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Bandurists
A banduryst ( uk, бандури́ст) is a person who plays the Ukrainian plucked string instrument known as the bandura. Types of performers There are a number of different types of bandurist who differ in their particular choice of instrument, the specific repertoire they play and manner in which they approach their vocation. *Kobzari, who play authentic ethnographic instruments or copies. This group can also be further categorized into ''authentic'', ''reproduction'', and ''stage'' performers. *Academic players, playing more sophisticated contemporary concert banduras. These performers have a tertiary education majoring in bandura performance and typically perform works by Western classical composers in addition to, or instead of, Ukrainian folk music. This category can be further divided into instrumentalists (who only perform instrumental works) and vocalists (who primarily use the bandura to accompany their voice). The most common academic bandurists play in the Kiev aca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandura
A bandura ( uk, банду́ра) is a Ukrainian plucked string folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings and similar to the lute. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern 'concert' instruments (1954).Mizynec, V. Folk Instruments of Ukraine. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th – early 20th century traditional bandura players, often blind, were referred to as kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' can date itself to Polish chronicles from 1441. The hybridization, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukrainian Bandurist Chorus
The Ukrainian Bandurist Chorus ( uk, Українська Капеля Бандуристів Північної Америки ім. Т. Г. Шевченка; full name: ''The Taras Shevchenko Ukrainian Bandurist Chorus of North America'') is a semi-professional male choir which accompanies itself with the multi-stringed Ukrainian folk instrument known as the bandura. It traces its roots to Ukraine in 1918 and has been based in the USA since 1949. History Some sources trace the history of the Ukrainian Bandurist Chorus back to the formation of the Kyiv Kobzar Choir by bandurist Vasyl Yemetz in Kyiv in 1918; however, the history of the Kyiv Bandurist Capella had numerous starts and stops, and periods in which it was not a functioning entity. Despite the fact that many of the members of the Ukrainian Bandurist Chorus were participants of previously existing bandurist capellas, the history of the Ukrainian Bandurist Chorus can be traced without interruption from its formation in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiev Bandurist Capella
The Kyiv Bandurist Capella ( uk, Київська капeла бандуристiв, translit=Kyivs’ka kapela banduristiv) is a male vocal-instrumental ensemble that accompanies its singing with the playing of the multi-stringed Ukrainian folk instrument known as the bandura. The group was initially known as the Kobzar Choir and was established in August 1918 under the direction of the renowned bandurist virtuoso Vasyl Yemetz, having its first performance in November that year. The group continues to actively perform to this day as the Ukrainian Bandurist Chorus. History Preamble The idea of organizing a bandura ensemble came to V. Yemetz after seeing a performance by four ''kobzars'' in Okhtyrka: Ivan Kuchuhura Kucherenko, Pavlo Hashchenko, Petro Drevchenko and Oleksander Hamaliya on 20 August 1911. In some of the pieces, the ''kobzars'' were joined by the lira player Sampson Vesely. This performance seemed to have been the catalyst for the formation of the first Kobza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiev Academic Style
The Kyiv Academic Style of Bandura Playing is a method of playing the Ukrainian folk instrument of bandura. The instrument is held between the knees perpendicular to the body of the player. This means that the left hand is only able to play easily along the bass strings of the instrument. The right hand usually plays just on the treble strings known as ''prystrunky''. The manner in which the instrument is held influences the technique used by the bandurist. The left hand uses only the middle three fingers in play. The position in which the bandura is held also means that the 5th finger of the right hand cannot be used effectively. The Kyiv style is based on the technique used by kobzari of the Chernihiv province such as Tereshko Parkhomenko. It became known as the Kyiv style because the Kyiv Bandurist Capella used it. Before World War II, most Kyiv banduras had diatonically tuned bass strings. Since World War II in Ukraine, chromatic bass tuning is the standard. In the West, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hryhory Bazhul
Hryhory Ivanovych Bazhul ( uk, Григорій Іванович Бажул transcribed as Georg Baschul) Note: Name was transcribed via German on Australian Government documents. (January 22, 1906 — October 17, 1989) was a Ukrainian bandurist and publisher of articles on bandura history from Poltava, Russian Empire.http://histpol.pl.ua/pages/content.php?page=1261 After World War II he emigrated to Australia settling in Sydney. Early life Hryhory Ivanovych Bazhul was born in the Poltava Governorate of the Russian Empire (in present-day Ukraine), his father was a rail road engineer and his family moved to Kharkiv in 1911. After completing his studies at the Institute of Grain Culture, he was employed as an agronomist.Dibrivny, I. "Григорій І. Бажул (некролог)", ''Вільна Думка'', Sydney, Australia, 12.ХІ.89 In the late 1920s he was arrested and spent 2 years of penal labour at the Berdyansk agricultural labour colony. On his return to Kha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzar
