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Border Ballad
Border ballads are a group of songs in the long tradition of balladry collected from the Anglo-Scottish border. Like all traditional ballads, they were traditionally sung unaccompanied. There may be a repeating motif, but there is no "chorus" as in most popular songs. The supernatural is a common theme in border ballads, as are recountings of raids and battles. Ballad types The ballads belong to various groups of subjects, such as riding ballads like "Kinmont Willie"; historical ballads like " Sir Patrick Spens"; comic ballads like " Get Up and Bar the Door";''About this book'' - inside front cover of and those with supernatural themes including "Thomas the Rhymer" (also known as "True Thomas" or "Thomas of Erceldoune") and "Tam Lin". Writings about Some of the earliest known references (in Middle Scots) to the ballads appeared in '' The Complaynt of Scotland'' (1549). Sir Walter Scott wrote about border ballads in ''Minstrelsy of the Scottish Border'', first published in 1802 ...
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Scott's Minstrelsy Of The Scottish Border
Scotts or Scott's may refer to: Businesses and brands *Scott's (restaurant), in London *Scott's Food & Pharmacy, an American supermarket chain *Scotts Miracle-Gro Company, an American multinational corporation *Scott's Porage Oats, a Scottish breakfast cereal *Scotts Shipbuilding and Engineering Company, a Scottish shipbuilding company 1711–1993 Places *Scotts, Michigan, U.S. *Scotts, North Carolina, U.S. *Scotts Valley, California, U.S. Other uses * Scotts (band), a Swedish music group * "The Scotts", a 2020 song by The Scotts (Travis Scott and Kid Cudi) See also

* * * Scots (other) * Scotch (other) * Scottish (other) * Scotts Bluff National Monument, in Nebraska, U.S. {{dab, geo ...
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Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of " Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous ...
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Scottish Literature
Scottish literature is literature written in Scotland or by Scottish writers. It includes works in English, Scottish Gaelic, Scots, Brythonic, French, Latin, Norn or other languages written within the modern boundaries of Scotland. The earliest extant literature written in what is now Scotland, was composed in Brythonic speech in the sixth century and has survived as part of Welsh literature. In the following centuries there was literature in Latin, under the influence of the Catholic Church, and in Old English, brought by Anglian settlers. As the state of Alba developed into the kingdom of Scotland from the eighth century, there was a flourishing literary elite who regularly produced texts in both Gaelic and Latin, sharing a common literary culture with Ireland and elsewhere. After the Davidian Revolution of the thirteenth century a flourishing French language culture predominated, while Norse literature was produced from areas of Scandinavian settlement. The first survi ...
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Scottish Folk Songs
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland * Scots language, a West Germanic language spoken in lowland Scotland * Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian-era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (Spanish ... * {{disambiguation Language and nationality disambiguation pages ca:Escocès ...
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Scottish Borders
The Scottish Borders is one of 32 council areas of Scotland. It is bordered by West Lothian, Edinburgh, Midlothian, and East Lothian to the north, the North Sea to the east, Dumfries and Galloway to the south-west, South Lanarkshire to the west, and the English Ceremonial counties of England, ceremonial counties of Cumbria and Northumberland to the south. The largest settlement is Galashiels, and the administrative centre is Newtown St Boswells. The term "Scottish Borders" is also used for the areas of southern Scotland and northern England that bound the Anglo-Scottish border, namely Dumfries and Galloway, Scottish Borders, Northumberland, and Cumbria. The council area occupies approximately the same area as the Shires of Scotland, historic shires of Berwickshire, Peeblesshire, Roxburghshire, and Selkirkshire. History The term Border country, Borders sometimes has a wider use, referring to all of the Counties of Scotland, counties adjoining the English border, also includin ...
