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BWV 1090
The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840). When the manuscript was rediscovered at Yale University in the 1980s it appeared to contain 31 previously unknown early chorale settings by Johann Sebastian Bach, which were added to the BWV catalogue as Nos. 1090–1120, and published in 1985. History Neumeister compiled his manuscript after 1790.Manuscript LM 4708 in Yale University, New Haven, Connecticut (USA); the so-called Neumeister Collection. Accessed 2 March 2014. It has been suggested that the 77 earliest works in the collection may have been copied from a single source, possibly a Bach fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for pipe organ, organ using a chorale tune as its basis. It was a predominant style of the German Baroque music, Baroque era and reached its culmination in the works of Johann Sebastian Bach, J.S. Bach, who wrote 46 (with a 47th unfinished work, unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in List of organ compositions by Johann Sebastian Bach#Chorale Preludes, other collections. Function The precise liturgical function of a chorale Prelude (music), prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Bach
Johann Michael Bach (baptised , Arnstadt, Schwarzburg-Sondershausen – , Gehren) was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as first cousin, once removed and father-in-law of Johann Sebastian Bach (he was the father of J.S. Bach's first wife Maria Barbara Bach). He is sometimes referred to as the "Gehrener Bach" to distinguish him from the "Wuppertaler Bach", Johann Michael Bach (musician at Wuppertal).''Hugo Riemann (1849–1919): Leben, Werk und Wirkung'' Michael Arntz – 1999 "Es gab sogar noch einen weiteren bühnentauglichen Schreiber in der Dynastie, Johann Michael Bach hieß er, ... fand sein Auskommen als Musiklehrer eines Gymnasiums im bergischen Elberfeld, heute Wuppertal, wo er 1820 mit 75 Jahren starb." Life Johann Michael was born at Arnstadt, the son of Heinrich Bach, who was the great-uncle of Johann Sebastian Bach. In 1673, Johann Michael became the organist and town clerk of Gehren, where he lived unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott Hat Das Evangelium
Gott () may refer to: * Gott (surname), including a list of people with the name * Gott, Argyll and Bute, a location in Scotland * Gott, Shetland, a village in Tingwall, Shetland, Scotland * Gottschalks Gottschalks (former NYSE ticker symbol GOT) was a middle-tier American department store that operated 58 department stores and three specialty apparel stores in six western states (California, Washington, Alaska, Idaho, Oregon, and Nevada); some ..., whose stock symbol on the Pink Sheets was GOTT but now is GOTTQ See also * * GOT (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Freut Euch Lieben Christen Gemein
"", or “Dear Christians, One and All, Rejoice” in English, is a Lutheran hymn, written in 1523 by Martin Luther. It is one of Luther's early hymns and considered by some as one of his finest. It was published as one of eight songs in 1524 in the first Lutheran hymnal, the . The contained four songs by Luther, three by Speratus, and one by Justus Jonas. It appeared also in 1524 in the ''Erfurt Enchiridion''. Apart from the hymn tunes with which it appeared in the ( Zahn No. 4427) and in the ''Erfurt Enchiridion'' (Zahn No. 4428), a third melody, Zahn No. 4429a, was published for the hymn in 1535. Johann Sebastian Bach used both the first and the last of these melodies in his compositions. BWV2a (1998), p. 478 Text 1. Nun freut euch, lieben Christen g’mein, und lasst uns fröhlich springen, dass wir getrost und all in ein mit Lust und Liebe singen, was Gott an uns gewendet hat und seine süße Wundertat; gar teu’r hat er’s erworben. 2. Dem Teufel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herr Christ Der Einig Gottes Sohn
"" (Lord Christ, the Only Son of God) is a Lutheran hymn by Elisabeth Cruciger. Printed in 1524 in the Erfurt ''Enchiridion'', together with 18 hymns by Martin Luther, it is one of the oldest Lutheran hymns. The text combines Lutheran teaching with medieval mysticism. It has been the basis of musical settings such as Bach's chorale cantata . History Apart that Elisabeth Cruciger's authorship has been ascertained, little or nothing is known about the genesis of "Herr Christ, der einig Gotts Sohn". The notion that it was modelled after the Christmas hymn " Corde natus ex parentis" ("Of the Father's Heart Begotten"), repeated, for instance, in Bach-scholarship, lost traction in hymnology. The melody of Cruciger's hymn has some similarity with the tune of "Mein Freud möcht sich wohl mehren" ("My Joy Will Increase"), a secular love song known from the ''Lochamer-Liederbuch'' (1455). "Herr Christ, der einig Gotts Sohn" was first published in 1524, both in the Erfurt ''Enchiridion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of D minor are: * Tonic – D minor * Supertonic – E diminished * Mediant – F major * Subdominant – G minor * Dominant – A minor * Submediant – B-flat major * Subtonic – C major Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. '' The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meine Seele Erhebt Dem Herrn
