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き
き, in hiragana, キ in katakana, is one of the Japanese kana, which each represent one mora. Both represent and are derived from a simplification of the kanji. The hiragana character き, like さ, is drawn with the lower line either connected or disconnected. A dakuten may be added to the character; this transforms it into ぎ in hiragana, ギ in katakana, and ''gi'' in Hepburn romanization. The phonetic value also changes, to in initial, and varying between and in the middle of words. A handakuten (゜) does not occur with ''ki'' in normal Japanese text, but it may be used by linguists to indicate a nasal Nasal is an adjective referring to the nose, part of human or animal anatomy. It may also be shorthand for the following uses in combination: * With reference to the human nose: ** Nasal administration, a method of pharmaceutical drug delivery * ... pronunciation . Stroke order Other communicative representations * Full Braille representation * Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese language, Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora (linguistics), mora in the Japanese language is represented by one character (or one digraph) in each system. This may be a vowel such as /a/ (hiragana wikt:あ, あ); a consonant followed by a vowel such as /ka/ (wikt:か, か); or /N/ (wikt:ん, ん), a nasal stop, nasal sonorant which, depending on the context and dialect, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of the aforementioned ん), the kana are r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana き Stroke Order Animation
is a Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora in the Japanese language is represented by one character (or one digraph) in each system. This may be a vowel such as /a/ (hiragana あ); a consonant followed by a vowel such as /ka/ ( か); or /N/ (ん), a nasal sonorant which, depending on the context and dialect, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of the aforementioned ん), the kana are referred to as syllabic symbols and not alphabetic letters. Hiragana is used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese language, Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora (linguistics), mora in the Japanese language is represented by one character (or one digraph) in each system. This may be a vowel such as /a/ (hiragana wikt:あ, あ); a consonant followed by a vowel such as /ka/ (wikt:か, か); or /N/ (wikt:ん, ん), a nasal stop, nasal sonorant which, depending on the context and dialect, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of the aforementioned ん), the kana are r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kana
are syllabary, syllabaries used to write Japanese phonology, Japanese phonological units, Mora (linguistics), morae. In current usage, ''kana'' most commonly refers to ''hiragana'' and ''katakana''. It can also refer to their ancestor , which were Kanji, Chinese characters used phonetically to transcribe Japanese language, Japanese (e.g. ''man'yōgana''); and ''hentaigana'', which are historical variants of the now-standard hiragana. Katakana, with a few additions, are also used to write Ainu language, Ainu. A Okinawan scripts, number of systems exist to write the Ryūkyūan languages, in particular Okinawan language, Okinawan, in hiragana. Taiwanese kana were used in Taiwanese Hokkien as ruby text for Chinese characters in Taiwan when it was Taiwan under Japanese rule, under Japanese rule. Each syllabogram, kana character corresponds to one phoneme or syllable, unlike kanji, which generally each logogram, corresponds to a morpheme. Apart from the five vowels, it is always ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōon
The is a feature of the Japanese language in which a mora is formed with an added sound, i.e., palatalized, or (more rarely in the modern language) with an added sound, i.e. labialized. ''Yōon'' are represented in hiragana using a kana ending in ''i'', such as き (''ki'') or に (''ni''), plus a smaller version of one of the three ''y'' kana, ''ya'', ''yu'' or ''yo''. For example, 今日 (''kyō'', "today") is written きょう [], using a small version of the よ kana. Contrast this with 器用 (''kiyō'', "skillful"), which is written きよう [], with a full-sized よ kana. In historical kana orthography, ''yōon'' were not distinguished with the smaller kana, and had to be determined by context. In earlier stages of Japanese, and in certain dialects, ''yōon'' can also be formed with the kana ''wa'', ''wi'', ''we'', and ''wo''; for example, くゎ/クヮ ''kwa'', くゐ/クヰ ''kwi'', くゑ/クヱ ''kwe'', くを/クヲ ''kwo''. Although obsolete in modern Japa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hepburn Romanization
