Éric Tappy
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Éric Tappy
Éric Tappy (19 May 1931 – 11 June 2024) was a Swiss operatic tenor. He performed internationally, both in opera, known as a Mozart tenor, and in concert, especially as the Evangelist in Bach's Passions. He focused on teaching from 1981. Tappy was a member of the Grand Théâtre de Genève from 1962 to 1974, where his wide repertoire included major Mozart roles and world premieres such as Darius Milhaud's ''La Mère coupable''. He has been regarded as legendary for portraying Monteverdi's Orfeo, Tamino in Mozart's ''Die Zauberflöte'' and Debussy's Pelléas, with a voice of exemplary clarity and diction. Life and career Tappy was born in Lausanne on 19 May 1931, to Constant Albert Tappy, a metal worker, and his wife Cécile Emile née Apothéloz. He received early musical instructions in violin and choral singing from his cousin André Charlet. After Tappy became a teacher in 1951, he studied voice at the Conservatoire de Musique de Genève with Fernando Carpi. He stud ...
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Lausanne
Lausanne ( , ; ; ) is the capital and largest List of towns in Switzerland, city of the Swiss French-speaking Cantons of Switzerland, canton of Vaud, in Switzerland. It is a hilly city situated on the shores of Lake Geneva, about halfway between the Jura Mountains and the Alps, and facing the French town of Évian-les-Bains across the lake. Lausanne is located (as the crow flies) northeast of Geneva, the nearest major city. The Federal Supreme Court of Switzerland convenes in Lausanne, although it is not the ''de jure'' capital of the nation. The municipality of Lausanne has a population of about 140,000, making it the List of cities in Switzerland, fourth largest city in Switzerland after Basel, Geneva, and Zurich, with the entire agglomeration area having about 420,000 inhabitants (as of January 2019). The metropolitan area of Lausanne-Geneva (including Vevey-Montreux, Yverdon-les-Bains, Valais and foreign parts), commonly designated as ''Lake Geneva region, Arc lémanique ...
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Conservatorium Van Amsterdam
The Conservatorium van Amsterdam (CvA) is a Dutch conservatoire of music located in Amsterdam. This school is the music division of the Amsterdam University of the Arts, the city's vocational university of arts. The Conservatorium van Amsterdam is the largest music academy in the Netherlands, offering programs in classical music, jazz, pop, electronic music, early music, music education, and opera. History The oldest predecessor of the Conservatorium van Amsterdam was founded in 1884 as the Amsterdamsch Conservatorium, four years before the completion of the Concertgebouw. In 1920, a competing music academy was established in Amsterdam by a society called 'Muzieklyceum'. The Bachzaal, used by the Amsterdamsch Conservatorium, was completed in 1931. In 1976, the Amsterdamsch Conservatorium, Conservatory of the Muzieklyceum Society, and the Haarlems Muzieklyceum merged to form the Sweelinck Conservatorium. This "new" academy of music moved to the former savings bank building in t ...
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Aix-en-Provence Festival
The Festival d'Aix-en-Provence is an annual international music festival which takes place each summer in Aix-en-Provence, principally in July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental music. Establishment The first festival took place in July 1948. It was founded by Countess Lily Pastré, who covered the entire costs in 1948.Le Salon de Lily, Hommage à la Comtesse Pastré, mécène
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La Clemenza Di Tito
(''The Clemency of Titus''), K. 621, is an ''opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Mozart completed the work in the midst of composing ''Die Zauberflöte'', his last opera. ''La clemenza di Tito'' premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an ''opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King o ...
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Salzburg Festival
The Salzburg Festival () is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play ''Jedermann (play), Jedermann'' (''Everyman''). Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals were held in Salzburg at irregular intervals since 1877 by the International Mozarteum Foundation but were discontinued in 1910. A festival was planned for 1914, but it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's revival wa ...
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Staatsoper Hannover
Hanover State Opera () is a German opera company based in Hanover, the state capital of Lower Saxony. The company is resident in the Hanover Opera House (), and is part of a publicly-funded umbrella performing arts organisation called Hanover State Theatre of Lower Saxony (), or simply Hanover State Theatre (). Hanover State Theatre comprises the following divisions that put on operas, stage productions, and concert programs, in addition to maintaining a theatre museum, with seasons running from September through to June. Hanover Opera House Hanover State Opera is resident in the Hanover Opera House, built in classical style between 1845 and 1852 based on a plan by Georg Ludwig Friedrich Laves. The building was rebuilt from 1948 after being badly damaged by the aerial bombings of Hanover during World War II. In 1985, the acoustics were improved, and between 1996 and 1998, the stage facilities were renovated. The International Choreographic Competition Hannover has taken pla ...
