Confucian Classics

The Chinese classics or canonical texts are the works of Chinese literature authored prior to the establishment of the imperial Qin dynasty in 221 BC. Prominent examples include the Four Books and Five Classics in the Neo-Confucian tradition, themselves an abridgment of the Thirteen Classics. The Chinese classics used a form of written Chinese consciously imitated by later authors, now known as Classical Chinese. A common Chinese word for "classic" () literally means ' warp thread', in reference to the techniques by which works of this period were bound into volumes.

Texts may include ''shi'' (, ' histories') ''zi'' ( 'master texts'), philosophical treatises usually associated with an individual and later systematized into schools of thought but also including works on agriculture, medicine, mathematics, astronomy, divination, art criticism, and other miscellaneous writings) and ''ji'' ( 'literary works') as well as the cultivation of '' jing'', 'essence' in Chinese medicine.

In the Ming and Qing dynasties, the Four Books and Five Classics were the subjects of mandatory study by those Confucian scholars who wished to take the imperial examination and needed to pass them in order to become scholar-officials. Any political discussion was full of references to this background, and one could not become part of the literati—or even a military officer in some periods—without having memorized them. Generally, children first memorized the Chinese characters of the '' Three Character Classic'' and ''Hundred Family Surnames'' and they then went on to memorize the other classics. The literate elite therefore shared a common culture and set of values.

Qin dynasty

Loss of texts

According to Sima Qian's ''Records of the Grand Historian'', after Qin Shi Huang, the first emperor of China, unified China in 221 BC, his chancellor Li Si suggested suppressing intellectual discourse to unify thought and political opinion. This was alleged to have destroyed philosophical treatises of the Hundred Schools of Thought, with the goal of strengthening the official Qin governing philosophy of Legalism. According to the ''Shiji'', three categories of books were viewed by Li Si to be most dangerous politically. These were poetry, history (especially historical records of other states than Qin), and philosophy. The ancient collection of poetry and historical records contained many stories concerning the ancient virtuous rulers. Li Si believed that if the people were to read these works they were likely to invoke the past and become dissatisfied with the present. The reason for opposing various schools of philosophy was that they advocated political ideas often incompatible with the totalitarian regime.

Modern historians doubt the details of the story, which first appeared more than a century later. Regarding the alleged Qin objective of strengthening Legalism, the traditional account is anachronistic in that Legalism was not yet a defined category of thought during the Qin period, and the "schools of thought" model is no longer considered to be an accurate portrayal of the intellectual history of pre-imperial China. Michael Nylan observes that despite its mythic significance, the "burning of books and burying of scholars" legend does not bear close scrutiny. Nylan suggests that the reason Han dynasty scholars charged the Qin with destroying the Confucian Five Classics was partly to "slander" the state they defeated and partly because Han scholars misunderstood the nature of the texts, for it was only after the founding of the Han that Sima Qian labeled the Five Classics as Confucian. Nylan also points out that the Qin court appointed classical scholars who were specialists on the ''Classic of Poetry'' and the ''Book of Documents'', which meant that these texts would have been exempted, and that the '' Book of Rites'' and the ''Zuo Zhuan'' did not contain the glorification of defeated feudal states which the First Emperor gave as his reason for destroying them. Nylan further suggests that the story might be based on the fact that the Qin palace was razed in 207 BC and many books were undoubtedly lost at that time. Martin Kern adds that Qin and early Han writings frequently cite the Classics, especially the ''Documents'' and the ''Classic of Poetry'', which would not have been possible if they had been burned, as reported.

Western Han dynasty

Five Classics

The Five Classics () are five pre-Qin texts that became part of the state-sponsored curriculum during the Western Han dynasty, which adopted Confucianism as its official ideology. It was during this period that the texts first began to be considered together as a set collection, and to be called collectively the "Five Classics". Several of the texts were already prominent by the Warring States period, but the literature culture at the time did not lend itself to clear boundaries between works, so a high degree of variance between individual witnesses of the same title was common, as well as considerable intertextuality and cognate chapters between different titles. Mencius, the leading Confucian scholar of the time, regarded the ''Spring and Autumn Annals'' as being equally important as the semi-legendary chronicles of earlier periods.

