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Anamorphic Art
Anamorphosis is a distorted projection that requires the viewer to occupy a specific vantage point, use special devices, or both to view a recognizable image. It is used in painting, photography, sculpture and installation, toys, and film special effects. The word is derived from the Greek prefix ''ana-'', meaning "back" or "again", and the word ''morphe'', meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures, erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer. Types of projection There are two main types of anamorphosis: ''perspective'' (oblique) and ''mirror'' ( catoptric). More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations. An oblique anamorphism forms an affine transformation of the subject. Early examples of perspectival anamorphosis date to the Renaissance of the fifteenth c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caricature
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a ''caricature'' is a distorted representation of a person in a way that exaggeration, exaggerates some characteristics and oversimplifies others. Etymology The term is derived for the Italian ''caricare''—to charge or load. An early definition occurs in the English doctor Thomas Browne's ''Christian Morals'', published posthumously in 1716. with the footnote: Thus, the word "caricature" essentially means a "loaded portrait". In 18th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minerva
Minerva (; ; ) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. Minerva is a virgin goddess. Her domain includes music, poetry, medicine, wisdom, commerce, weaving, and the crafts. Minerva is often depicted with her sacred creature, an owl usually named the " owl of Minerva" which symbolised her association with wisdom and knowledge, as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build. She is often wearing armour and carrying a spear. As an important Roman g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychoanalyst
PsychoanalysisFrom Greek: and is a set of theories and techniques of research to discover unconscious processes and their influence on conscious thought, emotion and behaviour. Based on dream interpretation, psychoanalysis is also a talk therapy method for treating of mental disorders."All psychoanalytic theories include the idea that unconscious thoughts and feelings are central in mental functioning." Milton, Jane, Caroline Polmear, and Julia Fabricius. 2011. ''A Short Introduction to Psychoanalysis''. SAGE. p. 27."What is psychoanalysis? Of course, one is supposed to answer that it is many things — a theory, a research method, a therapy, a body of knowledge. In what might be considered an unfortunately abbreviated description, Freud said that anyone who recognizes transference and resistance is a psychoanalyst, even if he comes to conclusions other than his own. … I prefer to think of the analytic situation more broadly, as one in which someone seeking help tries to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memento Mori
(Latin for "remember (that you have) to die")Literally 'remember (that you have) to die' Oxford English Dictionary, Third Edition, June 2001. is an artistic symbol or Trope (literature), trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards. The most common motif (visual arts), motif is a skull, often accompanied by bones. Often, this alone is enough to evoke the trope, but other motifs include a coffin, hourglass, or wilting flowers to signify the impermanence of life. Often, these would accompany a different central subject within a wider work, such as portra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanitas
''Vanitas'' is a genre of symbolizing the temporality, transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). Spanish painters working at the end of the Spanish Golden Age also created vanitas paintings. Etymology The word ''vanitas'' comes from Latin and means vanity. In this context, vanity means pointlessness, or futility, not to be confused with the other definition of vanity. Vanity is referenced in the Hebrew Bible in Ecclesiastes 12, Ecclesiastes 12:8, "Vanity of Vanities, saith the preacher, all is vanity". In some versions vanity is translated as "meaningless" to avoid the confusion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Skull
The skull, or cranium, is typically a bony enclosure around the brain of a vertebrate. In some fish, and amphibians, the skull is of cartilage. The skull is at the head end of the vertebrate. In the human, the skull comprises two prominent parts: the neurocranium and the facial skeleton, which evolved from the first pharyngeal arch. The skull forms the frontmost portion of the axial skeleton and is a product of cephalization and vesicular enlargement of the brain, with several special senses structures such as the eyes, ears, nose, tongue and, in fish, specialized tactile organs such as barbels near the mouth. The skull is composed of three types of bone: cranial bones, facial bones and ossicles, which is made up of a number of fused flat and irregular bones. The cranial bones are joined at firm fibrous junctions called sutures and contains many foramina, fossae, processes, and sinuses. In zoology, the openings in the skull are called fenestrae, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Holbein The Younger
Hans Holbein the Younger ( , ; ; – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ambassadors (Holbein)
''The Ambassadors'' is a 1533 painting by Hans Holbein the Younger. Also known as ''Jean de Dinteville and Georges de Selve'', after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. Franny Moyle speculates that Elizabeth's mother, Anne Boleyn, then Queen of England, might have commissioned it as a gift for Jean de Dinteville, the French ambassador, portrayed on the left. De Selve was a Catholic Bishop. As well as being a double portrait, the painting contains a still life of meticulously rendered objects, the meaning of which is the cause of much debate. An array of expensive scientific objects, related to knowing the time and the cosmos are prominently displayed. Several refer to Rome, the seat of the Pope. A second shelf of objects shows a lute with a broken string, a symbol of discord, next to a hymnal composed by Martin Luther. It incorporates one of the best-known examples of anamorphosis in painting. While most scholars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Laureti
Tommaso Laureti, often called Tommaso Laureti Siciliano ( 1530 – 22 September 1602), was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism. Biography Laureti was born in Palermo, Sicily. After his first master's death in 1547, he settled in Bologna, introducing illusionistic perspective paintings on ceilings to the city, notably an ''Alexander the Great'' ceiling with a painted architectural setting in Palazzo Vizzani. He painted a ''Transportation of the Body of Saint Augustine'' for the church of San Giacomo Maggiore in Bologna. The Mannerist structural elements of the marble and bronze ''Fountain of Neptune'' in Bologna, which is surmounted by Giambologna's ''Neptune'', completed in 1566, were based on a 1563 drawing by La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era. Biography Jacopo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as an architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made his first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Atlanticus
The Codex Atlanticus (Atlantic Codex) is a 12-volume, bound set of drawings and writings (in Italian) by Leonardo da Vinci, the largest single set. Its name indicates the large paper used to preserve original Leonardo notebook pages, which was used for atlases. It comprises 1,119 leaves dating from 1478 to 1519, the contents covering a great variety of subjects, from flight to weaponry to musical instruments and from mathematics to botany. This codex was gathered in the late 16th century by the sculptor Pompeo Leoni, who dismembered some of Leonardo's notebooks in its formation. It is now in the Biblioteca Ambrosiana in Milan. Description The Codex Atlanticus is the largest single collection of drawings and writings (in Italian) by polymath Leonardo da Vinci, containing 1,119 paper leaves (2,238 pages) arranged into 12 leather-bound volumes. Its size and scope has led art historian Carlo Pedretti to recognize it as the most important of Leonardo's manuscripts. The pages are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo. Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
