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Bolshoi Ballet
The Bolshoi Ballet is an internationally renowned classical ballet company based at the Bolshoi Theatre in Moscow, Russia. Founded in 1776, the Bolshoi is among the world's oldest Ballet company, ballet companies. In the early 20th century, it came to international prominence as Moscow became the capital of Russian Soviet Federative Socialist Republic, Soviet Russia. The Bolshoi has been recognised as one of the foremost ballet companies in the world. It has a branch at the Bolshoi Ballet Theater School in Joinville, Brazil. History The earliest iteration of the Bolshoi Ballet can be found in the creation of a dance school for a Moscow orphanage in 1773. In 1776, dancers from the school were employed by Prince Pyotr Vasilyevich Urusov and English theatrical entrepreneur Michael Maddox to form part of their new theatre company. Originally performing in privately owned venues, they later acquired the Petrovsky Theatre, which, as a result of fires and erratic redevelopment, would l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, p=bɐlʲˈʂoj tʲɪˈat(ə)r, t=Grand Theater) is a historic opera house in Moscow, Russia, originally designed by architect Joseph Bové. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovated several times during its history, is a lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Gorsky
Alexander Gorsky (August 6, 1871 – 1924), a Russian ballet choreographer and a contemporary of Marius Petipa, is known for restaging Petipa's classical ballets such as ''Swan Lake'', ''Don Quixote'', and ''The Nutcracker''. Gorsky "sought greater naturalism, realism, and characterization" in ballet. He valued acting skills over ''bravura'' technique (a showy display of skills such as many turns or high jumps). His interpretations of ballets were often controversial and he often used artists outside the dance world to create sets and costumes. The victim of deteriorating mental health in his later life, he died in a mental hospital. Early life The Russian ballet choreographer Alexander Gorsky was born August 6, 1871, outside of St. Petersburg, Russia. When he turned eight his parents hoped to send him to the School of Commerce and his sister to the Imperial Ballet School both in St. Petersburg. After being accepted to the School of Commerce he went along with his sister to the Im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Suite (ballet)
''Carmen Suite'' is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from Bizet's opera ''Carmen'' and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."Sanderson, allmusic.com. Structure The ballet is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze;, Romanization of Georgian, : April 30, 1983) was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.'' HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Russia, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway theatre, Broadway and in Cinema of the United States, Hollywood, creating his signature " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two '' tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Neumeier
John Neumeier (born February 24, 1939) is an American ballet dancer, choreographer, and director. He was the director and principal choreographer of Hamburg Ballet from 1973 to 2024 and the artistic director of the ballet at the Hamburg State Opera from 1996-2024. In 1978 he founded The School of the Hamburg Ballet, which includes a boarding school for 34 students. He has been the general director and artistic supervisor of the German National Youth Ballet since it was founded in 2011. Life and career Neumeier was born in Milwaukee, Wisconsin, where he received his first ballet training. He continued his dance training in Chicago at the Stone-Camyrn School of Ballet and performed with Sybil Shearer and Ruth Page. After completing a BA in English Literature and Theater Studies at Marquette University in 1961, he continued his training in Copenhagen with Vera Volkova and at the Royal Ballet School in London. In 1963 he joined the Stuttgart Ballet under John Cranko, rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Filin
Sergei Yurevitch Filin (; born 27 October 1970) is a Russian ballet dancer and the former artistic director of the Bolshoi Theater from 2011 through 2016. He is currently the Director of the Young Artists Ballet Program at the Bolshoi Theatre. Previously, he was the artistic director of the ballet at the Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre, serving in this capacity from 2008 to 2011. Ballet career Filin was born in Moscow. He started dancing at age seven at the V. Loktev's Children's Ensemble of Folk Dances. At this time, he appeared with Oleg Popov in the film ''The Sun in the Bag''. At the age of nine, he was accepted into the Moscow Choreographic Institute. In 1988, he joined the corps de ballet of the Bolshoi Ballet in Moscow. He was promoted to the rank of Premier with the Bolshoi Ballet Company in 1990. He was also a principal dancer with the State Ballet of Georgia and guest soloist with the Vienna State Opera. His dance partners have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexei Ratmansky
Alexei Osipovich Ratmansky (, born August 27, 1968) is a Russian-Ukrainian-American choreographer and former ballet dancer. From 2004 to 2008 he was the director of the Moscow Bolshoi Ballet. He left Russia in 2008. In 2009 he was appointed the artist in residence at the American Ballet Theatre, and as artist in residence at the New York City Ballet from August 2023. Training and performance career Ratmansky was born in Saint Petersburg, Leningrad in Russia, Soviet Union, grew up in Kyiv, then in the Soviet Union, later the capital of independent Ukraine, and trained under Pyotr Pestov and Alexandra Markeyeva at the Bolshoi Ballet School in Moscow. He graduated in 1986. He then started his professional career in Kyiv and was a principal dancer with the Ukrainian National Ballet, Royal Winnipeg Ballet and Royal Danish Ballet. Choreographic and administrative careers Ratmansky's choreographic career first became notable with his staging of the ballet ''Dreams of Japan'' for the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by . The ballet was staged for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II ''The Kingdom of the Shades'', which is one of the most celebrated pieces in all of classical ballet. Nearly all modern versions of ''La Bayadère'' are derived from and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Corsaire
''Le Corsaire'' is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem '' The Corsair'' by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of ''Le Corsaire'' are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century. The ballet has many celebrated passages which are often excerpted from the full-length work and performed independently: the scene ''Le Jardin animé'', the ''Pas d’esclave'', the ''Pas de trois des odalisques'', and the so-called ''Le Corsaire pas de deux'' (music mostly by Riccardo Drigo), which is among classical ballet's most famous and performed excerpts. Synopsis Act 1 Scene 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' ( , ), originally titled ''Giselle, ou les Wilis'' (; ''Giselle, or The Wilis''), is a romantic ballet () in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Vila (fairy), Wilis, the ghosts of unmarried women who died after being betrayed by their lovers an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *'' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *'' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and governme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
