''Iliad'' (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the '' Odyssey'' describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tecmessa
The name Tecmessa ( grc, Τέκμησσα, Tékmēssa) refers to the following characters in Greek mythology: * Tecmessa, daughter of Teleutas, King of Phrygia, or Teuthras, King of Teuthrania in Mysia, or Tethras or Teuthas. During the Trojan War, Telamonian Ajax kills Tecmessa's father and takes her captive; his reason for doing so may have been, as the 1st-century BC Roman poet, Horace, wrote, that Ajax was captivated by Tecmessa's beauty. In Sophocles' ''Ajax'', Tecmessa unsuccessfully tries to dissuade Ajax from committing suicide. She is the first to find his corpse, which she promptly covers with her own clothing to prevent further heartache. Their infant son, Eurysaces, however, survives the incident. * Tecmessa, one of the Amazons killed by Heracles in his quest for the girdle of Hippolyte.Diodorus Siculus, 4.16.2 Notes References * Diodorus Siculus, '' The Library of History'' translated by Charles Henry Oldfather. Twelve volumes. Loeb Classical Library. Camb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajax The Great
Ajax () or Aias (; grc, Αἴας, Aíās , ''Aíantos''; archaic ) is a Greek mythological hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a towering figure and a warrior of great courage in Homer's '' Iliad'' and in the Epic Cycle, a series of epic poems about the Trojan War, being second only to Achilles among Greek heroes of the war. He is also referred to as "Telamonian Ajax" (, in Etruscan recorded as ''Aivas Tlamunus''), "Greater Ajax", or "Ajax the Great", which distinguishes him from Ajax, son of Oileus, also known as Ajax the Lesser. Family Ajax is the son of Telamon, who was the son of Aeacus and grandson of Zeus, and his first wife Periboea. Through his uncle Peleus (Telamon's brother), he is the cousin of Achilles, and is the elder half-brother of Teucer. The etymology of his given name is uncertain. By folk etymology his name was said to come from the root of ''aiaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaestra
A palaestra ( or ; also (chiefly British) palestra; grc-gre, παλαίστρα) was any site of an ancient Greek wrestling school. Events requiring little space, such as boxing and wrestling, took place there. Palaestrae functioned both independently and as a part of public gymnasia; a palaestra could exist without a gymnasium, but no gymnasium existed without a palaestra. Etymology Compare Ancient Greek ''palaiein'' - "to wrestle" and ''palē'' - "wrestling". Palaestrophylax or palaistrophylax ( el, παλαιστροφύλαξ), meaning “palaestra guard”, was the guardian or the director of a Palaestra. Architecture Greek The architecture of the palaestra, although allowing for some variation, followed a distinct, standard plan. The palaestra essentially consisted of a rectangular court surrounded by colonnades with adjoining rooms. These rooms might house a variety of functions: bathing, ball playing, undressing and storage of clothes, seating for socializing, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeuxo Chrysippos BM E65
Zeuxo may refer to: * Zeuxo (Greek mythology), a Greek Oceanid * 438 Zeuxo, a large Main belt asteroid discovered in 1898 * ''Zeuxo'' (crustacean), a genus in family Tanaididae See also * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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