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Bandō Shūka I
(1813-6 March 1855), also known as , was a Japanese Kabuki actor, and the first in the lineage to hold each of the stage-names Shūka and Tamasaburō. Names Like most Kabuki actors, and many artists of the time, Shūka had a number of other names. He first appeared on stage as Bandō Tamanosuke, took the name Bandō Tamasaburō early in his career, and then Shūka later on. He was posthumously given the name , and as a member of the Yamatoya guild throughout his life, would have been called by that name as well (see ''yagō''). Lineage As was the case with many Kabuki actors, Shūka was not biologically related to the Bandō family of actors, but rather was adopted into it. His biological father, Tachibanaya Jisuke, was an accounting manager of the Ichimura-za theatre; he was adopted at a very young age by the actor Bandō Mitsugorō III, who raised him as an actor. Shūka's son would be named Bandō Mitsugorō VI, and his adopted son was known as Bandō Minosuke IV. Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni III
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent". Beginning in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naka No Shibai
Naka no Shibai (中の芝居, Central Theatre), also known as Naka-za (中座), was one of the major kabuki theatres in Osaka, Japan. History It was first built in 1652, in Osaka's Dōtonbori entertainment district, and saw the premieres of many famous plays; closely related to the nearby '' jōruri'' theatres, Naka would often be the first to adapt puppet plays to the kabuki stage, and often also arranged the Kamigata (Kansai) premieres of plays earlier performed in Edo. Also tied closely to other theatres in the area, and the general theatre culture and community of Kamigata, Naka hosted a number of competitions between actors and troupes, as well as reconciliation ceremonies between actors who had been feuding, and a variety of other theatrical community events. Some of the plays premiered at the Naka no Shibai include ''Natsu Matsuri Naniwa Kagami'' (1745), ''Yoshitsune Senbon Zakura'' (Aug. 1748), and ''Kanadehon Chūshingura'' (Dec. 1748) which was first performed as a puppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Japanese Male Actors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1855 Deaths
Events January–March * January 1 – Ottawa, Ontario, is incorporated as a city. * January 5 – Ramón Castilla begins his third term as President of Peru. * January 23 ** The first bridge over the Mississippi River opens in modern-day Minneapolis, a predecessor of the Father Louis Hennepin Bridge. ** The 8.2–8.3 Wairarapa earthquake claims between five and nine lives near the Cook Strait area of New Zealand. * January 26 – The Point No Point Treaty is signed in the Washington Territory. * January 27 – The Panama Railway becomes the first railroad to connect the Atlantic and Pacific Oceans. * January 29 – Lord Aberdeen resigns as Prime Minister of the United Kingdom, over the management of the Crimean War. * February 5 – Lord Palmerston becomes Prime Minister of the United Kingdom. * February 11 – Kassa Hailu is crowned Tewodros II, Emperor of Ethiopia. * February 12 – Michigan State University (the "pion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1813 Births
Events January–March * January 18–January 23 – War of 1812: The Battle of Frenchtown is fought in modern-day Monroe, Michigan between the United States and a British and Native American alliance. * January 24 – The Philharmonic Society (later the Royal Philharmonic Society) is founded in London. * January 28 – Jane Austen's ''Pride and Prejudice'' is published anonymously in London. * January 31 – The Assembly of the Year XIII is inaugurated in Buenos Aires. * February – War of 1812 in North America: General William Henry Harrison sends out an expedition to burn the British vessels at Fort Malden by going across Lake Erie via the Bass Islands in sleighs, but the ice is not hard enough, and the expedition returns. * February 3 – Argentine War of Independence: José de San Martín and his Regiment of Mounted Grenadiers gain a largely symbolic victory against a Spanish royalist army in the Battle of San Lorenzo. * Febru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Actors
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandō Tamasaburō
is a stage name taken on by a series of kabuki actors of the Bandō family. Of the five who have held this name, most were adopted into the lineage. Many members of the Bandō family were also adopted or blood members of the Morita family, who established and ran the Morita-za theatre in Edo. Tamasaburō, like other actors' names, is bestowed (or given up) at grand naming ceremonies known as , in which a number of actors formally change their names. The name Tamasaburō is generally taken early in an actor's career; another name is taken afterwards. Lineage * Bandō Tamasaburō I (November 1824 - October 1839): the adopted son of Bandō Mitsugorō III, Tamasaburō I took this name upon his first stage appearance. * Bandō Tamasaburō II (November 1844 - January 1869): the adopted son of Tamasaburō I. * Bandō Tamasaburō III (March 1889 - 1904): the daughter of Morita Kan'ya XII, Tamasaburō III joined an all-female kabuki troupe, which ultimately failed, before moving to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanadehon Chūshingura
is an 11-act bunraku puppet play composed in 1748. It is one of the most popular Japanese plays, ranked with Zeami's '' Matsukaze'', although the vivid action of Chūshingura differs dramatically from ''Matsukaze''. Medium During this portion of the Edo period, the major dramatists preferred not to write for the kabuki theater since the kabuki actors frequently departed from the texts to invent parts and aggrandize their own roles; however, ''Chūshingura'' was so successful that it was almost immediately adapted for the kabuki theater as well. The general story has been depicted in many mediums such as ukiyo-e prints. Kabuki The kabuki adaptation appeared shortly after the puppet play did in Osaka and Kyoto, and soon was being performed by three companies in Edo. It is "only intermittently faithful" and frequently cuts entire acts. The saved time is available for a lengthier 11th act, with a sequence featuring a duel on a bridge; as well, the kabuki theater could use a revolvin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō VIII
was a Japanese kabuki actor of the prestigious Ichikawa Danjūrō line. He was a ''tachiyaku'' (male roles) actor in the ''aragoto'' style, like all members of the lineage, but particularly specialized in the roles of young lovers, for which he was extremely popular. Names Like most kabuki actors, Danjūrō had a number of names over the course of his career. He was a member of the Naritaya guild, and could be called by this name (see ''yagō''). He began his career as Ichikawa Shinnosuke II and soon afterwards took on the name Ichikawa Ebizō VI before becoming the eighth Ichikawa Danjūrō at the young age of nine. He also used the name Ichikawa Hakuen III at times; his '' haimyō'', or poetry name, was Sanshō. Lineage Unlike many kabuki actors who are adopted into the various theatre families, Danjūrō VIII was directly descended from Ichikawa Danjūrō I. Danjūrō VIII was the son of Ichikawa Danjūrō VII, and had a number of brothers who also performed on stage, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor to previously hold that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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