Meine Seele erhebt den Herren (My soul magnifies the Lord) is

Martin Luther Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Pr ...

's translation of the

Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...

canticle. It is traditionally sung to a German variant of the , a rather exceptional

psalm tone In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tu ...

Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...

.Lundberg 2012 p. 7-17 The tonus peregrinus (or ninth tone) is associated with the ninth mode or Aeolian mode. For the traditional setting of Luther's German Magnificat that is the

minor mode In Western classical music theory, the minor scale refers to three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending). These scales contain all th ...

for which the last note of the

melodic formula Melody type or type-melody is a set of melodic formulas, figures, and patterns. Term and typical meanings "Melody type" is a fundamental notion for understanding a nature of Western and non-Western musical modes, according to Harold Powers' ...

is the tonic, a fifth below its opening note.

Traditional setting

The

tonus peregrinus Tonus Peregrinus is a British vocal ensemble specialising in early music and contemporary sacred music, especially that of founder and director, Antony Pitts. Established in 1990, the ensemble have recorded numerous CDs for Naxos, their first wi ...

is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with

Psalm 113 Psalm 113 is the 113th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord, O ye servants of the Lord". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christia ...

, traditionally sung in

vespers Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental O ...

. In

Lutheranism Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and Protestant Reformers, reformer whose efforts to reform the theology and practices of the Catholic Church launched ...

, the tonus peregrinus is associated with the

(also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus peregrinus. Typical for all German variants of the tonus peregrinus, it starts with the same note as the tenor and then moves a

minor third In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval numb ...

up before returning to the tenor note. Particular for the version associated with Luther's German translation of the Magnificat is that the same two notes are repeated at the start of the second half of the melodic formula.

Usage by various composers

Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...

adopted text and/or melody of Luther's German Magnificat in various compositions: *

(instrumental

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect trea ...

in No. 10: "suscepit Israel") Spitta 1899
Vol. III, p. 382
/ref> * Cantata BWV 10 (''German Magnificat'') BWV^2a (1998), p. 477 * Chorale harmonisations BWV 323 ("Gott sei uns gnädig und barmherzig" text) and

324 __NOTOC__ Year 324 ( CCCXXIV) was a leap year starting on Wednesday in the Julian calendar. At the time, it was known as the Year of the Consulship of Crispus and Constantinus (or, less frequently, year 1077 ''Ab urbe condita''). The denominati ...

* Fourth Schübler Chorale, BWV 648, which is an organ transcription of the fifth movement of BWV 10. Also in BWV 733, ''Fuga sopra il Magnificat'', the melodic formula is used as a theme: this

chorale prelude In music, a chorale prelude or chorale setting is a short liturgical composition for pipe organ, organ using a chorale tune as its basis. It was a predominant style of the German Baroque music, Baroque era and reached its culmination in the works ...

may however be the work of Bach pupil

Johann Ludwig Krebs Johann Ludwig Krebs (baptized 12 October 1713 – 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras. His output also included chamber music, choral works and concertos. ...

. Other German Baroque composers that adopted Luther's German Magnificat in their compositions include

Johann Hermann Schein Johann Hermann Schein (20 January 1586 – 19 November 1630) was a German composer of the early Baroque era. He was Thomaskantor in Leipzig from 1615 to 1630. He was one of the first to import the early Italian stylistic innovations into German ...

Samuel Scheidt Samuel Scheidt (baptized 3 November 1587 – 24 March 1654) was a German composer, organist and teacher of the early Baroque era. Life and career Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with ...

Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque music, Baroque composer and organ (music), organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of ...

Johann Pachelbel Johann Pachelbel (also Bachelbel; baptised – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and ...

Dietrich Buxtehude Dieterich Buxtehude (; born Diderich Hansen Buxtehude, ; – 9 May 1707) was a Danish composer and organist of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumen ...

Johann Gottfried Walther Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Life and work Walther was born at Erfurt. Not only was his life almost exactly contempor ...

and

Johann Mattheson Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, critic, lexicographer and music theorist. His writings on the late Baroque and early Classical period were highly influential, specifically, "his biographical and the ...

References

Sources

* Mattias Lundberg
''Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music''
Ashgate Publishing, Ltd., 2012

External links

*{{ChoralWiki, Magnificat#German & Dutch, Meine Seel erhebt den Herren, prep=of

at

The LiederNet Archive The LiederNet Archive (formerly The Lied, Art Song, and Choral Texts Archive) is a donation-supported web archive of art song and choral texts founded in 1995 by Emily Ezust, an American/Canadian computer programmer and amateur violinist. The webs ...

Hymns by Martin Luther Songs in German Magnificat settings