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Basit Suzinak
Basit Suzinak is a makam in Turkish makam music. It is in 53 Tone Equal Temperament. Basit Suzinak in 53-TET Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, allows for such comparisons. The approximation of Basit Suzinak within 48-TET would be:Note: denotes a 1 quarter sharp. 25 cents in 48-TET. (Would have been 1 Holdrian Comma in 53-TET) * Major (3, 6, 7) * Harmonic Major In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz. It corresponds to the Raga Sarasangi in Indian Carnatic music, or Raag Nat Bhairav in H ... (3, 6, 7) References {{Turkish makam theory, state=collapsed Modes (music) Makams in Turkish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam Music
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', ''peşrev'', '' âyin'', etc.) or a spontaneous composition (''gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and ''echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman Pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
53 Equal Temperament
In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios) (). Each step represents a frequency ratio of or 22.6415 cents (), an interval sometimes called the Holdrian comma. 53 TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1, and sequential pitches are separated by 22.642 cents. The 53-TET tuning equates to the unison, or ''tempers out'', the intervals known as the schisma, and known as the kleisma. These are both 5 limit intervals, involving only the primes 2, 3, and 5 in their factorization, and the fact that 53 TET tempers out both characterizes it completely as a 5 limit temperament: It is the only regular temperament tempering out both of these intervals, or commas, a fact which seems to have first been recognized by Japanese musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast Pitch Class Set
The Rast pitch class set is a set of scales that are named after the Rast (Turkish makam), Rast makam. For Rast, there is the Rast tetrachord and Rast pentachord. It is used as a Çeşni (Turkish makam theory), Çeşni in many makams. Rast tetrachord and pentachord in 53-TET The intervals of the Rast tetrachord and Rast pentachord within 53 equal temperament, 53 Tone Equal Temperament are given in the table: Makams that use the Rast pentachord or Rast tetrachord References See also *Rast (Turkish makam) {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hicaz Pitch Class Set
In Turkish music, the hicaz pitch class set is a set of scales that are named after the Hicaz Turkish makam. For Hicaz, there is the Hicaz tetrachord and Hicaz pentachord A pentachord in music theory may be either of two things. In pitch-class set theory, a pentachord is defined as any five pitch classes, regarded as an unordered collection . In other contexts, a pentachord may be any consecutive five-note sectio .... Hicaz tetrachord and pentachord in 53-TET The intervals of the Hicaz tetrachord and Rast pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Hicaz pentachord or Hicaz tetrachord References {{Turkish makam theory, state=collapsed Pitch (music) Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12 Equal Temperament
12 equal temperament (12-ET) is the musical system that divides the octave into 12 parts, all of which are Equal temperament, equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the Twelfth root of two, 12th root of 2 (\sqrt[12] ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. Twelve-tone equal temperament is the most widespread system in music today. It has been the predominant tuning system of Western music, starting with classical music, since the 18th century, and Europe almost exclusively used approximations of it for millennia before that. It has also been used in other cultures. In modern times, 12-ET is usually tuned relative to a standard pitch of 440 Hz, called A440 (pitch standard), A440, meaning one note, A (musical note), A4 (the A in the 4th octave of a typical 88-key piano), is tuned to 440 hertz and all other notes are defined as some multiple of semitones apart from it, ei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
48-TET
An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same. This system yields pitch steps perceived as equal in size, due to the logarithmic changes in pitch frequency. In classical music and Western music in general, the most common tuning system since the 18th century has been 12 equal temperament (also known as ''12 tone equal temperament'', ' or ', informally abbreviated as ''12 equal''), which divides the octave into 12 parts, all of which are equal on a logarithmic scale, with a ratio equal to the 12th root of 2, (\sqrt 2/math> ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. In Western countries the term ''equal temperament'', without qualification, generally means '. In modern times, is usually tuned relative to a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Scale
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth). The simplest major scale to write is C major, the only major scale not requiring sharps or flats: The major scale has a central importance in Western music, particularly that of the common practice period and in popular music. In Carnatic music, it is known as '' Sankarabharanam''. In Hindustani classical music, it is known as '' Bilaval''. Structure A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is: : whole, whole, half, whole, whole, whole, half where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Major Scale
In music theory, the harmonic major scale is a Scale (music), musical scale found in some music from the common practice era and now used occasionally, most often in jazz. It corresponds to the Raga Sarasangi in Indian Carnatic music, or Raag Nat Bhairav in Hindustani music. It can be considered a major scale with the sixth degree (music), degree lowered, Ionian mode, Ionian 6, or the harmonic minor scale with the third degree raised. The Interval (music), intervals between the notes of a harmonic major scale follow the sequence below: : whole, whole, half, whole, half, augmented second, half The harmonic major scale may be used to construct the following chords, which also may be thought of as borrowed chord, borrowed from the parallel minor: the Ninth_chord#Dominant_minor_ninth, dominant minor ninth chord, the fully diminished seventh leading tone chord, the supertonic diminished triad, the supertonic half-diminished seventh chord, and the minor subdominant. It also contains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modes (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
