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Brian Michael Moore
Brian Michael Moore is an American operatic tenor, based at the Oper Frankfurt. He has performed leading roles in the United States and Europe, including Remendado in Bizet's ''Carmen'' in Los Angeles, Mozart's Don Ottavio in ''Don Giovanni'' at the Festival dei Due Mondi in Spoleto, and Britten's Prodigal Son in Frankfurt. Career Moore was born in Cincinnati. He studied voice at the Manhattan School of Music in New York City, completing with a master's degree. Moore took part in the operas studio of the Los Angeles Opera, completing the Domingo-Colburn-Stein Young Artist Program; he appeared there as Remendado in Bizet's ''Carmen'', the Governor in Bernstein's ''Candide'', Spoletta in Puccini's ''Tosca'', and Nathanaël in Offenbach's ''Les Contes d'Hoffmann''. He performed in 2017 as Don Ottavio in Mozart's ''Don Giovanni'', conducted by James Conlon at the Festival dei Due Mondi in Spoleto, and as the Prince in Luke Bedford's ''Seven Angels'' at the Aspen Music Festival and Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cincinnati
Cincinnati ( ; colloquially nicknamed Cincy) is a city in Hamilton County, Ohio, United States, and its county seat. Settled in 1788, the city is located on the northern side of the confluence of the Licking River (Kentucky), Licking and Ohio River, Ohio rivers, the latter of which marks the state line with Kentucky. It is the List of cities in Ohio, third-most populous city in Ohio and List of united states cities by population, 66th-most populous in the U.S., with a population of 309,317 at the 2020 census. The city is the economic and cultural hub of the Cincinnati metropolitan area, Ohio's most populous metro area and the Metropolitan statistical area, nation's 30th-largest, with over 2.3 million residents. Throughout much of the 19th century, Cincinnati was among the Largest cities in the United States by population by decade, top 10 U.S. cities by population. The city developed as a port, river town for cargo shipping by steamboats, located at the crossroads of the Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as the Met, the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018. The Met was founded in 1883 as an alternative to the previously established Academy of Music (New York City), Academy of Music opera house and debuted the same year in a new Metropolitan Opera House (39th Street), building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. The company presents about 18 different operas each year from late September through early June. The operas are presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ferne Klang
''Der ferne Klang'' (''The Distant Sound'') is an opera by Franz Schreker, set to his own libretto. Begun in 1903, it was first performed by the Oper Frankfurt on 18 August 1912. It was the composer's breakthrough to fame, and was frequently performed up until 1931, shortly after which the composer's music was proscribed by the Nazi regime. Largely forgotten after World War II, it has been revived by several opera companies in the 21st century. Composition history Drafted in 1901, Schreker completed the three-act libretto in 1903. However, composing the music would take about ten years. Criticism from his composition teacher Robert Fuchs caused Schreker to abandon the project for the first time in 1903. He did not return to it until 1905, after having attended the first performances of Richard Strauss' opera ''Salome''.Christopher Hailey: ''Franz Schreker: A Cultural Biography'' (Cambridge University Press, 1993) The orchestral interlude of act 3 (entitled ''Nachtstück'') was giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capriccio (opera)
''Capriccio'', Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". It received its premiere performance at the Nationaltheater München on 28 October 1942. Strauss and Clemens Krauss wrote the German libretto, but its genesis came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took it on, but finally recruited Krauss as his collaborator. Most of the final libretto is by Krauss. The opera originally consisted of a single act lasting close to two and a half hours. This, in combination with the work's conversational tone and emphasis on text, has prevented it from achieving great popularity. But at Hamburg in 1957, , who directed the opera at its premiere in Munich, inserted an interval at the point when the Countess orders chocolate, and other directors have often followed suit, including performances at Glyndebourne Festival Opera. The final scene for Countess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambur Braid
Ambur Braid (born Amber Dionne Braid) is a Canadian soprano. Early life and education Braid was born in Terrace, British Columbia. She studied at The Royal Conservatory of Music Glenn Gould School with Donna Sherman from 2002 to 2006, where she achieved her Bachelor of Music and Artist Diploma in Voice Performance. She then went on to study with Wendy Hillhouse at the San Francisco Conservatory of Music from 2006 to 2008, where she attained her Master of Music. She then continued her studies at Operaworks with Ann Baltz, the Opera Workshop in St. Andrews-By-The-Sea with Wendy Nielsen, the Canadian Opera Company Ensemble Studio (2010–2013) and the Ravinia Festival's Steans Institute (2012). From 2014 to 2016, Ambur moved to Athens, Greece to work with Marina Krilovici on a repertoire shift to roles like Salome (Strauss) and the title role in Puccini's Tosca. Career After completing her Master of Music degree, Ambur made her professional debut with Opera Atelier as Diane in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulisse (opera)
is an opera in a prologue and two acts composed by Luigi Dallapiccola to his own libretto based on the legend of Ulysses. It premiered at the Deutsche Oper Berlin (in German translation by Karl-Heinrich Kreith as ''Odysseus'') on 29 September 1968 conducted by Lorin Maazel with Erik Saedén in the title role. ''Ulisse'' was Dallapiccola's only full-length last opera and took eight years to compose. As in his previous one-act operas, '' Volo di notte'' and '' Il prigioniero'', his declared theme was "the struggle of man against some force much stronger than he". Roles * Ulisse – baritone ( Erik Saedén) * Calypso / Penelope – soprano ( Annabelle Bernard)Shirley, Wayne"Luigi Dallapiccola's Sketch for ''Ulisse''" The Moldenhauer Archives, Library of Congress *Nausicaa – soprano ( Catherine Gayer) * Re Alcinoo – bass ( Victor von Halem) * Demodoco – tenor (Helmuth Melchert) *Circe – mezzo-soprano ( Jean Madeira) *La madre di Anticlea (mother of Anticlea) – soprano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was Theater manager, intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''Les contes d'Hoffmann, The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metrop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, ''A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece from Johann Wolfgang von Goethe, Goethe's collection ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''One Thousand and One Nights, The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrie Kosky
Barrie Kosky (born 18 February 1967) is an Australian theatre and opera director. Based at the Komische Oper Berlin, he has worked internationally. Biography Kosky was born in Melbourne, the grandson of Jewish emigrants from Europe. He attended Melbourne Grammar School where he performed in Brecht's ''The Resistible Rise of Arturo Ui'' in 1981, Shakespeare's ''Othello'' in 1982, and later directed his first play. Among many other later famous Australian artists, he also worked at the St Martins Youth Arts Centre. In 1985, he then began studies in piano and music history at the University of Melbourne. In 1988, he directed there at the Union Theatre Mozart's ''Don Giovanni'' and Frank Wedekind's ''The Lulu Plays'', '' Earth Spirit'' and '' Pandora's Box''. Career In 1989, Kosky directed the Australian premiere of Michael Tippett's '' The Knot Garden'' (reduced version) at the Melbourne Spoleto Festival. He also directed Alban Berg's ''Lulu'' at the same festival. In 1990, he f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