;''Classic of Poetry''
:A collection of 305 poems divided into 160 folk songs, 105 festal songs sung at court ceremonies, and 40 hymns and eulogies sung at sacrifices to heroes and ancestral spirits of the royal house.
;''Book of Documents''
:A collection of documents and speeches alleged to have been written by rulers and officials of the early Zhou period and before. It is possibly the oldest Chinese narrative, and may date from the 6th century BC. It includes examples of early Chinese prose.
;'' Book of Rites''
:Describes ancient rites, social forms and court ceremonies. The version studied today is a re-worked version compiled by scholars in the third century BC rather than the original text, which is said to have been edited by Confucius himself.
;''I Ching''
:The book contains a divination system comparable to Western geomancy or the West African Ifá system. In Western cultures and modern East Asia, it is still widely used for this purpose.
;'' Spring and Autumn Annals''
:A historical record of the State of Lu, Confucius's native state, 722–481 BC.

Up to the Western Han, authors would typically list the Classics in the order Poems-Documents-Rituals-Changes-Spring and Autumn. However, from the Eastern Han the default order instead became Changes-Documents-Poems-Rituals-Spring and Autumn.

Han imperial library

In 26 BCE, at the command of the emperor, Liu Xiang (77–6 BC) compiled the first catalogue of the imperial library, the ''Abstracts'' (), and is the first known editor of the '' Classic of Mountains and Seas'', which was finished by his son. Liu also edited collections of stories and biographies, the '' Biographies of Exemplary Women''. He has long erroneously been credited with compiling the '' Biographies of the Immortals'', a collection of Taoist hagiographies and hymns.. Liu Xiang was also a poet, being credited with the " Nine Laments" that appears in the '' Chu Ci''.

The works edited and compiled by Liu Xiang include:

This work was continued by his son, Liu Xin, who finally completed the task after his father's death. The transmitted corpus of these classical texts all derives from the versions edited down by Liu Xiang and Liu Xin. Michael Nylan has characterised the scope of the Liu pair's editing as having been so vast that it affects our understanding of China's pre-imperial period to the same degree as the Qin unification does.

Song dynasty

Four Books

The Four Books () are texts illustrating the core value and belief systems in Confucianism. They were selected by Zhu Xi (1130–1200) during the Song dynasty to serve as general introduction to Confucian thought, and they were, in the Ming and Qing dynasties, made the core of the official curriculum for the civil service examinations.Daniel K. Gardner. ''The Four Books: The Basic Teachings of the Later Confucian Tradition''. Indianapolis: Hackett, 2007. .
They are:

; ''Great Learning''
: Originally one chapter in the '' Book of Rites''. It consists of a short main text attributed to Confucius and nine commentary chapters by Zengzi, one of the disciples of Confucius. Its importance is illustrated by Zengzi's foreword that this is the gateway of learning. It is significant because it expresses many themes of Chinese philosophy and political thinking, and has therefore been extremely influential both in classical and modern Chinese thought. Government, self-cultivation and investigation of things are linked.

; ''Doctrine of the Mean''
: Another chapter in ''Book of Rites'', attributed to Confucius's grandson Zisi. The purpose of this small, 33-chapter book is to demonstrate the usefulness of a golden way to gain perfect virtue. It focuses on the Tao that is prescribed by a heavenly mandate not only to the ruler but to everyone. To follow these heavenly instructions by learning and teaching will automatically result in a Confucian virtue of '' de''. Because Heaven has laid down what is the way to perfect virtue, it is not that difficult to follow the steps of the holy rulers of old if one only knows what is the right way.

; ''Analects''
: Thought to be a compilation of speeches by Confucius and his disciples, as well as the discussions they held. Since Confucius's time, the ''Analects'' has heavily influenced the philosophy and moral values of China and later other East Asian countries as well. The imperial examinations, started in the Sui dynasty and eventually abolished with the founding of the Republic of China, emphasized Confucian studies and expected candidates to quote and apply the words of Confucius in their essays.

; ''Mencius''
: A collection of conversations of the scholar Mencius with kings of his time. In contrast to the sayings of Confucius, which are short and self-contained, the ''Mencius'' consists of long dialogues with extensive prose.

