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Audio Crossfade
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). In sound recording and reproduction a song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Quick fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocal plosives and percussion sounds. Professional turntablists and DJs in hip hop music use faders on a DJ mixer, notably the horizontal crossfader, in a rapid fashion while simultaneously manipulating two or more record players (or other sound sources) to create ''scratching'' and develop beats. Club DJs in house music and techno use DJ mixers, two or more sound sou ...
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Audio Mixer Faders
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio *Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective *Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 *Audio (album), ''Audio'' (album), an album by the Blue Man Group *Audio (magazine), ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist *Audio (song), "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation (Black Eyed Peas a ...
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Beatmatching
Beatmatching or pitch cue is a DJ technique of pitch shifting or time stretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. Beatmatching is a core technique for DJing electronic dance music, and it is standard practice in clubs to keep a constant beat throughout the night, even if DJs change in the middle. Technique The beatmatching technique consists of the following steps: # While a record is playing, start a second record playing, but only monitored through headphones, not being fed to the main PA system. Use gain (or ' ...
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Helter Skelter (song)
"Helter Skelter" is a song by the English Rock music, rock band the Beatles from their 1968 album ''The Beatles (album), The Beatles'' (also known as the "White Album"). It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of Heavy metal music, heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation ''Rock 'n' Roll Music (album), Rock 'n' Roll Music''. Along with other tracks from the White Album, "Helter Skelter" was interpreted by cult leader Charles Manson as a message predicting inter-racial war in the US. A Helter Skelter (scenario), vision of this uprising was named after the song. ''Rolling Stone'' magazine ranked "Helter Skelter" 52nd on its list of "The 100 Greatest Beatles Songs". Siouxsie and the Banshees, Mötley ...
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Fred Astaire
Fred Astaire (born Frederick Austerlitz, May 10, 1899 – June 22, 1987) was an American dancer, actor, singer, musician, choreographer, and presenter, whose career in stage, film, and television spanned 76 years. He is widely regarded as the "greatest popular-music dancer of all time". He received an Academy Honorary Award, Honorary Academy Award, a BAFTA Award, three Primetime Emmy Awards, Emmy Awards, two Golden Globe Awards, and a Grammy Award. As a dancer, he was known for his uncanny sense of rhythm, creativity, effortless presentation, and tireless perfectionism, which was sometimes a burden to co-workers. His dancing showed elegance, grace, originality, and precision. He drew influences from many sources, including tap, classical dance, and the elevated style of Vernon and Irene Castle. His trademark style greatly influenced the American Smooth style of ballroom dance. He called his eclectic approach "outlaw style", a following of an unpredictable and instinctive muse. Hi ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams (jazz singer), Joe Williams. As a composer, Basie is known for writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump" ...
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Billy Sunday
William Ashley Sunday (November 19, 1862 – November 6, 1935) was an American evangelist and professional baseball outfielder. He played for eight seasons in the National League before becoming the most influential American preacher during the first two decades of the 20th century. Born into poverty near Ames, Iowa, Sunday spent some years at the Iowa Soldiers' Orphans' Home before working at odd jobs and playing for local running and baseball teams. His speed and agility provided him the opportunity to play baseball in the major leagues for eight years. Converting to evangelical Christianity in the 1880s, Sunday left baseball for the Christian ministry. During the early 20th century, he became the nation's most famous evangelist with his colloquial sermons and frenetic delivery. Sunday held widely reported campaigns in America's largest cities, and he attracted the largest crowds of any evangelist before the advent of electronic sound systems. Sunday was a strong supporte ...
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Ted Lewis (musician)
Ted Lewis (June 6, 1890 – August 25, 1971) was an American entertainer, bandleader, singer, and musician. He was well known for his catchphrase "Is ''everybody'' happy?" He fronted a band and touring stage show that presented a combination of hot jazz, comedy, and nostalgia that was a hit with the American public before and after World War II. Early life Lewis was born Theodore Leopold Friedman in Circleville, Ohio, to Pauline and Benjamin Friedman. His father ran Friedman’s Bazaar,Ted Lewis Biography
at ''Ted Lewis Museum''
a ladies' bargain store in Circleville. Lewis went on a Tram, street car every night to play in the high school band in Chillicothe, Ohio. Lewis, who was raised Jewish, joined an Episcopal church to sing in the choir next to a girl he liked. ...
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Imogen Holst
Imogen Clare Holst (; 12 April 1907 – 9 March 1984) was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her educational work at Dartington Hall in the 1940s, and for her 20 years as joint artistic director of the Aldeburgh Festival. In addition to composing music, she wrote composer biographies, much educational material, and several books on the life and works of her father. From a young age, Holst showed precocious talent in composing and performance. After attending Eothen School and St Paul's Girls' School, she entered the Royal College of Music, where she developed her skills as a conductor and won several prizes for composing. Unable to follow her initial ambitions to be a pianist or a dancer for health reasons, Holst spent most of the 1930s teaching, and as a full-time organiser for the English Folk Dance and Song Society. These duties reduced ...
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The Planets
''The Planets'', Op. 32, is a seven- movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character. The premiere of ''The Planets'' was at the Queen's Hall, London, on 29 September 1918, conducted by Holst's friend Adrian Boult before an invited audience of about 250 people. Three concerts at which movements from the suite were played were given in 1919 and early 1920. The first complete performance at a public concert was given at the Queen's Hall on 15 November 1920 by the London Symphony Orchestra conducted by Albert Coates. The innovative nature of Holst's music caused some initial hostility among a minority of critics, but the suite quickly became and has remained popular, influential and widely performed. The composer conducted two recordings of the w ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a c ...
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Nikolaus Esterházy
Nicholas is a male name, the Anglophone version of an ancient Greek name in use since antiquity, and cognate with the modern Greek , . It originally derived from a combination of two Greek words meaning 'victory' and 'people'. In turn, the name means "victory of the people." The name has been widely used in countries with significant Christian populations, owing in part to the veneration of Saint Nicholas, which became increasingly prominent in Western Europe from the 11th century. Revered as a saint in many Christian denominations, the Eastern Orthodox, Catholic, and Anglican Churches all celebrate Saint Nicholas Day on December 6. In maritime regions throughout Europe, the name and its derivatives have been especially popular, as St Nicholas is considered the protector saint of seafarers. This remains particularly so in Greece, where St Nicholas is the patron saint of the Hellenic Navy. Origins The name derives from the . It is understood to mean 'victory of the people' ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ...
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