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Beulé Gate
The Beulé Gate () is a fortified gate, constructed in the Roman period, leading to the Propylaia of the Acropolis of Athens. It was constructed almost entirely from repurposed materials () taken from the Choragic Monument of Nikias, a monument built in the fourth century BCE and demolished between the second and fourth centuries CE. The dedicatory inscription from Nikias's monument is still visible in the entablature of the Beulé Gate. The gate was integrated into the Post-Herulian Wall, a late Roman fortification built around the Acropolis in the years following the city's sack by the Germanic Heruli people in 267 or early 268 CE. Its construction marked the beginning of a new phase in the Acropolis's use, in which it came to be seen more as a potential defensive position than in the religious terms that had marked its use in the classical period. During the medieval period, the gate was further fortified and closed off, before being built over with a bast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acropolis Of Athens
The Acropolis of Athens (; ) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several Ancient Greek architecture, ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word ''Acropolis'' is . The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops I, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as early as the 4th millennium BC, it was Pericles (–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaia_(Acropolis_of_Athens), Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seriously damaged during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Athena Nike
The Temple of Athena Nike (Greek: Ναός Αθηνάς Νίκης, ''Naós Athinás Níkis'') is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the ''Nike Parapet'', named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike. Nike was the goddess of victory in Greek mythology, and Athena was worshipped in this form, representative of being victorious in war. The citizens worshipped the goddesses in hopes of a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deme
In Ancient Greece, a deme or (, plural: ''demoi'', δήμοι) was a suburb or a subdivision of Classical Athens, Athens and other city-states. Demes as simple subdivisions of land in the countryside existed in the 6th century BC and earlier, but did not acquire particular significance until the reforms of Cleisthenes in 508 BC. In those reforms, enrollment in the citizen-lists of a deme became the requirement for citizenship; prior to that time, citizenship had been based on membership in a phratry, or family group. At this same time, demes were established in the main city of Athens itself, where they had not previously existed; in all, at the end of Cleisthenes' reforms, Classical Athens, Athens was divided into 139 demes., Three other demes were created subsequently: Berenikidai (224/223 BC), Apollonieis (201/200 BC), and Antinoeis (AD 126/127). The establishment of demes as the fundamental units of the state weakened the ''genos, gene'', or aristocratic family groups, that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inscriptiones Graecae
The ''Inscriptiones Graecae'' (''IG''), Latin for ''Greek inscriptions'', is an academic project originally begun by the Prussian Academy of Science, and today continued by its successor organisation, the Berlin-Brandenburg Academy of Sciences and Humanities. Its aim is to collect and publish all known ancient inscriptions from the mainland and islands of Greece. The project was designed as a continuation of the ''Corpus Inscriptionum Graecarum'' (''Corpus of Greek Inscriptions'', abbreviated ''CIG'') published by August Böckh between 1825 and 1860, and as a parallel to the '' Corpus Inscriptionum Latinarum'' (''Corpus of Latin Inscriptions'') founded by Theodor Mommsen in 1847. From 1860 to 1902, it was directed by Adolf Kirchhoff. From 1902 to 1931, Ulrich von Wilamowitz-Moellendorff was in control of the project; he reorganised and re-energised the IG, turning it into one of the most important series for the publication of source material in Classical studies. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choregos
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; , Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the liturgical system designed to improve the city-state's economic stability through the use of private wealth to fund public good. Choregoi paid for co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case of windows, the bottom span is referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern-day lintels may be made using prestressed concrete and are also referred to as beams in beam-and-block slabs or as ribs in rib-and-block slabs. These prestressed concrete lintels and blocks can serve as components that are packed together and propped to form a suspended-floor concrete slab. An arch functions as a curved lintel. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Architecture
This page is a glossary of architecture. A B C The Caryatid Porch of the Athens.html" ;"title="Erechtheion, Athens">Erechtheion, Athens, 421–407 BC D E In historical gardening, an ''estrade'' plant was pruned and trained with the main stem bare in sections, to achieve an appearance often likened to a "wedding cake". Met Museum blog, 2009 F ...
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Geison
Geison ({{langx, grc, γεῖσον – often interchangeable with somewhat broader term cornice) is an architectural term of relevance particularly to ancient Greek and Roman buildings, as well as archaeological publications of the same. The geison is the part of the entablature that projects outward from the top of the frieze in the Doric order and from the top of the frieze course (or sometimes architrave) of the Ionic and Corinthian orders; it forms the outer edge of the roof on the sides of a structure with a sloped roof. The upper edge of the exterior often had a drip edge formed as a hawksbeak molding to shed water; there were also typically elaborate moldings or other decorative elements, sometimes painted. Above the geison ran the sima. The underside of the geison may be referred to as a soffit. The form of a geison (particularly the Hawksbeak molding of the outer edge) is often used as one element of the argument for the chronology of its building. Horizontal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poros Stone
Poros stone is a lightweight, soft, marly limestone that was widely used in construction and statues of Ancient Greece. There is no precise definition of the term, although its roots go to antiquity, when it was used to designate any porous building rock, regardless of its origin, mostly in contrast with marble. In the 20th century the archeologists continued to use the term in the similarly loose way: " asmade to include almost all light-coloured stones" that were not definitely marble or hard limestone. The stone is one of the chief formations of the Neogene (Miocene or Pliocene) in Greece and it occurs at many places in the Peloponnese, making a common construction stone there. Even when hardened by exposure to the elements, is much more readily cut with a knife than is an ordinary limestone. The ease of working with is the reason for its extensive use as a building stone, especially for foundations and other architectonic parts that are not exposed to view. Ancient t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope
A metope (; ) is a rectangular architectural element of the Doric order, filling the space between triglyphs in a frieze , a decorative band above an architrave. In earlier wooden buildings the spaces between triglyphs were first open, and later the free spaces in between triglyphs were closed with metopes; however, metopes are not load-bearing part of a building. Earlier metopes are plain, but later metopes were painted or ornamented with reliefs. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes were made out of clay or stone. A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