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L'incoronazione Di Poppea
''L'incoronazione di Poppea'' (Stattkus-Verzeichnis, SV 308, ''The Coronation of Poppaea'') is an Italian List of operas by Claudio Monteverdi, opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 Carnival of Venice, carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some ...
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Drottningholm Palace Theatre
The Drottningholm Palace Theatre () is an opera house located at Drottningholm Palace in Stockholm, Sweden. It is one of the few 18th century theatres in Europe that is still used as a theatre with its original stage machinery. Currently, the reinvigorated theatre has acquired a growing international reputation as a summer List of opera festivals, opera festival theatre by focusing on works by Haydn, Handel, Gluck and Wolfgang Amadeus Mozart, Mozart and emphasis on authentic performance. The theatre has also had guest performances by the Royal Swedish Opera. History The first theatre to be built on the Drottningholm site was built at the behest of Queen Louisa Ulrika of Prussia, Lovisa Ulrika by the German master builder, (1718 or 1719–1779). The theatre opened in 1754 and hosted a new troupe of French actors, the Du Londel Troupe, that had been engaged by the court a year earlier and was to use the theatre until 1771. The troupe used the theatre in the summer months to s ...
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Zoroastre
''Zoroastre'' (''Zoroaster'') is an opera by Jean-Philippe Rameau, first performed on 5 December 1749 by the Opéra in the first Salle du Palais-Royal in Paris. The libretto is by Louis de Cahusac. ''Zoroastre'' was the fourth of Rameau's '' tragédies en musique'' to be staged and the last to appear during the composer's own lifetime. Audiences gave the original version a lukewarm reception, so Rameau and his librettist thoroughly reworked the opera for a revival which took place at the Opéra on 19 January 1756. This time the work was a great success and this is the version generally heard today. Performance history ''Zoroastres premiere in 1749 was not a success; despite the magnificence of the staging, it failed to compete with Mondonville's new '' opéra-ballet'' ''Le carnaval du Parnasse''. Rameau and Cahusac decided to rework the opera completely before offering it to the public again in 1756. Acts 2,3 and 5 were heavily rewritten and there were several modifications to ...
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Der Sturm (opera)
' (''The Tempest'') is a German-language opera in three acts and an epilogue by the Swiss composer Frank Martin to a libretto based on the Schlegel/ Tieck German translation of Shakespeare's ''The Tempest''. Martin's only opera was premiered at the Vienna State Opera on 17 June 1956. The role of Prospero was conceived for Dietrich Fischer-Dieskau, but illness prevented him from participating.Perroux, Alain (2011)"A new world of sound: Frank Martin's ''Der Sturm''" booklet notes tHyperion CDA67821/3 Hyperion Records. Accessed 4 June 2021. Casaglia lists Fischer-Dieskau in the role of Sebastian, but a playbill for the premiere lists in that role. The word setting is through-composed ''parlando'', with few set pieces, most of which belong to Prospero. Roles Recordings * Extracts: Dietrich Fischer-Dieskau (Prospero), Berlin Philharmonic conducted by the composer, Deutsche Grammophon 1964 * Live recording: Robert Holl as Prospero, Christine Buffle as Miranda, Simon O'Neill as F ...
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Don Carlos
''Don Carlos'' is an 1867 five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the 1787 play '' Don Karlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller and several incidents from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867. The first performance in Italian was given at Covent Garden in London in Jun ...
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Frank Martin (composer)
Frank Martin (15 September 1890 â€“ 21 November 1974) was a Swiss composer, who spent much of his life in the Netherlands. Childhood and youth Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin started to improvise on the piano prior to his formal schooling. At the age of nine he had already written a few songs, without external musical instruction. At age 12, he attended a performance of Bach's ''St Matthew Passion'' and was deeply affected by it. Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but at the same time was also studying piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading figure of the city's musical scene. In the 1920s, Martin worked closely with Émile Jaques-Dalcroze from whom he learned much about rhythm and musical t ...
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