A ''kobzar'' ( ua, кобзар, pl. kobzari ua, кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed bandura or kobza. Tradition Kobzars were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means ' kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura, or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas. At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style. Guilds In Ukraine, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzari
A ''kobzar'' ( ua, кобзар, pl. kobzari ua, кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed bandura or kobza. Tradition Kobzars were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means 'kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura, or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas. At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style. Guilds In Ukraine, kobza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Kuchuhura Kucherenko
Ivan Iovych Kuchuhura-Kucherenko ( uk, Іван Іович Кучугура-Кучеренко; July 7, 1878 – November 24, 1937) was a Ukrainian minstrel (kobzar) and one of the most influential kobzars of the early 20th century. For his artistry he was awarded the title "People's artist of Ukraine" in 1919 and later "People's Artist of the Ukrainian Soviet Socialist Republic" in 1926. Biography Childhood Ivan Kucherenko (or as he later became known, ''Kuchuhura-Kucherenko'') was born on July 7, 1878 in the village of Murafa of Bohodukhiv uyezd in the Kharkov Governorate of the Russian Empire. At the age of 3, he became fully blind in his left eye and had some damage in his right eye. At the age of 8, he lost his father and became an orphan. The young Kucherenko had exceptional musical talent which directed him to the lifestyle of a kobzar. He was apprenticed to the kobzar Pavlo Hashchenko and began to perform as a kobzar at the turn of the 20th century. Education a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hnat Khotkevych
Hnat Martynovych Khotkevych ( uk, Гнат Мартинович Хоткевич, also ''Gnat Khotkevich'' or ''Hnat Khotkevych'', born December 31, 1877 – died October 8, 1938) was a Ukrainians, Ukrainian writer, ethnographer, playwright, composer, musicologist, and bandurist. Khotkevych was a renaissance man and was multi-talented. Although he was trained as a professional engineer, he is known more as a prolific Ukrainian literary figure, and also as a dramatist, composer and ethnographer, and father of the modern bandura. Early life and education Khotkevych was born in Kharkiv in 1877. His mother was a domestic worker, though little is known about his father, who left the family in the mid-1880s. As a youth he learned to play the piano and violin and later learned to play the bandura through observing the blind folk kobzars of the region. He completed his tertiary studies in engineering at the Kharkiv Polytechnic Institute in 1900, and then worked as a railway engineer. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharkiv
Kharkiv ( uk, wikt:Харків, Ха́рків, ), also known as Kharkov (russian: Харькoв, ), is the second-largest List of cities in Ukraine, city and List of hromadas of Ukraine, municipality in Ukraine.Kharkiv "never had eastern-western conflicts" ''Euronews'' (23 October 2014) Located in the northeast of the country, it is the largest city of the historic Sloboda Ukraine, Slobozhanshchyna region. Kharkiv is the administrative centre of Kharkiv Oblast and of the surrounding Kharkiv Raion. The latest population is Kharkiv was founded in 1654 as Kharkiv fortress, and after these humble beginnings, it grew to be a major centre of industry, trade and Ukrainian culture in the Russian Empire. At the beginning of the 20th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavlo Hashchenko
Pavlo Ivanovych Hashchenko ( -1933) was a Ukrainian kobzar and bandura player. Hashchenko was originally from Poltava province but lived most of his life in the village of Konstantynivka, Bohodukhiv county, Kharkiv province. Among the kobzars of the Slobozhan region he was thought of as one of the best, and consequently he was invited to perform at the XIIth Archeological Conference held in Kharkiv in 1902. At that concert Hashchenko's solo performance included the satirical song "Popadia" and he performed in the ensemble with other kobzars. In 1905 Opanas Slastion painted a portrait of Hashchenko and noted that Hashchenko knew four '' dumy'' (sung epic poems). After the performance at the XIIth Archeological Conference Hashchenko performed at a numerous other kobzar concerts, but without much fanfare, quietly and unobtrusively. There unfortunately is scant information in written sources about this kobzar. Students * Makarij Tymofiyevych Khrystenko (1914) * I. Kuchuh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honcharenko Hnat
Hnat Tykhonovych Honcharenko (Гнат Тихонович Гончаренко, 1835–c. 1917) was one of the most renowned Ukrainian kobzars (blind itinerant minstrels) of the Kharkiv oblast of the late 19th and early 20th centuries. Biography Honcharenko was born in the village of Ripky into a serf family. He became blind at the age of 3 or 4. He began to study the bandura at the age of 22 under the old kobzar Petro Kulibaba. He studied for a period of four months, and continued his studies under other kobzars he later met. After he married, he settled not far from Kharkiv on the Hubayenko homestead. When he was widowed, he resettled to Sevastopol with his son, a railway engineer. Honcharenko would spend his winters there and return to Kharkiv for the summer months. Honcharenko had in his repertoire four '' dumy'', epic poems set to music: # Oleksiy Popovych # The Poor Widow and Her Three Sons # The Sister and Brother # About the Escape of the three brothers from Oziv He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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