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Andrea Meldolla
Andrea Meldolla ( hr, Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice. His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian. Biography Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia, the son of a garrison commander of a post nearby. His family was originally from the small town of Meldola, close to the city of Forlì in Romagna. He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, in a book of 1584, that he was a pupil of Parmigianino, but this has been doubted. There are unproven claims that he trained with Bonifazio de Pitati. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schiavone 1
Schiavone (; feminine ''Schiavona'', plural ''Schiavoni'') is an Italian ethnonym literally meaning " Slavs" in Old Venetian: originally, this term indicated origins in the lands of Dalmatia and Istria (in present-day Slovenia and Croatia), when under the rule of the Republic of Venice. Today it is an Italian surname. History The importance of Schiavoni's role in the Venetian Republic is best shown by the name of one of the main streets in Venice, Riva degli Schiavoni, just in front of the Doge Palace and San Marco Square. A number of artists who worked in Italy who were of Slavic descent were nicknamed ''Schiavone'' by their origin: most famous among them are Giulio Clovio, Francesco Laurana, and Luciano Laurana. Schiavone was also a designation of the Oltremarini, a military unit of the same descent in the Venetian Navy. The basket-hilted sword schiavona was also named after the Schiavone. Surname In Italy, the surname Schiavone mostly occurs in the southernmost region ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Istria
Istria ( ; Croatian and Slovene: ; ist, Eîstria; Istro-Romanian, Italian and Venetian: ; formerly in Latin and in Ancient Greek) is the largest peninsula within the Adriatic Sea. The peninsula is located at the head of the Adriatic between the Gulf of Trieste and the Kvarner Gulf. It is shared by three countries: Croatia, Slovenia, and Italy.Marcel Cornis-Pope, John Neubauer''History of the literary cultures of East-Central Europe: junctures and disjunctures in the 19th And 20th Centuries'' John Benjamins Publishing Co. (2006), Alan John Day, Roger East, Richard Thomas''A political and economic dictionary of Eastern Europe'' Routledge, 1sr ed. (2002), Croatia encapsulates most of the Istrian peninsula with its Istria County. Geography The geographical features of Istria include the Učka/Monte Maggiore mountain range, which is the highest portion of the Ćićarija/Cicceria mountain range; the rivers Dragonja/Dragogna, Mirna/Quieto, Pazinčica, and Raša; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Joseph Freedberg
Sydney Joseph Freedberg (November 11, 1914 – May 6, 1997) was an American art historian and curator, mainly of Italian Renaissance painting. Freedberg was born in Boston and attended the Boston Latin School. He graduated from Harvard College in 1939, and acquired a doctoral degree a year later. One of his mentors was Bernard Berenson. He taught Fine Arts at Harvard from 1954 to 1983. At the time of his retirement in 1983 he was the Arthur Kingsley Porter Professor of Fine Arts at Harvard. He became chief curator from 1983 to 1988 of the National Gallery of Art in Washington, DC in 1983 upon retiring from Harvard. During the Second World War, Freedberg risked disciplinary action by refusing as a matter of conscience to work on intelligence about Rome. Later he would say that "I was worried that the information I might gather might be used in a military operation against that city", and thus lead to irreparable damage to works of art there. Despite his decision, he was made an Hon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bassano
Jacopo Bassano (c. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter. Life He was born around 1510 in the town of Bassano del Grappa, located about 65 km from the city of Venice. His father, Francesco il Vecchio, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term '' Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonifazio Veronese
Bonifacio Veronese, birth name: Bonifacio de' PitatiAlso known as Bonifazio Veneziano (1487 – 19 October 1553) was an Italian Renaissance painter who was active in the Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.Thomas Nichols. "Pitati, Bonifazio de’." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 28 Dec. 2016 Life The artist was born in Verona from which his family moved to Venice around 1505. Here, the young artist reputedly trained under Palma il Vecchio. He was initially a close follower of il Vecchio. He ran a large workshop in Venice, which could execute small devotional works as well as large painting projects. His early work also shows his knowledge of Giorgione and Titian [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Paolo Lomazzo
Gian Paolo Lomazzo (26 April 1538 – 27 January 1592; his first name is sometimes also given as "Giovan" or "Giovanni") was an Italian artist and writer on art. Praised as a painter, Lomazzo wrote about artistic practice and art theory after blindness compelled him to pursue a different professional path by 1571. Lomazzo's written works were especially influential to second generation Mannerism in Italian art and architecture. Early life Gian Paolo Lomazzo was born in Milan from a family who had emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large ''Allegory of the Lenten Feast'' for ''San Agostino'' in Piacenza (1567). Other works by his hand include an elaborate dome with ''Glory of Angels'' for the Capella Foppa in San Marco in Milan, and the ''Fall of Simon Magus'' in the wall of the chapel. Lomazzo was depicted on a ca. 1560 medal by Annibale Fontana that described him as having been introduced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romagna
Romagna ( rgn, Rumâgna) is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna, North Italy. Traditionally, it is limited by the Apennines to the south-west, the Adriatic to the east, and the rivers Reno and Sillaro to the north and west. The region's major cities include Cesena, Faenza, Forlì, Imola, Ravenna, Rimini and City of San Marino (San Marino is a landlocked state inside the Romagna historical region). The region has been recently formally expanded with the transfer from the Marche region of nine comuni where the Romagnol language is spoken ( Casteldelci, Maiolo, Novafeltria, Pennabilli, San Leo, Sant'Agata Feltria, Talamello, Montecopiolo, Sassofeltrio). Etymology The name ''Romagna'' originates from the Latin name ''Romania'', which originally was the generic name for "land inhabited by Romans", and first appeared on Latin documents in the 5th century. It later took on the more speci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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