Ming dynasty

Thirteen Classics

The official curriculum of the imperial examination system from the Song dynasty onward are the Thirteen Classics. In total, these works total to more than 600,000 characters that must be memorized in order to pass the examination. Moreover, these works are accompanied by extensive commentary and annotation, containing approximately 300 million characters by some estimates.

* ''I Ching''
* ''Book of Documents''
* ''Classic of Poetry''
* The Three Ritual Classics ()
** '' Rites of Zhou''
** '' Ceremonies and Rites''
** '' Book of Rites''
*** "Great Learning" chapter ()
*** "Doctrine of the Mean" chapter ()
* The Three Commentaries on the '' Spring and Autumn Annals''
** ''Zuo Zhuan''
** '' The Commentary of Gongyang''
** '' The Commentary of Guliang''
* ''Analects''
* '' Classic of Filial Piety''
* '' Erya''
* ''Mencius''

List of classics

Before 221 BC

It is often difficult or impossible to precisely date pre-Qin works beyond their being "pre-Qin", a period of 1000 years. Information in ancient China was often by oral tradition and passed down from generations before so was rarely written down, so the older the composition of the texts may not be in a chronological order as that which was arranged and presented by their attributed "authors".Cambridge History of Ancient China chapter 11

The below list is therefore organized in the order which is found in the '' Siku Quanshu'' (''Complete Library of the Four Treasuries''), the encyclopedic collation of the works found in the imperial library of the Qing dynasty under the Qianlong Emperor. The ''Siku Quanshu'' classifies all works into 4 top-level branches: the Confucian Classics and their secondary literature; history; philosophy; and poetry. There are sub-categories within each branch, but due to the small number of pre-Qin works in the Classics, History and Poetry branches, the sub-categories are only reproduced for the Philosophy branch.

Classics branch

History branch

Philosophy branch

The philosophical typology of individual pre-imperial texts has in every case been applied retroactively, rather than consciously within the text itself. The categorization of works of these genera has been highly contentious, especially in modern times. Many modern scholars reject the continued usefulness of this model as a heuristic for understanding the shape of the intellectual landscape of the time.

