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Frank Martin (composer)
Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who spent much of his life in the Netherlands. Childhood and youth Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin started to improvise on the piano prior to his formal schooling. At the age of nine he had already written a few songs, without external musical instruction. At age 12, he attended a performance of Bach's ''St Matthew Passion'' and was deeply affected by it. Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but at the same time was also studying piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading figure of the city's musical scene. In the 1920s, Martin worked closely with Émile Jaques-Dalcroze from whom he learned much about rhythm and musical t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Geneva
Geneva ( , ; ) ; ; . is the List of cities in Switzerland, second-most populous city in Switzerland and the most populous in French-speaking Romandy. Situated in the southwest of the country, where the Rhône exits Lake Geneva, it is the capital of the Canton of Geneva, Republic and Canton of Geneva, and a centre for international diplomacy. Geneva hosts the highest number of International organization, international organizations in the world, and has been referred to as the world's most compact metropolis and the "Peace Capital". Geneva is a global city, an international financial centre, and a worldwide centre for diplomacy hosting the highest number of international organizations in the world, including the headquarters of many agencies of the United Nations and the International Committee of the Red Cross, ICRC and International Federation of Red Cross and Red Crescent Societies, IFRC of the International Red Cross and Red Crescent Movement, Red Cross. In the aftermath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Tempest
''The Tempest'' is a Shakespeare's plays, play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a magician, lives with his daughter Miranda (The Tempest), Miranda, and his two servants: Caliban, a savage monster figure, and Ariel (The Tempest), Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including Magic (supernatural), magic, betrayal, revenge, forgiveness and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language. Although ''The Tempest'' is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of Shakespeare's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Requiem (Martin)
Requiem is a setting of the Latin Mass for the dead for four soloists, mixed choir, orchestra and organ by Frank Martin. Composed in 1971 and 1972, it was premiered at Lausanne Cathedral on 4 May 1973, with the composer conducting the Orchestre de la Suisse Romande. It has been described as the composer's masterpiece. History Frank Martin composed the Requiem, a setting of the Latin Mass for the dead, towards the end of his life, returning from a Mediterranean cruise in 1971. He said that he was inspired to compose the work by visiting three places of worship, San Marco in Venice, Monreale Cathedral in Palermo, and the Greek temples at Paestum near Naples. He set it for four soloists, mixed choir, orchestra and big organ ("pour quatuor vocal solo, chœur mixte, orchestre et grand orgue"), and completed the work in 1972. He conducted the world premiere at Lausanne Cathedral on 4 May 1973, with vocal soloists Elisabeth Speiser, Ria Bollen, Éric Tappy and Peter Lagger, org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Golgotha (oratorio)
''Golgotha'' is an oratorio for five soloists, orchestra, organ, piano and mixed choir composed by Frank Martin from 1945 to 1948, premiered in Geneva on 29 April 1949 under the direction of Samuel Baud-Bovy. Movements ::First part # Introduction choir: ''Père! Père! Père! Jusqu'à quel point nous as-Tu donc aimés!''. # Les Rameaux. # Le Discours du Temple. # La Sainte Cène. # Gethsémané. ::Second part # Introduction dialogue: ''Que dirais-je, Que ferais-je?''. # Jésus devant le Sanhédrin. # Jésus devant Pilate. # Le Calvaire. # Dialogue of conclusion: ''O Mort! Où est ton aiguillon?''. (texts from the four Gospels and Confessions of Augustine). Bibliography * Frank Martin, ''Lettres à Victor Desarzens'' (introduction, notes et index by Peter Sulzer); L'Âge d'Homme, Lausanne, 1988. * Maria Boeke Martin, ''Souvenirs de ma vie avec Frank Martin''; L'Âge d'Homme, Lausanne, 1990. * Harry Halbreich, ''Frank Martin: esquisse biographique et personnelle - Genèse e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Concerto For Seven Wind Instruments, Timpani, Percussion, And String Orchestra
Concerto for seven wind instruments, timpani, percussion, and string orchestra (published as ''Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes'') is a composition by the Swiss composer Frank Martin. Composed in 1949 for the Bern Musikgesellschaft, the first movement, ''Allegro'', opens with the string players only, with the percussion only gradually coming to the forefront. The haunting second movement ''Adagietto'' is marked "mysterious and elegant", and is hallmarked by an ostinato figure on the strings, initially pizzicato before being taken up by the ensemble. Martin himself characterised the slow movement as being: based entirely on a steady two-time beat, which serves as an accompaniment to the melodic elements: sometimes serene, sometimes dark and violent. A lyrical phrase first heard in the bassoon's upper register is repeated by the trombone with a gentle nobility at the conclusion. The conductor Ernest Ansermet remarked that this move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Cimetière Des Rois
The Cimetière des Rois (French: ''Cemetery of Kings'') (officially Cimetière de Plainpalais) is a cemetery in Geneva, Switzerland. The cemetery is commonly named after la ''rue des Rois'' (French: ''Kings' Street'') near which it is situated. The graveyard was established in 1482 for people who died from plague in the Middle Ages, during the second plague pandemic. Personalities The right to rest in the cemetery of Plainpalais is strictly limited. Under Article 30 (3) of the City of Geneva Cemeteries Regulations, only "magistrates and distinguished personalities, having contributed by their life and activity to the influence of Geneva", p. 6. can claim a concession whose request must be made to the Administrative Council. In the cemetery are buried John Calvin (the Protestant reformer), Jorge Luis Borges (the Argentine author), Sérgio Vieira de Mello (the former UN High Commissioner for Human Rights), Ernest Ansermet (renowned Swiss conductor), and Jean Piaget A full-col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a Key (music), key. The technique was first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. Over time, the technique increased greatly in popularity and eventually became widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motive (music), motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unified field, unity of musical space". Schoenberg's early works, like ''Verklärte Nacht'' (1899), represented a Brahmsian–Wagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in ''Der Blaue Reiter'', and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartets (Schoenberg)#String Quartet No. 2, Op. 10, String Quartet No. 2 (1907–1908), ''Erwartung'' (1909), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Orchestre De La Suisse Romande
The Orchestre de la Suisse Romande (OSR) is a Swiss symphony orchestra, based in Geneva at the Victoria Hall. In addition to symphony concerts, the OSR performs as the opera orchestra in productions at the Grand Théâtre de Genève. History Ernest Ansermet founded the OSR in 1918, together with Paul Lachenal, with a contingent of 48 players and a season of six months' duration. Besides Swiss musicians, the OSR players initially came from other countries, including Austria, France, Germany and Italy. Ansermet gradually increased the percentage of Swiss musicians in the orchestra, attaining 80% Swiss personnel by 1946. He remained the music director of the OSR for 49 years, from 1918 to 1967. A Swiss radio orchestra based in Lausanne was merged into the OSR in 1938. Subsequently, the OSR began to broadcast radio concerts regularly on Swiss radio. The orchestra had a long-standing contract for recordings with Decca Records, dating from the tenure of Ansermet, and made over 300 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