Meine Seele erhebt den Herren (My soul magnifies the Lord) is Martin Luther's translation of the Magnificat canticle. It is traditionally sung to a German variant of the , a rather exceptional psalm tone in Gregorian chant.Lundberg 2012 p. 7-17 The tonus peregrinus (or ninth tone) is associated with the ninth mode or Aeolian mode. For the traditional setting of Luther's German Magnificat that is the minor mode for which the last note of the melodic formula is the tonic, a fifth below its opening note. Traditional setting The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers. In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus peregrinus. Typical for all German variants of the tonus peregrinus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. The G natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of G minor are: * Tonic – G minor * Supertonic – A diminished * Mediant – B-flat major * Subdominant – C minor * Dominant – D minor * Submediant – E-flat major * Subtonic – F major Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Komm Der Heiden Heiland
A nun is a woman who vows to dedicate her life to religious service and contemplation, typically living under vows of poverty, chastity, and obedience in the enclosure of a monastery or convent.''The Oxford English Dictionary'', vol. X, page 599. The term is often used interchangeably with religious sisters who do take simple vows but live an active vocation of prayer and charitable work. In Christianity, nuns are found in the Catholic, Oriental Orthodox, Eastern Orthodox, Lutheran, and Anglican and some Presbyterian traditions, as well as other Christian denominations. In the Buddhist tradition, female monastics are known as Bhikkhuni, and take several additional vows compared to male monastics (bhikkhus). Nuns are most common in Mahayana Buddhism, but have more recently become more prevalent in other traditions. Christianity Catholicism In the Catholic tradition, there are many religious institutes of nuns and sisters (the female equivalent of male monks or friars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répertoire International Des Sources Musicales
The Répertoire International des Sources Musicales (RISM, English ''International Inventory of Musical Sources'', German ''Internationales Quellenlexikon der Musik'') is an international non-profit organization, founded in Paris in 1952, with the aim of comprehensively documenting extant historical sources of music all over the world. It is the largest organization of its kind and the only entity operating globally to document written musical sources. RISM is one of the four bibliographic projects sponsored by the International Musicological Society and the International Association of Music Libraries, Archives and Documentation Centres, the others being Répertoire International de Littérature Musicale (RILM, founded in 1966), Répertoire international d'iconographie musicale (RIdIM, founded in 1971), and Répertoire international de la presse musicale (RIPM, founded in 1980). Shortly after its founding, A.H. King called RISM, "one of the boldest pieces of long-term plannin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Zachow
Friedrich Wilhelm Zachow or Zachau (14 November 1663 – 7 August 1712) was a German musician and composer of vocal and keyboard music. Life Zachow was born in Leipzig. He probably received his training from his father, the piper Heinrich Zachow, one of Leipzig's town musicians in the Alta capella, and maybe from Johann Schelle, a leading German composer, when the family moved to Eilenburg. As cantor (church), Kantor and organist of Halle's Marktkirche Unser Lieben Frauen, Market Church in 1684 he succeeded Samuel Ebart. During his time at Halle he became particularly renowned as a composer of dramatic cantatas. In 1695 he was criticized by the pietism, pietists because of his excessive long and elaborate music, that could be only appreciated by cantors and organists. Zachow was influenced by Johann Theile in Merseburg and the poetry of Erdmann Neumeister, pastor in the nearby Weissenfels, and his criticism on pietism. Zachow was the teacher of Gottfried Kirchhoff, Johann Phi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