Poetry

After 206 BC

* The '' Twenty-Four Histories'', a collection of authoritative histories of China for various dynasties:
** The ''Records of the Grand Historian'' by Sima Qian
** The ''Book of Han'' by Ban Gu.
** The '' Book of Later Han'' by Fan Ye
** The '' Records of Three Kingdoms'' by Chen Shou
** The ''Book of Jin'' by Fang Xuanling
** The ''Book of Song'' by Shen Yue
** The '' Book of Southern Qi'' by Xiao Zixian
** The '' Book of Liang'' by Yao Silian
** The '' Book of Chen'' by Yao Silian
** The '' History of the Southern Dynasties'' by Li Yanshou
** The '' Book of Wei'' by Wei Shou
** The '' Book of Zhou'' by Linghu Defen
** The '' Book of Northern Qi'' by Li Baiyao
** The '' History of the Northern Dynasties'' by Li Yanshou
** The '' Book of Sui'' by Wei Zheng
** The ''Old Book of Tang'' by Liu Xu
** The ''New Book of Tang'' by Ouyang Xiu
** The '' Old History of Five Dynasties'' by Xue Juzheng
** The '' New History of Five Dynasties'' by Ouyang Xiu
** The '' History of Song'' by Toqto'a
** The ''History of Liao'' by Toqto'a
** The '' History of Jin'' by Toqto'a
** The '' History of Yuan'' by Song Lian
** The '' History of Ming'' by Zhang Tingyu
** The ''Draft History of Qing'' by Zhao Erxun is usually referred as the 25th classic of history records
** The '' New History of Yuan'' by Ke Shaomin is sometimes referred as the 26th classic of history records
* The '' Chronicles of Huayang'', an old record of ancient history and tales of southwestern China, attributed to Chang Qu.
* The '' Biographies of Exemplary Women'', a biographical collection of exemplary women in ancient China, compiled by Liu Xiang.
* The '' Spring and Autumn Annals of the Sixteen Kingdoms'', a historical record of the Sixteen Kingdoms, attributed to Cui Hong, is lost.
* The '' Shiming'', is a dictionary compiled by Liu Xi by the end of 2nd century.
* '' A New Account of the Tales of the World'', a collection of historical anecdotes and character sketches of some 600 literati, musicians, and painters.
* The '' Thirty-Six Strategies'', a military strategy book attributed to Tan Daoji.
* '' The Literary Mind and the Carving of Dragons'', a review book on ancient Chinese literature and writings by Liu Xie.
* The '' Commentary on the Water Classic'', a book on hydrology of rivers in China attributed to the great geographer Li Daoyuan.
* The '' Dialogues between Li Jing and Tang Taizong'', a military strategy book attributed to Li Jing
* The ''Zizhi Tongjian'', with Sima Guang as its main editor.
* The ''Spring and Autumn Annals of Wu and Yue'', a historical record of the states of Wu and Yue during the Spring and Autumn period, attributed to Zhao Ye.
* The '' Zhenguan Zhengyao'', a record of governance strategies and leadership of Emperor Taizong of Tang, attributed to Wu Jing.
* The '' Jiaoshi Yilin'', a work modeled after the ''I Ching'', composed during the Western Han dynasty and attributed to Jiao Yanshou.
* ''The Nine Chapters on the Mathematical Art'', a mathematics Chinese book composed by several generations scholars of Han dynasty.
* The '' Thousand Character Classic'', attributed to Zhou Xingsi.
* The '' Treatise on Astrology of the Kaiyuan Era'', compiled by Gautama Siddha, is a Chinese encyclopedia on astrology and divination.
* The '' Shitong'', written by Liu Zhiji, a work on historiography.
* The ''Tongdian'', written by Du You, a contemporary text focused on the Tang dynasty.
* The '' Tang Huiyao'', compiled by Wang Pu, a text based on the institutional history of the Tang dynasty.
* The '' Great Tang Records on the Western Regions'', compiled by Bianji; a recount of Xuanzang's journey.
* The '' Miscellaneous Morsels from Youyang'', written by Duan Chengshi, records fantastic stories, anecdotes, and exotic customs.
* The '' Four Great Books of Song'', a term referring to the four large compilations during the beginning of Song dynasty:
** The '' Taiping Yulan,'' a '' leishu'' encyclopedia.
** The '' Taiping Guangji'', a collection of folk tales and theology.
** The '' Wenyuan Yinghua'', an anthology of poetry, odes, songs and other writings.
** The '' Cefu Yuangui'', a '' leishu'' encyclopedia of political essays, autobiographies, memorials and decrees.
* The '' Dream Pool Essays'', a collection of essays on science, technology, military strategies, history, politics, music and arts, written by Shen Kuo.
* The '' Tiangong Kaiwu'', an encyclopedia compiled by Song Yingxing.
* The '' Compendium of Materia Medica'', a classic book of medicine written by Li Shizhen.
* The '' Complete Library of the Four Treasuries'', the largest compilation of literature in Chinese history.
* The '' New Songs from the Jade Terrace'', a poetry collection from the Six Dynasties period.
* The '' Complete Tang Poems'', compiled during the Qing dynasty, published in 1705.
* The '' Xiaolin Guangji'', a collection of jokes compiled during the Qing dynasty.

See also

* List of early Chinese texts
* Kaicheng Stone Classics
*Ancient Script Texts

References

Citations

Sources

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* Endymion Wilkinson. ''Chinese History: A New Manual.'' (Cambridge, Massachusetts: Harvard University Asia Center, Harvard-Yenching Institute Monograph Series. New Edition; Second, Revised printing March 2013). . See esp. pp. 365– 377, Ch. 28, "The Confucian Classics."

External links

Chinese Text ProjectEnglishChinese
(Chinese philosophy texts in classical Chinese with English and modern Chinese translations)

David K. Jordan


; in Traditional Chinese

Scripta Sinica
Big classic texts database by Academia Sinica

Palace Museum Chinese Text Database

中國電子古籍世界
Classics database

Research Center for Chinese Ancient Texts
include
CHANT (CHinese ANcient Texts) Database



; in Simplified Chinese

凌云小筑
In Chinese, with articles and discussions on literature, history, and philosophy.

国学导航

; in Japanese

{{Authority control

Classical Chinese philosophy
Series of Chinese books