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Northumbrian Folklore
Northumbrian may refer to: Languages * present-day Northumbrian dialect, a variant of Northern English closely related to Scots * historic Northumbrian Old English, a variety of Old English spoken in the Kingdom of Northumbria People * an inhabitant of the present-day region of Northumbria or North East England * an inhabitant of the historic county of Northumberland specifically * an inhabitant of the historic Kingdom of Northumbria Northumbria () was an early medieval Heptarchy, kingdom in what is now Northern England and Scottish Lowlands, South Scotland. The name derives from the Old English meaning "the people or province north of the Humber", as opposed to the Sout ... Transport * Northumbrian (locomotive), a locomotive built in 1830 and first to encompass smokebox and firebox within the boiler barrel {{disambiguation Northumbria ...
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English Folk Songs
The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style. There are distinct regional and local variations in content and style, particularly in areas more removed from the most prominent English cities, as in Northumbria, or the West Country. Cultural interchange and processes of migration mean that English folk music, although in many ways distinctive, has significant crossovers with the music of Scotland. When English communities migrated to the United States, Canada and Australia, they brought their folk traditions with them, and many of the songs were preserved by i ...
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Border Ballads
Border ballads are a group of songs in the long tradition of balladry collected from the Anglo-Scottish border. Like all traditional ballads, they were traditionally sung unaccompanied. There may be a repeating motif, but there is no "chorus" as in most popular songs. The supernatural is a common theme in border ballads, as are recountings of raids and battles. Ballad types The ballads belong to various groups of subjects, such as riding ballads like "Kinmont Willie"; historical ballads like " Sir Patrick Spens"; comic ballads like " Get Up and Bar the Door";''About this book'' - inside front cover of and those with supernatural themes including "Thomas the Rhymer" (also known as "True Thomas" or "Thomas of Erceldoune") and " Tam Lin". Writings about Some of the earliest known references (in Middle Scots) to the ballads appeared in '' The Complaynt of Scotland'' (1549). Sir Walter Scott wrote about border ballads in ''Minstrelsy of the Scottish Border'', first published in 180 ...
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John Pick
John Barclay Pick (26 December 1921 – 25 January 2015), often credited as J.B. Pick, was an English poet, novelist, and biographer. He was a Quaker and a conscientious objector during the Second World War, serving in the Friends' Ambulance Unit and then as a coalminer. Pick was born in Leicester. He was married to Gene Pick (died 2019) with two children, both sons (Peter Pick and David Pick). Pick received his education at Sidcot School, a Quaker institution in Somerset. He attended Cambridge University for a year but left at the outbreak of Second World War to join the Friends' Ambulance Unit. He moved to Wester Ross in Scotland in 1946, where he took up writing full time. In 1958, he returned to Leicester and worked in industry for some years. In the 1980s he moved to live in Balmaclellan in Galloway. Pick was the author of the novels ''Out of the Pit'', ''The Lonely Aren't Alone'', ''Under the Crust'' and ''A Land Fit for Eros'', the last co-authored with John Atk ...
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List Of The Child Ballads
is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child and originally published in ten volumes between 1882 and 1898 under the title ''The English and Scottish Popular Ballads.'' The ballads Following are synopses of the stories recounted in the ballads in Child's collection. Since Child included multiple versions of most ballads, the details of a story can vary widely. The synopses presented here reflect the summaries in Child's text, but also rely on other sources as well as the ballads themselves. References {{Francis James Child * Murder ballads Child Ballads The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ...
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Minstrelsy Of The Scottish Border
''Minstrelsy of the Scottish Border'' is an anthology of Border ballads, together with some from north-east Scotland and a few modern literary ballads, edited by Walter Scott. It was first published by Archibald Constable in Edinburgh in 1802, but was expanded in several later editions, reaching its final state in 1830, two years before Scott's death. It includes many of the most famous Scottish ballads, such as " Sir Patrick Spens", " The Young Tamlane", " The Twa Corbies", " The Douglas Tragedy", " Clerk Saunders", " Kempion", " The Wife of Usher's Well", " The Cruel Sister", " The Dæmon Lover", and " Thomas the Rhymer". Scott enlisted the help of several collaborators, notably John Leyden, and found his ballads both by field research of his own and by consulting the manuscript collections of others. Controversially, in the editing of his texts he preferred literary quality over scholarly rigour, but ''Minstrelsy of the Scottish Border'' nevertheless attracted high pr ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ...
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