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Yer Blues
"Yer Blues" is a song by the English rock band the Beatles, from their 1968 double album ''The Beatles'' (also known as "the White Album"). Though credited to Lennon–McCartney, the song was written and composed by John Lennon during the Beatles' retreat in Rishikesh, India. The song is a parody of blues music, specifically English imitators of blues. Composition Lennon said that, while "trying to reach God and feeling suicidal" in India, he wanted to write a blues song, but was unsure if he could imitate the likes of Sleepy John Estes and other original blues artists he had listened to in school. In "Yer Blues," he alludes to this insecurity with a reference to the character Mr. Jones from Bob Dylan's "Ballad of a Thin Man," and with the third verse, which draws on Robert Johnson's "Hellhound on My Trail." Instead, Lennon wrote and composed "Yer Blues" as a parody of British imitators of the blues, featuring tongue-in-cheek guitar solos and rock and roll-inspired swing b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yer Blues Sheet Music Cover
A yer is either of two letters in Cyrillic alphabets, ъ (ѥръ, ''jerŭ'') and ь (ѥрь, ''jerĭ''). The Glagolitic alphabet used, as respective counterparts, the letters (Ⱏ) and (Ⱐ). They originally represented phonemically the "ultra-short" vowels in Slavic languages, including Old Church Slavonic, and are collectively known as the yers. In all modern Slavic languages, they either evolved into various "full" vowels or disappeared, in some cases causing the palatalization of adjacent consonants. The only Slavic language that still uses "ъ" as a vowel sign (pronounced /ɤ/) is Bulgarian, but in many cases, it corresponds to an earlier ѫ (big yus), originally pronounced /õ/, used in pre 1945 Bulgarian orthography. Many languages that use the Cyrillic alphabet have kept one or more of the yers to serve specific orthographic functions. The back yer (Ъ, ъ, italics ) of the Cyrillic script, also spelled ''jer'' or ''er'', is known as the ''hard sign'' in the mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accidental (music)
In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure (bar) where it appears, an accidental sign raises or lowers the immediately following note (and any repetition of it in the bar) from its normal pitch, overriding the key signature. A note is usually raised or lowered by a semitone, and there are double sharps or flats, which raise or lower the indicated note by two semitones. Accidentals usually apply to all repetitions within the measure in which they appear, unless canceled by another accidental sign, or tied into the following measure. If a note has an accidental and the note is repeated in a different octave within the same measure the accidental is usually repeated, although this convention is far f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Music
African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery that characterized the lives of African Americans prior to the American Civil War. Slavery and other impositions such as the Jim Crow laws shaped the world view of African Americans. Some of the globally most popular music types today, such as rock and roll, funk, jazz, rap, blues, hip-hop, and rhythm and blues were developed from the worldview of the African Americans who created and influenced these genres. It has been said that "every genre that is born from America has black roots." White slave owners sought to completely subjugate their slaves physically, mentally, and spiritually through brutal and demeaning acts. African Americans used music to counter this dehumanization. White Americans considered African Americans separate an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Everett (musicologist)
Walter Everett is a music theorist specializing in popular music who teaches at the University of Michigan. His books include ''The Beatles as Musicians: Revolver through the Anthology'' (1999, ), which has been called "the most important work to appear on the Beatles thus far",The 2007/2008 Kjell Meling Award , ''Penn State Altoona''. and its follow-up volume, ''The Beatles as Musicians: The Quarry Men through Rubber Soul'' (2001). He also wrote ''The Foundations of Rock: From 'Blue Suede Shoes' to 'Suite: Judy Blue Eyes (2008, ) and has contributed to titles in the series. Gary Burns, editor of the journal ''Popular Music and So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Press
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Blues
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, it developed a distinctive and influential style dominated by electric guitar and made international stars of several proponents of the genre including the Rolling Stones, the Animals, Eric Clapton, Fleetwood Mac and Led Zeppelin. Origins American blues became known in Britain from the 1930s onwards through a number of routes, including records brought to Britain, particularly by African-American GIs stationed there in the Second World War and Cold War, merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast, and through a trickle of (illegal) imports. Blues music was relatively well known to British jazz musicians and fans, particularly in the works of figures like female singers Ma Rainey and Bessie Smith and the blues-influenced boogie-woogie of Jelly Roll Morton and Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passage (music)
In music, a section is a complete, but not independent, musical idea. Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude. In sectional forms such as binary, the larger unit (form) is built from various smaller clear-cut units (sections) in combination, analogous to stanzas in poetry or somewhat like stacking Lego. Some well known songs consist of only one or two sections, for example "Jingle Bells" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied by instruments (the piano starts and then: "Dashing..."). A section is, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena." An episode may also refer to a section. This term is particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Blues
Jump blues is an up-tempo style of blues, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s which produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's "Saturday Night Fish Fry", Roy Brown's "Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with ... His Tympany Five ... three horns a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Britannica'', published online 17 June 2008 and also in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (music)
In music, a solo (from the Spanish and Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was '' concertino''. An instrumental solo is often used in popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tongue-in-cheek
The idiom tongue-in-cheek refers to a humorous or sarcastic statement expressed in a serious manner. History The phrase originally expressed contempt, but by 1842 had acquired its modern meaning. Early users of the phrase include Sir Walter Scott in his 1828 ''The Fair Maid of Perth''. The physical act of putting one's tongue into one's cheek once signified contempt. For example, in Tobias Smollett's '' The Adventures of Roderick Random,'' which was published in 1748, the eponymous hero takes a coach to Bath and on the way apprehends a highwayman. This provokes an altercation with a less brave passenger: The phrase appears in 1828 in ''The Fair Maid of Perth'' by Sir Walter Scott: It is not clear how Scott intended readers to understand the phrase. The more modern ironic Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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