|
Monotonic Scale
A monotonic scale is a scale (music), musical scale consisting of only one Musical note, note in the octave. Having a deliberate fixed note, the monotonic is still a musical form rather than a total absence of melody. The monotonic stands in contrast to more common musical scales, such as the penatonic scale, pentatonic (five notes) and modern, common Western heptatonic scale, heptatonic and chromatic scales. Liturgical usage Early Christian liturgical recitation may have been monotonic. Charles William Pearce speculated that the monotonic Reciting tone, psalm tone might have been an intermediary step between spoken recitation of the Psalter and melodic singing: The ''Annotated Book of Common Prayer'' similarly notes that (according to Saint Augustine) Athanasius of Alexandria, Saint Athanasius discouraged variance in note in liturgical recitation, but that eventual modulation of the note led to the development of plainsong.John Henry Blunt (ed.), Digitized reprint by Forgotten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Language
Māori (; endonym: 'the Māori language', commonly shortened to ) is an Eastern Polynesian languages, Eastern Polynesian language and the language of the Māori people, the indigenous population of mainland New Zealand. The southernmost member of the Austronesian language family, it is related to Cook Islands Māori, Tuamotuan language, Tuamotuan, and Tahitian language, Tahitian. The Māori Language Act 1987 gave the language recognition as one of New Zealand's official languages. There are regional dialects of the Māori language. Prior to contact with Europeans, Māori lacked a written language or script. Written Māori now uses the Latin script, which was adopted and the spelling standardised by Northern Māori in collaboration with English Protestant clergy in the 19th century. In the second half of the 19th century, European children in rural areas spoke Māori with Māori children. It was common for prominent parents of these children, such as government officials, to us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Ricercata
''Musica ricercata'' is a set of eleven pieces for piano by György Ligeti. The work was composed from 1951 to 1953, shortly after the composer began lecturing at the Budapest Academy of Music. The work premiered on 18 November 1969 in Sundsvall, Sweden. Although the ricercata (or ricercar) is an established contrapuntal style (which is used by the final movement of the work), Ligeti's title should probably be interpreted literally as "researched music" or "sought music". The work presages many of the more radical directions Ligeti would take in the future, exemplifying his intention 'to build a new music from nothing'. Nonetheless, the work refers explicitly to musical precedents: movement IV is given the indication 'Tempo di Valse', IX and XI pay hommage respectively to Bartók and Frescobaldi, and movements II, IV, and V each employ conventional key signatures. In response to a request by the Jeney Quintet, six of the movements were arranged for wind quintet as Six Baga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' (Friedrich Wilhelm Jähns, J. 277, Opus number, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German List of operas by Carl Maria von Weber, opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Johann Friedrich Kind, Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantische Oper, Romantic opera. The opera's plot is mainly based on Johann August Apel, August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
