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BWV 231
' (May there be praise and glory and honour), 28/2a and 231, identical to the second movement of BWV Anh. 160, is a motet composed by Johann Sebastian Bach.Bach Digital Works , and It was composed some time in 1725. Text BWV 28/2a is an arrangement of the second movement of Bach's cantata ''Gottlob! nun geht das Jahr zu Ende'', BWV 28, with a different text, however taken from the same Lutheran hymn, that is Johann Gramann's "Nun lob, mein Seel, den Herren" (1530). Music The motet has SATB voice parts. In some printings of this motet, a basso continuo is added to support the bass part, doubling it exactly. Recordings * Thomanerchor Leipzig, Baroque Brass of London and Capella Thomana conducted by Georg Christoph Biller Georg Christoph Biller (20 September 1955 – 27 January 2022) was a German choral conductor. He conducted the Thomanerchor as the sixteenth Thomaskantor since Johann Sebastian Bach from 1992 to 2015. He was also a baritone, an academic teache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, 3rd expanded edn. Edited by Christine Blanken, Christoph Wolff and Peter Wollny The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. In part this reflects that fact that some compositions cannot be dated. However, an approximate or precise date can be assigned to others: for example, BWV 992 was composed many years before BWV 1. Alternative classifications The BWV classification is open to criticism, and the Bach scholar Christoph Wolff was involved in the design of an alternative, the Bach Compendium. Publication of the Bach Compendiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskirche
The St. Thomas Church () is a Lutheran church in Leipzig, Germany, located at the western part of the inner city ring road in Leipzig's central district. Martin Luther preached in the church in 1539. It is associated with several well-known composers, especially Johann Sebastian Bach, who was its Thomaskantor (music director) from 1723 until his death in 1750. The church holds his remains. Although rebuilt over the centuries and damaged by Allied incendiary bombs in 1943, the church mainly retains the character of a late-Gothic hall church. The Thomanerchor, the church choir, likely founded in 1212, is an internationally known boys' choir. History The current property was the site of a church at least since the 12th century. Foundations of a Romanesque building were discovered in the choir and crossing of the current church. Between 1212 and 1222, the earlier structure became the church of the new St. Thomas college of Augustinian canons founded by Markgraf Dietric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's '' Polish Requiem''. or SSATB, with divided sopranos, is a typical scoring in English church music. A listing for Bach's '' Mass in B minor'' includes the maximum of SSATB soloists and SSAATTBB eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV Anh
The BWV Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach. History First edition of the ''Bach-Werke-Verzeichnis'' (1950) In 1950 the ''Bach-Werke-Verzeichnis'' was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata): # List of compositions by Johann Sebastian Bach#BWV Chapter 1, Kantaten (Cantatas), BWV 1–224 # List of compositions by Johann Sebastian Bach#BWV Chapter 2, Motetten (Motets), BWV 225–231 # List of compositions by Johann Sebastian Bach#BWV Chapter 3, Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 # List of compositions by Johann Sebastian Bach#BWV Chapter 4, Passionen, Oratorien (Passions, Oratorios), BWV 244–249 # List of compositions by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagged behind technically and came to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlob! Nun Geht Das Jahr Zu Ende, BWV 28
(Praise God! Now the year comes to an end), BWV28, is a church cantata by Johann Sebastian Bach for the Sunday after Christmas. He first performed it on 30 December 1725. History and text Bach composed the cantata in his third year as in Leipzig for the Sunday after Christmas. The prescribed readings for the Sunday were from the Epistle to the Galatians, through Christ we are free from the law (), and from the Gospel of Luke, Simeon and Anna talking to Mary ().Alfred Dürr (1981), ''Die Kantaten von Johann Sebastian Bach'' (vol. 1, 4th ed.), Deutscher Taschenbuchverlag, pp. 146–149. . The cantata text is by Erdmann Neumeister:Gottlob! nun geht das Jahr zu Ende BWV 28; BC A 20 / Sacred cantata (1st Sunday of Christmas) '' |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheranism, Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gramann
Johann Gramann or Graumann (5 July 1487 – 29 April 1541), also known by his pen name Johannes Poliander, was a German pastor, theologian, teacher, humanist, reformer, and Lutheran leader. Life Gramann was born in Neustadt an der Aisch, Middle Franconia. He worked as rector of the Thomasschule in Leipzig. Poliander was Johann Eck's secretary at the 1519 Leipzig Debate, where he met Martin Luther and joined the Protestant Reformation. Poliander became pastor of Altstadt Church in 1525 in Königsberg (Kaliningrad), capital of the new Duchy of Prussia (a fief of the Crown of Poland), succeeding the fiery Johannes Amandus. The humanist was well-regarded by his peers, including the Catholic Johannes Dantiscus. He wrote secular and religious poetry in German and Latin. He was a strong advocate with Albert, Duke of Prussia, for the creation of the University of Königsberg. He donated his personal collection of 1,000 books to Altstadt's council; this became the foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Lob, Mein Seel, Den Herren
"" (Now praise, my soul, the Lord) is a Lutheran hymn written in German by the theologian and reformer Johann Gramann in 1525. It was published in 1540 and appears in 47 hymnals. A translation by Catherine Winkworth, "My Soul, now Praise thy Maker!", was published in 1863. History and text The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was published in Nürnberg as a broadsheet around 1540, and in Augsburg in the hymnal ''Concentus novi'' by Hans Kugelmann in 1540, with a hymn tune, Zahn No. 8244, derived from the secular song "Weiß mir ein Blümlein blaue". A fifth stanza was added in a reprint in Nürnberg in 1555, "Sey Lob und Preis mit Ehren". The hymn appears in 47 hymnals. Music The text has been set by composers. Christoph Graupner wrote a cantata, Johann Hermann Schein composed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
