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Abhinaya Creations
Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Muni's ''Natya Shastra'', is used as an integral part of all Indian classical dance styles. ''Abhinaya'' can be divided into four, according to the ''Natya Shastra''. pp. 131–186 Expression of the limbs (''Āṅgika Abhinaya'') Angika Abhinaya denotes the movements of angas like head, hands, waist and face. Pratyangas like shoulder, shoulder arm's, thighs, knees and elbows and upangas like eyes, eyelid, cheeks, nose, lips and teeth. Additional hastas (hand gestures) have always played a significant role in conveyance of the emotion and through of a soul. Many of the natural gestures are found common to mankind and their meaning easily understood. Expression of speech (''Vāchika Abhinaya'') Speech is used in drama and also in music when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natyashastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Culture
Indian culture is the heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies that originated in or are associated with the ethno-linguistically diverse India. The term also applies beyond India to countries and cultures whose histories are strongly connected to India by immigration, colonisation, or influence, particularly in South Asia and Southeast Asia. India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country. Indian culture, often labelled as a combination of several cultures, has been influenced by a history that is several millennia old, beginning with the Indus Valley civilization and other early cultural areas.John Keay (2012), ''India: A History'', 2nd Ed – Revised and Updated, Grove Press / Harper Collins, , see Introduction and Chapters 3 through 11Mohammada, Malika (2007), ''The foundations of the composite culture in India'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Delhi
New Delhi (, , ''Naī Dillī'') is the Capital city, capital of India and a part of the NCT Delhi, National Capital Territory of Delhi (NCT). New Delhi is the seat of all three branches of the government of India, hosting the Rashtrapati Bhavan, Parliament House (India), Parliament House, and the Supreme Court of India. New Delhi is a Municipal governance in India, municipality within the NCT, administered by the New Delhi Municipal Council, NDMC, which covers mostly Lutyens' Delhi and a few adjacent areas. The municipal area is part of a larger List of districts in India, administrative district, the New Delhi district. Although colloquially ''Delhi'' and ''New Delhi'' are used interchangeably to refer to the National Capital Territory of Delhi, both are distinct entities, with both the municipality and the New Delhi district forming a relatively small part of the megacity of Delhi. The National Capital Region (India), National Capital Region is a much larger entity compri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Academi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra ( National Institute of Kathak Dance), N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the '' Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages givin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Nātyakalpadrumam
''Nātyakalpadrumam'' (നാട്യകല്പദ്രുമം in Malayalam, नाट्यकल्पद्रुमम् in Devanagari) is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala— Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi. Contents ''Natyakalpadruma''- theatrical study written by Mani Madhava C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navarasa
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in variatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in variatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo Dance
A solo dance is a dance done by an individual dancing alone, as opposed to couples dancing together but independently of others dancing at the same time, if any, and as opposed to groups of people dancing simultaneously in a coordinated manner. Solo dancers are usually the best dancers in a group or dance school. Most solo dancers start after about 6–7 years of dance or sooner. Most soloists are company kids of their dance school. They are usually in more than one dance. In Comparsas, there are various soloists who strut in front. They usually dance at the edges of the street so that the viewing public can appreciate their moves. Most male soloists carry a large lantern-like artifact on a large pole, resting on an oily pouch, which they make spin at will. Dance is a way to express emotions. See also *Sean-nós dance * Sean-nós dance in America *Irish dance *Step dance *Stepping (African-American) Stepping or step-dancing (a type of step dance) is a form of Percuss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
