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Rast Pitch Class Set
The Rast pitch class set is a set of scales that are named after the Rast (Turkish makam), Rast makam. For Rast, there is the Rast tetrachord and Rast pentachord. It is used as a Çeşni (Turkish makam theory), Çeşni in many makams. Rast tetrachord and pentachord in 53-TET The intervals of the Rast tetrachord and Rast pentachord within 53 equal temperament, 53 Tone Equal Temperament are given in the table: Makams that use the Rast pentachord or Rast tetrachord References See also *Rast (Turkish makam) {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast (Turkish Makam)
Rast is the implementation of the Rast (maqam), Rast scale in Turkish makam music. It is in 53 equal temperament, 53 Tone Equal Temperament. Rauf Yekta, Rauf Yekta Bey's model places the Rast Makam as the gamme naturale of Turkish Classical Music and centers the theoretical approach around it. In the Arel-Ezgi-Uzdilek notation, Arel Ezgi Uzdilek system, the scale centered in the theory became Çârgâh. Rast in 53-TET The Rast makam also has a Rast tetrachord extension in its lower registers, that is Octave equivalence, octave equivalent to the second Çeşni (Turkish makam theory), çeşni in Rast ascending. The notes are: Yegâh, Hüseyni-Aşiran, Irak, ending with Rast. Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12 equal temperament, 12-TET Classical music, Western Scale (music), scales. However, using the 48-TET model, while worse than many other models in approximation, allows for such comparisons.This is be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Çeşni (Turkish Makam Theory)
Çeşni, in Turkish makam theory, is a set of scales usually seen in tetrachord or pentachord A pentachord in music theory may be either of two things. In pitch-class set theory, a pentachord is defined as any five pitch classes, regarded as an unordered collection . In other contexts, a pentachord may be any consecutive five-note sectio ... form that make up and give the name for a certain makam. A makam is composed of at least two Çeşnis, the lower (''alt çeşni'') and the upper (''üst çeşni''). See also * Seyir * Geçki References {{Turkish makam theory, state=collapsed Ottoman classical music Music of Turkey Maqam-based music tradition Turkish words and phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
53 Equal Temperament
In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios) (). Each step represents a frequency ratio of or 22.6415 cents (), an interval sometimes called the Holdrian comma. 53 TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1, and sequential pitches are separated by 22.642 cents. The 53-TET tuning equates to the unison, or ''tempers out'', the intervals known as the schisma, and known as the kleisma. These are both 5 limit intervals, involving only the primes 2, 3, and 5 in their factorization, and the fact that 53 TET tempers out both characterizes it completely as a 5 limit temperament: It is the only regular temperament tempering out both of these intervals, or commas, a fact which seems to have first been recognized by Japanese musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast Pentachord
The Rast pitch class set is a set of scales that are named after the Rast makam. For Rast, there is the Rast tetrachord and Rast pentachord. It is used as a Çeşni in many makams. Rast tetrachord and pentachord in 53-TET The intervals of the Rast tetrachord and Rast pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Rast pentachord or Rast tetrachord References See also *Rast (Turkish makam) Rast is the implementation of the Rast (maqam), Rast scale in Turkish makam music. It is in 53 equal temperament, 53 Tone Equal Temperament. Rauf Yekta, Rauf Yekta Bey's model places the Rast Makam as the gamme naturale of Turkish Classical Music ... {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acemli Rast (Turkish Makam)
Acemli Rast ("Rast with Acem") is the implementation of the descending version of the Rast scale in Turkish makam music. It is in 53 Tone Equal Temperament. Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, allows for such comparisons. The approximation of Acemli Rast within 48-TET would be: Mixolydian Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic sca ...(3). Notes : This is because 48 is divisible by 12. : denotes a quarter flat, 25 cents in this case. (One Holdrian Comma in 53-TET) References {{Turkish makam theory, state=collapsed Scales Makams in Turkish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buselik Pitch Class Set (Turkish Makam Theory)
In Turkish classical music, the Buselik pitch class set is a set of scales that are named after the Bûselik makam Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian class .... For Buselik, there is the Buselik tetrachord and the Buselik pentachord. Buselik pentachord in 53-TET The intervals of the Buselik pentachord and Buselik tetrachord within 53 Tone Equal Temperament are given in the table: Makams that use the Buselik pentachord or Buselik tetrachord References {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basit Suzinak (Turkish Makam)
Basit Suzinak is a makam in Turkish makam music. It is in 53 Tone Equal Temperament. Basit Suzinak in 53-TET Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, allows for such comparisons. The approximation of Basit Suzinak within 48-TET would be:Note: denotes a 1 quarter sharp. 25 cents in 48-TET. (Would have been 1 Holdrian Comma in 53-TET) * Major (3, 6, 7) * Harmonic Major In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz. It corresponds to the Raga Sarasangi in Indian Carnatic music, or Raag Nat Bhairav in H ... (3, 6, 7) References {{Turkish makam theory, state=collapsed Modes (music) Makams in Turkish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hicaz Pitch Class Set
In Turkish music, the hicaz pitch class set is a set of scales that are named after the Hicaz Turkish makam. For Hicaz, there is the Hicaz tetrachord and Hicaz pentachord A pentachord in music theory may be either of two things. In pitch-class set theory, a pentachord is defined as any five pitch classes, regarded as an unordered collection . In other contexts, a pentachord may be any consecutive five-note sectio .... Hicaz tetrachord and pentachord in 53-TET The intervals of the Hicaz tetrachord and Rast pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Hicaz pentachord or Hicaz tetrachord References {{Turkish makam theory, state=collapsed Pitch (music) Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikriz (Turkish Makam)
Nikriz is the implementation of the Nikriz scale in Turkish makam music. It is in 53 Tone Equal Temperament. Nikriz in 53-TET Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same. This system y ... model, while worse than many other models in approximation, allows for such comparisons. This is because 48 is divisible by 12. The approximation of Nikriz within 48-TET would be: * Ukrainian Dorian (3, 7 included along with 7) Usage Songs that use the Nikriz scale * Tanrıya Feryat * Sevda Çiçeği tr">:tr:Sevda_Çiçeği">tr Notes References {{Turkish makam theory, state=collapsed Modes (music) Makams in Turkish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikriz Pitch Class Set (Turkish Makam Theory)
In Turkish classical music, the Nikriz pitch class set is a set of scales that are named after the Nikriz makam. For Nikriz, there is only the pentachord, as the 4th is raised. The Nikriz pentachord is the same as putting the 53-TET equivalent of a whole step In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more deta ... in the beginning of the Hicaz tetrachord. Nikriz pentachord in 53-TET The intervals of the Nikriz pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Nikriz pentachord References {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
