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Basscad
"Basscadet" is a track released by British electronic music duo Autechre, featured on their debut EP, titled ''Basscad,EP'', released by Warp Records on 25 April 1994 (also known as ''Basscadet Mixes''). The EP consists entirely of remixes of the namesake track, which originally appeared on ''Incunabula'', Autechre's 1993 debut album with Warp Records. It is the only Autechre single to be taken from an album. The EP was released as a collection of three 10-inch vinyl singles and peaked at number 56 on the UK Singles Chart. It was also released as a CD single with the addition of "Basscadubmx", and the exclusion of "Basscadoublemx" and "12/4cadetmx". "Bcdtmx" was used for the video of "Basscadet", which was directed by Jess Scott Hunter. ''Basscad EP'' was in 2011 included on the compilation ''EPs 1991–2002''. All the Autechre mixes were included, but none of the Beaumont Hannant or Seefeel mixes, making "12/4cadetmx" the only version not to have been released in digital format ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EPs 1991–2002
''EPs 1991–2002'' is a 5-CD box set which contains material from all 11 EPs released by British electronic music duo Autechre between 1991 and 2002 including Autechre's first EP, Cavity Job, presented for the first time on CD. The "Basscadet" remixes made by Beaumont Hannant and Seefeel are not included. The box is made of rigid black cardboard and each CD is housed in individual gatefold cardboard slipcase. The credit to Autechre and the titles are incised into the slipcase and the individual gatefold sleeves for the CD's. Critical reception In his review, Jess Harvell (Pitchfork) called the collection "one of the better introductions to the duo's work" even though it contains a combination of "accessible" and "difficult" music. Corey Beasley (PopMatters) concurs, stating "the box could serve almost as well as an entry-point into the group’s catalog for a beginner as it would for a completionist or superfan". Gregory Heaney (Allmusic) noted the "stark, minimal, and aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incunabula (album)
''Incunabula'' is the debut studio album by English electronic music duo Autechre, released by UK label Warp on 29 November 1993, and again by Wax Trax! on 25 January 1994 in the United States. ''Incunabula'' became a surprise success, reaching the top of the UK Indie Chart. In 2012, UK magazine ''Fact'' named it the 11th best album of the 1990s. It was re-released on vinyl by Warp on 11 November 2016. Production Autechre member Rob Brown stated that ''Incunabula'' was "more of a compilation of old material" and that he believed follow-up album ''Amber'' was the "first album we put out on Warp." Music critics David Stubbs and Ned Raggett noted that ''Incunabula'' would differ from Autechre's later releases. Raggett found that the album "doesn't totally display the full experimentation which would dominate their future albums and singles" while Stubbs stated that following both ''Incunabula'' and ''Amber'', Autechre "took an increasingly remote turn, moving away from both th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autechre
Autechre ( ) are an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut '' Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence''. Influenced by styles such as 1980s electro and hip-hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti EP
''Anti EP'' is the second EP by British electronic music duo Autechre, released by Warp on 3 September 1994. It peaked at number 90 on the UK Singles Chart, as well as number 39 on the UK Dance Singles Chart. It is the only explicitly political record Autechre have released. Background ''Anti EP'' was a protest against the Criminal Justice and Public Order Act 1994, which would prohibit raves (described as gatherings where music is played), with "music" being defined as a "succession of repetitive beats." Sean Booth explained the band's strategy for the song "Flutter" by saying, "We made as many different bars as we could on the drum machine, then strung them all together." The packaging bore a sticker with a disclaimer about the repetitive nature of the rhythmic elements of "Lost" and "Djarum". "Flutter" was programmed to have non-repetitive beats and therefore "can be played at both forty five and thirty three revolutions under the proposed law"; but following their disclaim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autechre EPs
Autechre ( ) are an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence''. Influenced by styles such as 1980s electro and hip-hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont Hannant
Beaumont Hannant (born c. 1970) is a British musician, producer and DJ from York, England. His work includes ambient techno, IDM, hip hop and indie rock. Hannant has received positive critical reviews, and he was named one of "The Faces of '94" by music magazine '' Select''. Biography Hannant became a hip-hop/ electro DJ in 1986, after witnessing the 1986 World Mixing Championships. During 1993–1994, he released several solo albums on General Production Recordings rooted in ambient techno. His music from this period has been described as eclectic, densely layered and textured. Hannant's album ''Texturology'' (1994) resulted in a top three independent album chart placing. Music from the album was used in a theatre presentation of the 17th-century play ''The Traitor''. By 1994, Hannant began to diversify. He provided remixes for Autechre, Björk and Ned's Atomic Dustbin, produced Lida Husik (who provided the vocals to some of his compositions) and managed Shed Seven. With h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warp Records
Warp Records is a British independent record label that specialises in Electronic music, electronic, indie rock and experimental music. It was founded in Sheffield in 1989 by Steve Beckett, Robert Mitchell and Robert Gordon. It has released records by acts including Aphex Twin, Autechre, Boards of Canada, Squarepusher, Brian Eno, Broadcast (band), Broadcast, Flying Lotus, Maxïmo Park, !!!, Battles (band), Battles and Grizzly Bear (band), Grizzly Bear. Warp began as a record shop in 1987, and released its first record, "Track With No Name" by Gordon's band Forgemasters (band), Forgemasters, in 1989. In the early 1990s, Warp became associated with the UK's bleep techno, bleep scene, releasing music by acts such as LFO (British band), LFO, Sweet Exorcist (band), Sweet Exorcist and Nightmares on Wax. Rather than releasing dance singles by short-lived acts, Warp prioritised releasing albums and building longevity. In 1992, it released ''Artificial Intelligence (compilation album), Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, most commonly 7-inch discs pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
