Ásgarð
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Ásgarð
In Nordic mythology, Asgard (Old Norse: ''Ásgarðr''; "Garden of the Æsir") is a location associated with the gods. It appears in several Old Norse sagas and mythological texts, including the Eddas, however it has also been suggested to be referred to indirectly in some of these sources. It is described as the fortified home of the Æsir gods and is often associated with gold imagery and contains many other locations known in Nordic mythology such as Valhöll, Iðavöllr and Hlidskjálf. In some euhemeristic accounts, Asgard is portrayed as being a city in Asia or Troy, however in other accounts that likely more accurately reflect its conception in Old Norse religion, it is depicted as not conforming to a naturalistic geographical position. In these latter accounts, it is found in a range of locations such as over the rainbow bridge Bifröst, in the middle of the world and over the sea. Etymology The compound word ''Ásgarðr'' combines Old Norse ' ("god") and ("enclosure ...
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Æsir
Æsir (Old Norse; singular: ) or ēse (Old English; singular: ) are deities, gods in Germanic paganism. In Old Nordic religion and Nordic mythology, mythology, the precise meaning of the term "" is debated, as it can refer either to the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom the Æsir Æsir–Vanir War, waged war, ultimately leading to a joining of the families. The term can further be applied to local gods that were believed to live in specific features in the landscape - such as fells. The Old English medical text Wið færstice refers to the Ēse, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear. and its cognate forms feature in many Germanic names, such as Oswald (given name), Oswald and , and in some place-names in Norway and Sweden. The Æsir further likely give their name to the Ansuz (rune), A-rune, atte ...
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Nordic Mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds ...
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Hymir
Hymir (Old Norse: ) is a jötunn in Norse mythology, and the owner of a brewing- cauldron fetched by the thunder god Thor for Ægir, who wants to hold a feast for the Æsir (gods). In ''Hymiskviða'', Hymir is portrayed as the father of Týr, but in ''Skáldskaparmál'', Odin is Týr's father. Name The etymology of the Old Norse name ''Hymir'' remains unclear. It is perhaps related to the Norwegian ''humen'' ('limp, weary') or ''humre'' ('whinny'; compare with MHG ''hummen'' 'hum'). Andy Orchard has proposed the translation 'creeper'. ''Hymir'' is often used in kennings as a modifier for ''jötnarr''. Attestations ''Hymiskviða'' and ''Gylfaginning'' ''Hymiskviða'' recounts how Thor and Týr obtain the cauldron from Hymir. His skull is unusually hard, and Thor breaks a cup by throwing it at Hymir's head. ''Hymiskviða'' also recounts Thor's fishing for Jörmungandr, the Midgard serpent. Thor goes fishing with Hymir, using the head of Hymir's best ox for bait, and ca ...
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Snorri Sturluson
Snorri Sturluson ( ; ; 1179 – 22 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of the ''Prose Edda'', which is a major source for what is today known about Norse mythology and alliterative verse, and , a history of the Norsemen, Norse kings that begins with legendary material in ''Ynglinga saga'' and moves through to early medieval History of Scandinavia, Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of ''Egil's Saga''. He was assassinated in 1241 by men claiming to be agents of the King of Norway. Biography Early life Snorri Sturluson was born in (commonly transliterated as Hvamm or Hvammr) as a member of the wealthy and powerful Sturlungar family clan, Sturlungar clan of the Icelandic Commonwealth, in AD 1179. His parents were Sturla Þórðarson the Elder o ...
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Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; 13th century Old Norse pronunciation ) is the first main part of the 13th century ''Prose Edda'', after the initial Prologue. The ''Gylfaginning'' takes the form of a dialogue between a Swedish King Gylfi and three men on thrones in Asgard called High, Just-As-High, and Third. Gylfi asks many questions of the three men on the history and future of the Æsir. The creation and eventual destruction of the world are described, as are many other aspects of Norse mythology. While the Gylfaginning never makes it explicit, the three are often presumed to be guises of Odin. The second part of the ''Prose Edda'' is the ''Skáldskaparmál'' and the third ''Háttatal''. The work is often attributed to or considered to have been compiled by Snorri Sturluson. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden". He is tricked by one of the goddesses of th ...
