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Monotonic Scale
A monotonic scale is a scale (music), musical scale consisting of only one Musical note, note in the octave. Having a deliberate fixed note, the monotonic is still a musical form rather than a total absence of melody. The monotonic stands in contrast to more common musical scales, such as the penatonic scale, pentatonic (five notes) and modern, common Western heptatonic scale, heptatonic and chromatic scales. Liturgical usage Early Christian liturgical recitation may have been monotonic. Charles William Pearce speculated that the monotonic Reciting tone, psalm tone might have been an intermediary step between spoken recitation of the Psalter and melodic singing: The ''Annotated Book of Common Prayer'' similarly notes that (according to Saint Augustine) Athanasius of Alexandria, Saint Athanasius discouraged variance in note in liturgical recitation, but that eventual modulation of the note led to the development of plainsong.John Henry Blunt (ed.), Digitized reprint by Forgotten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Language
Māori (; endonym: 'the Māori language', commonly shortened to ) is an Eastern Polynesian languages, Eastern Polynesian language and the language of the Māori people, the indigenous population of mainland New Zealand. The southernmost member of the Austronesian language family, it is related to Cook Islands Māori, Tuamotuan language, Tuamotuan, and Tahitian language, Tahitian. The Māori Language Act 1987 gave the language recognition as one of New Zealand's official languages. There are regional dialects of the Māori language. Prior to contact with Europeans, Māori lacked a written language or script. Written Māori now uses the Latin script, which was adopted and the spelling standardised by Northern Māori in collaboration with English Protestant clergy in the 19th century. In the second half of the 19th century, European children in rural areas spoke Māori with Māori children. It was common for prominent parents of these children, such as government officials, to us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Ricercata
''Musica ricercata'' is a set of eleven pieces for piano by György Ligeti. The work was composed from 1951 to 1953, shortly after the composer began lecturing at the Budapest Academy of Music. The work premiered on 18 November 1969 in Sundsvall, Sweden. Although the ricercata (or ricercar) is an established contrapuntal style (which is used by the final movement of the work), Ligeti's title should probably be interpreted literally as "researched music" or "sought music". The work presages many of the more radical directions Ligeti would take in the future, exemplifying his intention 'to build a new music from nothing'. Nonetheless, the work refers explicitly to musical precedents: movement IV is given the indication 'Tempo di Valse', IX and XI pay hommage respectively to Bartók and Frescobaldi, and movements II, IV, and V each employ conventional key signatures. In response to a request by the Jeney Quintet, six of the movements were arranged for wind quintet as Six Baga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' (Friedrich Wilhelm Jähns, J. 277, Opus number, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German List of operas by Carl Maria von Weber, opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Johann Friedrich Kind, Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantische Oper, Romantic opera. The opera's plot is mainly based on Johann August Apel, August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Tyrrell was born in Salisbury, Zimbabwe and worked as a professor of music and executive editor of ''The New Grove Dictionary of Music and Musicians''. He died in 2018, aged 76. Early life and education Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He graduated Bachelor of Music at the University of Cape Town following which he moved to the University of Oxford to pursue a doctoral degree under the supervision of Edmund Rubbra. Career Tyrrell started his career working in an editorial capacity at '' The Musical Times''. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some Church music, sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazza Ladra
''La gazza ladra'' (, ''The Thieving Magpie'') is a ''melodramma'' or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on ''La pie voleuse'' by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. ''The Thieving Magpie'' is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and ''La gazza ladra'' was no exception. A 19th-century biography quotes him as saying that the conductor of the premiere performance locked him in a room at the top of La Scala the day before the premiere with orders to complete the opera's still unfinished overture. He was under the guard of four stagehands whose job it was to toss each completed page out the window to the copyist below. Performance history The first performance of ''The Thieving Magpie'' was on 31 May 1817, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death And The Maiden (song)
Death and the Maiden may refer to: Drama * ''Death and the Maiden'' (play), by Ariel Dorfman * ''Death and the Maiden'' (film), an adaptation by Roman Polanski *''Prinzessinnendramen: Der Tod und das Mädchen I-V'' (Princess Dramas: Death and the Maiden I-V), five theatrical plays by Elfriede Jelinek Literature * ''Death and the Maiden'', poem by Matthias Claudius, set to music by Schubert * ''Death and the Maidens'', a biography of Fanny Imlay * ''Death and the Maiden'' (novel), a 1947 novel by Gladys Mitchell * "Death and the Maiden", a 1960 short story by Ray Bradbury * ''Death and the Maiden'', a 1994 novel by P. N. Elrod * '' Batman: Death and the Maidens'', a graphic novel by Greg Rucka * ''Death and the Maiden'', a 1939 mystery novel by Q. Patrick * "Death and the Maiden" was the original title of the early draft of '' Where Are You Going, Where Have You Been?'', a 1966 short story by Joyce Carol Oates Music * "Death and the Maiden" (song), composed by Franz Schuber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions by Franz Schubert, vast ''oeuvre'', including more than 600 ''Lieder'' (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig", "Gretchen am Spinnrade", and "Ave Maria (Schubert), Ave Maria"; the Trout Quintet, ''Trout'' Quintet; the Symphony No. 8 (Schubert), Symphony No. 8 in B minor (''Unfinished''); the Symphony No. 9 (Schubert), Symphony No. 9 in C major (''Great''); the String Quartet No. 14 (Schubert), String Quartet No. 14 in D minor (''Death and the Maiden''); the String Quintet (Schubert), String Quintet in C major; the Impromptus (Schubert), Impromptus for solo piano; the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular music, popular and folk music, also called "vernacular music"). List of classical and art music traditions, Many cultures have art music traditions; in the Western world, the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
