Andúril
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Andúril
The weapons and armour of Middle-earth are all those mentioned J. R. R. Tolkien's Middle-earth fantasy writings, such as ''The Hobbit'', ''The Lord of the Rings'' and ''The Silmarillion''. Tolkien modelled his fictional warfare on the Ancient and Early Medieval periods of history. His depiction of weapons and armour particularly reflect Northern European culture as seen in ''Beowulf'' and the Norse sagas. Tolkien established this relationship in '' The Fall of Gondolin'', the first story in '' his legendarium'' to be written. In this story, the Elves of Gondolin use the mail armour, swords, shields, spears, axes and bows of Northern European warfare. In Tolkien's writings, such Medieval weapons and armour are used by his fictional races, including Elves, Dwarves, Men, Hobbits, and Orcs. As in his sources, Tolkien's characters often gave names to their weapons, sometimes with runic inscriptions to show they are magical and have their own history and power. Terminology ...
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Named Weapons In Middle-earth
The naming of weapons in Middle-earth is the giving of names to swords and other powerful weapons in J. R. R. Tolkien's legendarium. He derived the naming of weapons Tolkien and the medieval, from his knowledge of Medieval times; the practice is found in Norse mythology and in the Old English poem ''Beowulf''. Among the Middle-earth weapons and armour, many weapons named by Tolkien are ''Orcrist'' and ''Glamdring'' in ''The Hobbit'', and ''Narsil / Andúril'' in ''The Lord of the Rings''. Such weapons carry powerful symbolism, embodying the identity and ancestry of their owners. There are multiple parallels between Tolkien's usage of named weapons in his Middle-earth writings, and the Medieval epics. These include their inheritance as heirlooms, sometimes royal; their rediscovery in ancient treasure-hoards; their being broken and reforged; their adornment with runic inscriptions; and their interlinking with the lives of their owners. Background Naming of Medieval weapons ...
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Man (Middle-earth)
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, " The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world a ...
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Middle-earth
Middle-earth is the Setting (narrative), setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the ''Midgard, Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythopoeia, mythological past. Tolkien's most widely read works, ''The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become Metonym, a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Cosmology of Tolkien's legendarium#Spherical-earth cosmology, Earth (Arda) in an imaginary period of the past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This region is suggestive of Eu ...
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Spear
A spear is a polearm consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, as is the case with Fire hardening, fire hardened spears, or it may be made of a more durable material fastened to the shaft, such as bone, flint, obsidian, copper, bronze, iron, or steel. The most common design for hunting and/or warfare, since modern times has incorporated a metal spearhead shaped like a triangle, lozenge (shape), diamond, or Glossary of leaf morphology, leaf. The heads of fishing spears usually feature multiple sharp Tine (structural), points, with or without barbs. Spears can be divided into two broad categories: those designed for thrusting as a melee weapon (including weapons such as lances and Pike (weapon), pikes) and those designed for throwing as a ranged weapon (usually referred to as javelins). The spear has been used throughout human history as a weapon for hunting and/or fishing and for warfare. Along with ...
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Sindarin
Sindarin is one of Languages constructed by J. R. R. Tolkien, the constructed languages devised by J. R. R. Tolkien for use in his fantasy stories set in Arda (Tolkien), Arda, primarily in Middle-earth. Sindarin is one of the many languages spoken by the Elf (Middle-earth), Elves. The word is Quenya for Grey-elven, since it was the language of the Grey Elves of Beleriand. These were Elves of the Third Clan who remained behind in Beleriand after the Great Journey. Their language became estranged from that of their kin who sailed over sea. Sindarin derives from an earlier language called Common Telerin, which evolved from Common Eldarin, the tongue of the Eldar (Middle-earth), Eldar before their divisions, e.g., those Elves who decided to follow the Vala Oromë and undertook the Great March to Valinor. Even before that the Eldar Elves spoke the original speech of all Elves, or Primitive Quendian. In the Third Age (the setting of ''The Lord of the Rings''), Sindarin was the languag ...
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Constructed Language
A constructed language (shortened to conlang) is a language whose phonology, grammar, orthography, and vocabulary, instead of having developed natural language, naturally, are consciously devised for some purpose, which may include being devised for a fiction, work of fiction. A constructed language may also be referred to as an artificial, planned or invented language, or (in some cases) a fictional language. ''Planned languages'' (or engineered languages / engelangs) are languages that have been purposefully designed; they are the result of deliberate, controlling intervention and are thus of a form of ''language planning''. There are many possible reasons to create a constructed language, such as to ease human communication (see international auxiliary language and code); to give fiction or an associated constructed setting an added layer of realism; for experimentation in the fields of linguistics, cognitive science, and machine learning; for artistic language, artistic crea ...
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Languages Of Middle-earth
Language is a structured system of communication that consists of grammar and vocabulary. It is the primary means by which humans convey meaning, both in spoken and signed forms, and may also be conveyed through writing. Human language is characterized by its cultural and historical diversity, with significant variations observed between cultures and across time. Human languages possess the properties of productivity and displacement, which enable the creation of an infinite number of sentences, and the ability to refer to objects, events, and ideas that are not immediately present in the discourse. The use of human language relies on social convention and is acquired through learning. Estimates of the number of human languages in the world vary between and . Precise estimates depend on an arbitrary distinction (dichotomy) established between languages and dialects. Natural languages are spoken, signed, or both; however, any language can be encoded into secondary media usin ...
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