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Völuspá
''Völuspá'' (also ''Vǫluspá'', ''Vǫlospá'', or ''Vǫluspǫ́''; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the ''Poetic Edda''. It dates back to the tenth century and tells the story from Norse Mythology of the creation of the world, its coming end, and its subsequent rebirth that is related to the audience by a völva addressing Odin. Her name is given twice as Heiðr. The poem is one of the most important primary sources for the study of Norse mythology. Parts of the poem appear in the ''Prose Edda'', but the earliest known wholly-preserved version of the poem is in the Codex Regius and Hauksbók manuscripts. Preservation Many of stanzas of ''Völuspá'' appear first in the Prose Edda (composed , of which the oldest extant manuscript dates from the beginning of the fourteenth century () in which the stanzas are quoted or paraphrased. The full poem is found in the Icelandic Codex Regius manuscript () and in the Haukr Erlendsson ''Hauk ...
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Valhalla
In Norse mythology, Valhalla ( , ; , )Orchard (1997:171–172) is described as a majestic hall located in Asgard and presided over by the god Odin. There were five possible realms the soul could travel to after death. The first was Fólkvangr, ruled by the goddess Freyja. The second was Hel, ruled by Hel, Loki's daughter. The third was that of the goddess Rán. The fourth was the Burial Mound where the dead could live. The fifth and last realm was Valhalla, ruled by Odin and was called the Hall of Heroes. The masses of those killed in combat (known as the einherjar), along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök, when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla was idealized in Viking culture and gave the Scandinavians a widespread cultural belief that there is nothing more glorious than death in battle. The belief in a Viking paradise and eternal life in Valhalla with Odin may hav ...
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Nóatún (mythology)
In Norse mythology, Nóatún (Old Norse 'ship-enclosure'Orchard (1997:119).) is the abode of the god Njörðr, described in the ''Prose Edda'' book ''Gylfaginning'' as located "in heaven".Faulkes (1995:23). Notes References *Faulkes, Anthony (Trans.) (1995). ''Edda''. Everyman The everyman is a stock character of fiction. An ordinary and humble character, the everyman is generally a protagonist whose benign conduct fosters the audience's identification with them. Origin and history The term ''everyman'' was used .... *Orchard, Andy (1997). ''Dictionary of Norse Myth and Legend''. Cassell. Places in Norse mythology Conceptions of heaven {{norse-myth-stub ...
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Grímnismál
''Grímnismál'' (Old Norse: ; 'The Lay of Grímnir') is one of the mythological poems of the '' Poetic Edda''. It is preserved in the Codex Regius manuscript and the AM 748 I 4to fragment. It is spoken through the voice of ''Grímnir'', one of the many guises of the god Odin. The very name suggests guise, or mask or hood. Through an error, King Geirröth tortured Odin-as-Grímnir, a fatal mistake, since Odin caused him to fall upon his own sword. The poem is written mostly in the ljóðaháttr metre, typical for wisdom verse. Structure and history The work starts out with a lengthy prose section describing the circumstances leading up to Grímnir's monologue. The monologue itself comprises 54 stanzas of poetic verse describing the worlds and Odin's many guises. The third and last part of the poem is also prose, a brief description of Geirröth's demise, his son's ascension, and Odin's disappearance. The prose sections were most likely not part of the original oral versi ...
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Mjölnir
Mjölnir ( , ; from Old Norse ''Mjǫllnir'' ) is the hammer of the thunder god Thor in Norse mythology, used both as a devastating weapon and as a divine instrument to provide blessings. The hammer is attested in numerous sources, including the 11th century runic Kvinneby amulet, the ''Poetic Edda'', a collection of eddic poetry compiled in the 13th century, and the ''Prose Edda'', a collection of prose and poetry compiled in the 13th century. The hammer was commonly worn as a pendant during the Viking Age in the Scandinavian cultural sphere, and Thor and his hammer occur depicted on a variety of objects from the archaeological record. Today the symbol appears in a wide variety of media and is again worn as a pendant by various groups, including adherents of modern Heathenry (new religious movement), Heathenry. Etymology The etymology of the hammer's name, ''Mjǫllnir'', is disputed among historical linguistics, historical linguists. Old Norse ''Mjǫllnir'' developed from Prot ...
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