is the main system of Romanization of Japanese, romanization for the Japanese language. The system was originally published in 1867 by American Christian missionary and physician James Curtis Hepburn as the standard in the first edition of his Japanese–English dictionary. The system is distinct from other romanization methods in its use of English orthography to phonetically transcribe sounds: for example, the syllable () is written as ' and () is written as ', reflecting their spellings in English (compare to ' and ' in the more systematic Nihon-shiki romanization, Nihon-shiki and Kunrei-shiki romanization, Kunrei-shiki systems). In 1886, Hepburn published the third edition of his dictionary, codifying a revised version of the system that is known today as "traditional Hepburn". A version with additional revisions, known as "modified Hepburn", was published in 1908. Although Kunrei-shiki romanization is the style favored by the Japanese government, Hepburn remains the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romaji
The romanization of Japanese is the use of Latin script to write the Japanese language. This method of writing is sometimes referred to in Japanese as . Japanese is normally written in a combination of logogram, logographic characters borrowed from Chinese (kanji) and syllabary, syllabic scripts (kana) that also ultimately derive from Chinese characters. There are several different romanization systems. The three main ones are Hepburn romanization, Kunrei-shiki romanization (ISO 3602) and Nihon-shiki romanization (ISO 3602 Strict). Variants of the Hepburn system are the most widely used. Romanized Japanese may be used in any context where Japanese text is targeted at non-Japanese speakers who cannot read kanji or kana, such as for names on street signs and passports and in dictionaries and textbooks for foreign learners of the language. It is also used to transliterate Japanese terms in text written in English (or other languages that use the Latin script) on topics related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a smallest unit of timing, equal to or shorter than a syllable, that theoretically or perceptually exists in some spoken languages in which phonetic length (such as vowel length) matters significantly. For example, in the Japanese language, the name of the city '' Ōsaka'' () consists of three syllables (''O-sa-ka'') but four morae (), since the first syllable, ''Ō'', is pronounced with a long vowel (the others being short). Thus, a short vowel contains one mora and is called ''monomoraic'', while a long vowel contains two and is called ''bimoraic''. Extra-long syllables with three morae (''trimoraic'') are relatively rare. Such metrics based on syllables are also referred to as syllable weight. In Japanese, certain consonants also stand on their own as individual morae and thus are monomoraic. The term comes from the Latin word for 'linger, delay', which was also used to translate the Greek word : ('time') in it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a mora should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with kana for morae pronounced with or to indicate that they should instead be pronounced with . Glyphs The ''dakuten'' resembles a quotation mark, while the ''handakuten'' is a small circle, similar to a degree sign, both placed at the top right corner of a kana character: * * * * * * Both the ''dakuten'' and ''handakuten'' glyphs are drawn identically in hiragana and katakana scripts. The combining characters are rarely used in full-width Japanese characters, as Unicode and all common multibyte Japanese encodings provide precomposed glyphs for all possible ''dakuten'' and ''handakuten'' character combinations in the standard hiragana and katakana ranges. However, combining characters are required i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handakuten
The , colloquially , is a diacritic most often used in the Japanese language, Japanese kana syllabaries to indicate that the consonant of a Mora (linguistics), mora should be pronounced Voice (phonetics), voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with kana for morae pronounced with or to indicate that they should instead be pronounced with . Glyphs The ''dakuten'' resembles a quotation mark, while the ''handakuten'' is a small circle, similar to a degree sign, both placed at the top right corner of a kana character: * * * * * * Both the ''dakuten'' and ''handakuten'' glyphs are drawn identically in hiragana and katakana scripts. The combining characters are rarely used in full-width Japanese characters, as Unicode and all common multibyte Japanese Character encoding, encodings provide precomposed glyphs for all possible ''dakuten'' and ''handakuten'' character combinations in the standar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
