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Applause TheatreBooks
Applause (Latin '','' to strike upon, clap) is primarily a form of Standing ovation, ovation or praise expressed by the act of clapping, or striking the palms of the hands together. Audiences usually applaud after a performance, such as a concert, public speaking, speech or Play (theatre), play, as a sign of Normative social influence, enjoyment and approval. History The age of the custom of applauding is uncertain, but is widespread amongst human Culture, cultures. Varieties of applause typically serve as the means to show appreciation as an audience participant and fulfils the need to be included. The variety of its forms is limited only by the capacity for devising means of making a noise (e.g., stomping of feet or rapping of fists or hands on a table). However, within each culture it is usually subject to Convention (norm), conventions. The Ancient Rome, ancient Romans had set rituals at public performances to express degrees of approval: Finger snapping, snapping the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Arts Festival Applause
Arabic (, , or , ) is a Central Semitic languages, Central Semitic language of the Afroasiatic languages, Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns language codes to 32 varieties of Arabic, including its standard form of Literary Arabic, known as Modern Standard Arabic, which is derived from Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as ( "the eloquent Arabic") or simply ' (). Arabic is the List of languages by the number of countries in which they are recognized as an official language, third most widespread official language after English and French, one of six official languages of the United Nations, and the Sacred language, liturgical language of Islam. Arabic is widely taught in schools and universities around the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finger Snapping
Snapping (or clicking) one's fingers is the act of creating a snapping or clicking sound with one's fingers. Primarily, this is done by building tension between the thumb and another (Middle finger, middle, Index finger, index, or Ring finger, ring) finger and then moving the other finger forcefully downward, so it hits the palm of the same hand at a high speed. A Georgia Institute of Technology study in 2021 analyzed finger snapping, and found that a given audible snap sound occurs in just seven milliseconds. For reference, the Blinking, blink of an eye takes place in 150 milliseconds. In culture In Ancient Greece, snapping of fingers was used by musicians and dancers as a way to keep the rhythm and it was known with the words "ἀποληκέω" (''apolekeo''), "ἀποκρότημα" (''apokrotema'') (from the verb "ἀποκροτέω" - ''apokroteo'', "to snap the fingers") and "ἐπίπταισμα" (''epiptaisma''). Finger snapping is still common in modern Greece. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms ' songwriter' or ' singer-songwriter' are more often used, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booing
Booing is an act of publicly showing displeasure for someone or something, such as an entertainer or an athlete, by loudly yelling "Boo!" and sustaining the "oo" sound by holding it out. It may be accompanied by hand gestures such as the thumbs down sign. Players booed for their performance reported that booing "spooked" or "bothered" them or their teammates to the point that it "affected their performance". Nick Swisher stated "It hurts. Sometimes I'm a sensitive guy and some of the things people say, they get under your skin a little bit." Ledley King stated, "It just frustrates me when the crowd boo England, who is that going to help? It just heaps more pressure on the players and gives us even less of a chance of scoring". However, the counterargument goes that the combination of booing and applause help keep the quality of public performance high, by emotionally rewarding the good and punishing the bad. Booing is not always a judgement of performance, but can be an expr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House
An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institution's administration. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing arts center. History Greco-Roman antiquity Based on Aristoxenus's musical system, and paying homage to the architects of ancient Greek theater, Vitruvius described, in the 1st century BC, in his treatise ''De architectura'', the ideal acoustics of theaters. He explained the use of brazen vases that Mummius had brought to Rome after having had the theater of Corinth demolished, and as they were probably used in the Theater of Pompey. As wooden theaters were naturally sonorous, these vases, placed betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater (structure)
A theater, theatre or playhouse, is a structure where theatrical works, performing arts, and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place. There are as many types of theaters as there are types of performance. Theaters may be built specifically for certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated rooms or black box theaters. A thrust stage as well as an arena stage are just a few more examples of the multitude of stages where plays can occur. A theatre used for opera performances is called an opera house. A theater is not required for performance (as in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. The IPA is used by linguists, lexicography, lexicographers, foreign language students and teachers, speech–language pathology, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical item, lexical (and, to a limited extent, prosodic) sounds in oral language: phone (phonetics), phones, Intonation (linguistics), intonation and the separation of syllables. To represent additional qualities of speechsuch as tooth wikt:gnash, gnashing, lisping, and sounds made with a cleft lip and cleft palate, cleft palatean extensions to the International Phonetic Alphabet, extended set of symbols may be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claque
A claque is an organized body of professional applauders in French theatres and opera houses. Members of a claque are called claqueurs. History Hiring people to applaud dramatic performances was common in classical times. For example, when the Emperor Nero acted, he had his performance greeted by an encomium chanted by five thousand of his soldiers. This inspired the French poet Jean Daurat (1508–1588) to develop the modern claque. Buying a number of tickets for a performance of one of his plays, he gave them away in return for a promise of applause. In 1820 claques underwent serious systematization when an agency in Paris opened to manage and supply claqueurs. By 1830 the claque had become an institution. The manager of a theatre or opera house could send an order for any number of claqueurs. These usually operated under a (leader of applause), who judged where the efforts of the ''claqueurs'' were needed and initiated the demonstration of approval. This could take seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responses (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choregos
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; , Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the liturgical system designed to improve the city-state's economic stability through the use of private wealth to fund public good. Choregoi paid for co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stole (vestment)
The stole is a liturgy, liturgical vestment of various Christianity, Christian religious denomination, denominations, which symbolizes priesthood, priestly authority; in Protestant denominations which do not have priests but use stoles as a liturgical vestment, however, it symbolizes being a member of the ordained. It consists of a band of colored cloth, usually of silk, about seven and a half to nine feet long and three to four inches wide, whose ends may be straight or may broaden out in the shape of a spade or bell. The center of the stole is worn around the back of the neck and the two ends hang down parallel to each other in front, either attached to each other or hanging loose. The stole is almost always decorated in some way, usually with two crosses, or sometimes another significant religious design. It is often decorated with contrasting galloons (ornamental trim (sewing), trim) and Christianity and fringed garments, fringe is usually applied to the ends of the stole follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
