1849 Salon
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1849 Salon
The Salon of 1849 was an art exhibition held in Paris. It was the first to be located at the Tuileries Palace, rather than the traditional venue of the Salon at the Louvre. It was staged during the French Republic which had been established following the Revolution of 1848. The Tuileries were a historic royal residence, and had before the revolution belonged to the now deposed Louis Philippe I. The rules of submission were made more open to artists. A major beneficiary of this was the realist painter Gustave Courbet whose ''After Dinner at Ornans'' won a gold medal. Under the July Monarchy Salon juries had rejected all but three of his twenty two submissions. The young Pierre-Charles Comte exhibited a history painting '' The Coronation of Inês de Castro in 1361'' featuring the fourteenth century Portuguese queen Inês de Castro. Rosa Bonheur displayed a rural scene ''Ploughing in the Nivernais''. Another realist painter François Bonvin submitted three painting. The landscape ar ...
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Salon De 1849, Aux Tuileries
Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (Paris), a prestigious annual juried art exhibition in Paris begun under Louis XIV * ''The Salon'' (TV series), a British reality television show * ''The Salon'' (film), a 2005 American dramatic comedy movie * ''The Salon'' (comics), a graphic novel written and illustrated by Nick Bertozzi Places * Salon, Aube, France, a commune * Salon, Dordogne, France, a commune * Salon, India, a town and nagar panchayat * Salon (Assembly constituency), India, a constituency for the Uttar Pradesh Legislative Assembly Other uses * Salon.com, an online magazine * Champagne Salon, a producer of sparkling wine * Salon Basnet (born 1991), Nepali actor and model * The Salon, a Category A listed building in Glasgow, Scotland See also * * Salon-de-Pro ...
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Fourteenth Century
The 14th century lasted from 1 January 1301 (represented by the Roman numerals MCCCI) to 31 December 1400 (MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of King Charles IV of France led to a claim to the French throne by King Edward III of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and the Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever established by a single conqueror. ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ...
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Neoclassical Art
Neoclassical or neo-classical may refer to: * Neoclassicism or New Classicism, any of a number of movements in the fine arts, literature, theatre, music, language, and architecture beginning in the 17th century ** Neoclassical architecture, an architectural style of the 18th and 19th centuries ** Neoclassical sculpture, a sculptural style of the 18th and 19th centuries ** New Classical architecture, an overarching movement of contemporary classical architecture in the 21st century ** in linguistics, a word that is a recent construction from Neo-Latin based on older, classical elements * Neoclassical ballet, a ballet style which uses traditional ballet vocabulary, but is generally more expansive than the classical structure allowed * The "Neo-classical period" of painter Pablo Picasso immediately following World War I * Neoclassical economics, a general approach in economics focusing on the determination of prices, outputs, and income distributions in markets through supply and dema ...
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James Pradier
James Pradier (born Jean-Jacques Pradier, ; 23 May 1790 – 4 June 1852) was a Genevan-born French sculptor best known for his work in the neoclassical style. Life and work Born in Geneva (then the Republic of Geneva), Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814 to 1818 at the Villa Medici. Pradier made his debut at the Salon of 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the ''Académie des beaux-arts'' and a professor at the École des Beaux-Arts Unlike many of his contemporaries, Pradier oversaw the finishing of his sculptures himself. He was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the young ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ...
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The Stone Breakers
''The Stone Breakers'' (), also known as ''Stonebreakers'', was an 1849 oil painting on canvas by the French painter Gustave Courbet. Now destroyed, the image remains an often-cited example of the artistic movement Realism. The painting was exhibited at the 1850 Paris Salon where it was criticized by for its depiction of a subject that was not considered proper for high art. Some critics disliked Courbet's application of very thick paint and the poor lighting in the image. Conversely, social theorist Pierre-Joseph Proudhon praised the work and saw it as a successful socialist painting. He called the composition "a masterpiece in its genre". By 1915, it was considered to be a very "important work". Courbet produced two versions of the painting. The version displayed at the 1850 Paris Salon was in the collection of the Gemäldegalerie Alte Meister in Dresden. At the time of its acquisition by the museum, the painting was referred to as "Courbet's monumental masterpiece". It h ...
