Batucada Sound Machine
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Batucada Sound Machine
Batucada () is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada music is characterized by its syncopated style and fast pace with a marked rhythm. Originally from Rio de Janeiro and Bahia, Brazil, the rhythm has become popular around the world and is played specially in carnival festivities and celebrations, and also in street performances many times using big percussionist ensembles for greater impact. In some parts of Spain it has become a popular music, especially in parades and carnivals. During the Chinese New Year celebrations in the city of València, the ''Batuchina'' is played, an adaptation of Batucada to Chinese Traditional Music sounds. Overview/Instruments The wide variety of instruments used in a batucada include: *Repinique, a high-pitched tom-tom like drum played with a single stick (or two long sticks) and the hand. Traditionally the leader of the ensemble uses the repinique (also referred to as ' ...
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Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ...
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Chocalho
''Chocalho'' is the generic name for "shaker" in Portuguese. There are various types of idiophones using this name in Portuguese, not always being the same instrument: *a shaker; *a kind of jingle stick used to play samba music; *a cowbell; Chocalhos are typically used as a support to the sound of the caixas, to sustain the rhythm in the bateria The term ''bateria'' means “drum kit” in Portuguese and Spanish. In Brazil, the word is also used for a form of Brazilian samba band, the percussion band or rhythm section of a Samba School. ''Baterias'' are also used to accompany the B .... This instrument consists of an aluminum or wooden frame with a number of rows, each carrying pairs of jingles (platinelas). The chocalho is played by shaking it back and forth and pumping the arms up and down. Also known as Rocar. Idiophones Brazilian musical instruments {{Idiophone-instrument-stub ...
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Whistle
A whistle is a musical instrument which produces sound from a stream of gas, most commonly air. It is a type of Fipple, fipple flute, and may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a small slide whistle or nose flute type to a large multi-piped Organ (music), church organ. Whistles have been around since early humans first carved out a gourd or branch and found they could make sound with it. In prehistoric Egypt, small shells were used as whistles. Many present day Wind instrument, wind instruments are inheritors of these early whistles. With the rise of more mechanical power, other forms of whistles have been developed. One characteristic of a whistle is that it creates a pure, or nearly pure, Musical tone, tone. The conversion of flow energy to sound comes from an interaction between a solid material and a fluid stream. The forces in some whistles are sufficient to set the solid material in motion. Classic examples a ...
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Apito
Apito, which is the Portuguese word for " whistle", refers to any of a variety of whistles. Purpose The apito de samba ("samba whistle") is used during performances of samba. In a samba school, the apito de samba plays a crucial role because during these performances, the mestre de bateria – the "band leader" – uses the whistle to signal transitions to the band. These transitions could include changes in timbre or rhythmic pattern. The origins of the apito are undoubtedly a fairly simple instrument, but has developed as a standard today into a whistle capable of giving three notes. The LP Tri-Tone Samba Whistle shown here has its origins in Brazilian music but has become a standard in today's dance music as well. It has three distinct, complementary tones that are achieved by placing fingers over the side chamber holes in various combinations. The rhythms played on apitos de samba are endless and often change throughout a batucada performance. Outside Brazil, especially ...
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Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ...
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Spanish Language
Spanish () or Castilian () is a Romance languages, Romance language of the Indo-European languages, Indo-European language family that evolved from the Vulgar Latin spoken on the Iberian Peninsula of Europe. Today, it is a world language, global language with 483 million native speakers, mainly in the Americas and Spain, and about 558 million speakers total, including second-language speakers. Spanish is the official language of List of countries where Spanish is an official language, 20 countries, as well as one of the Official languages of the United Nations, six official languages of the United Nations. Spanish is the world's list of languages by number of native speakers, second-most spoken native language after Mandarin Chinese; the world's list of languages by total number of speakers, fourth-most spoken language overall after English language, English, Mandarin Chinese, and Hindustani language, Hindustani (Hindi-Urdu); and the world's most widely spoken Romance language ...
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Reco-reco
The reco-reco (also called the raspador, caracaxá or querequexé) is a scraper of African origin used as a percussion instrument in Brazilian music,ROCCA, Edgar Nunes "Bituca", ''Escola Brasileira de Música: Uma visão Brasileira no ensino da música e seus instrumentos de percussão 1''. Rio de Janeiro: Europa, EBM, 1986 but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca. Traditionally, the reco-reco was made from a sawtooth notched cylindrical body made of bamboo or wood, and played with a wooden stick. The instrument is used in many styles of Brazilian music, such as samba and related genres. For some time, reco-recos have been made of a metallic cylinder with spring (device), springs attached and played with a metal stick, which results in a much louder sound. In some models, the sound box has a hole on the bottom part, which can be covered with the hand to achieve different timbral possibilities. Nowadays, reco-recos have al ...
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Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Galician traditional music, Asturian traditional music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appea ...
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Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the ...
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Djembe
A djembe or jembe ( ; from Maninka language, Malinke ''jembe'' , N'Ko script, N'Ko: ) is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa. According to the Bambara people in Mali, the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose. In the Bambara language, "djé" is the verb for "gather" and "bé" translates as "peace." The djembe has a body (or shell) carved of hardwood and a drumhead made of untreated (not Liming (leather processing), limed) Rawhide (textile), rawhide, most commonly made from Goatskin (material), goatskin. Excluding rings, djembes have an exterior diameter of 30–38 cm (12–15 in) and a height of 58–63 cm (23–25 in). The majority have a diameter in the 13 to 14 inch range. The weight of a djembe ranges from 5 kg to 13 kg (11–29 lb) and depends on size and shell material. ...
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Timbal (drum)
The timbau or Brazilian timbal is a membranophone instrument derived from the caxambu drum, usually played with both hands. Slightly conical and of varying sizes, it is usually light in weight and made of lacquered wood or metal (usually aluminum) with a tunable nylon head. It is in the shape of an ice cream cone with the top and the point cut off. The drum is most often found in Bahia, originating in Salvador, Bahia, and is used mainly to play Afro-Brazilian rhythms, such as axé and samba-reggae. It is played in a similar manner to the atabaque, a hand drum of which one version was brought to Brazil in slavery and is used in Candomblé Candomblé () is an African diaspora religions, African diasporic religion that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of West and Central Africa, especi ... rituals. In the 1980s, a musical/social movement was organized to bring the timbal to popular ...
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