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Adolphe Pierre Leleux
Adolphe Pierre Leleux (15 November 1812, in Paris – 27 July 1891) was a French people, French painter and illustrator. His brother Armand Leleux was also a painter. Biography Adolphe Leleux was self-taught, and exhibited work at the Paris salon, Paris Salon from Salon of 1835, 1835 onwards. Although he decided to concentrate on painting after 1837, he did study engraving in the studio of Alexandre Vincent Sixdeniers. It was in 1838 that he discovered Brittany, and painted many genre paintings inspired by the Breton countryside. He was given the nickname "Leleux le Breton". File:293 Adolphe Leleux.JPG, "Une noce en Bretagne". This 1863 work, held in the Quimper Musée des beaux-arts, depicts a wedding. File:Adolphe Leleux lutte.jpg, Adolphe Leleux; "Jour de fête en Cornouaille" or "Lutteurs de Basse-Bretagne". This 1864 painting was thought to have been inspired by the wrestlers at the "pardon de Saint-Cadou" in Gouesnach. File:L'assaut des Chouans - Adolphe Pierre Leleux.jpg ...
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Salon Of 1836
The Salon of 1836 was an art exhibition held at the Louvre in Paris. Since 1833 the Salon had been held annually, featuring paintings, sculptures and other works of art. It was followed by the Salon of 1837. It took place during the July Monarchy and featured works depicting the July Revolution of 1830 '' The Arrival of the Duke of Orleans at the Hôtel de Ville'' by Charles-Philippe Larivière and '' The King Distributing Battalion Standards to the National Guard''. Louis Philippe I had ordered the restoration of the historic Palace of Versailles as a Musée de l'Histoire de France. This meant commissioning of a number of battle scenes depicting patriotic moments from French history. Notably, Horace Vernet exhibited three paintings ('' The Battle of Friedland'', '' The Battle of Jena'' and '' The Battle of Wagram'') showing scenes from the Napoleonic Wars intended to hang in the Galerie des Batailles. Vernet also submitted his '' The Battle of Fontenoy'' set during the War of ...
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Théodore Rousseau
Étienne Pierre Théodore Rousseau (; 15 April 181222 December 1867) was a French painter of the Barbizon school. Life Youth He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displayed aptitude for painting. Although his father regretted the decision at first, he became reconciled to his son forsaking business, and throughout the artist's career (for he survived his son) was a sympathizer with him in all his conflicts with the Paris Salon authorities. Théodore Rousseau shared the difficulties of the romantic painters of 1830, in securing for their pictures a place in the annual Paris exhibition. The influence of classically trained artists was against them, and not until 1848 was Rousseau presented adequately to the public. He had exhibited six works in the Salons of 1831, 1833, 1834 and 1835, but in 1836 his great work ''Paysage du Jura'' 'La descente des vaches''was rejected by the Salon jury. He sent a tot ...
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Landscape Artist
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent Composition (visual arts), composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. L ...
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François Bonvin
François Bonvin (November 22, 1817 – December 19, 1887) was a French realist painter. Early life Bonvin was born in humble circumstances in Paris, the son of a police officer and a seamstress. When he was four years old his mother died of tuberculosis and young François was left in the care of an old woman who underfed him. Soon his father married another seamstress and brought the child back into the household. Nine additional children were born (one of whom was Léon Bonvin). The family's resources were severely strained, and to make matters worse his stepmother took to abusing and undernourishing François. The young Bonvin started drawing at an early age. His potential was recognized by a friend of the family, who paid for him to attend a school for drawing instruction at age eleven. Bonvin attended the Ecole de Dessin in Paris from 1828 until 1830,Oxford Art Online. when his father apprenticed him to a printer. Bonvin later studied at the Académie Suisse, but wa ...
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