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Vatsun Thirapatarapong
Vatsun ( en, væt:ʃɜːn}) is a Kashmiri literary form derived from Sanskrit meaning "word/speech". This is because it has no particular pattern of versification or rhyme scheme. The metres and rhyme schemes of vatsun are varied, but generally each unit is a stanza of three lines followed by a refrain (). Vatsun bears a resemblance to Urdu lyric. Vatsun is also similar to the ghazals of the Middle East and iambic pentameter of the Western world. In poetry, it is a popular age-old folk-form dating back to the 14th century, when Lal Ded and Sheikh-ul-Alam (alias Nund Rishi) wrote in the Kashmiri language the devotional poetry depicting their mystic experiences, love for God, love for others, and folk dancing.Koul, Omkar N. ''Kashmiri Language, Linguistics, and Culture.'' Central Institute of Indian Languages: Manasagangotri. 200. Notable Vatsun poets * Lal Ded (1320–1387) * Nund Rishi (1377–1438) * Dina Nath Nadim (1916–1988) See also * ghazal *Iambic Pentameter Iambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashmiri Language
Kashmiri () or Koshur (, /kəːʃur/) is an Indo-Aryan language spoken by around 7 million Kashmiris of the Kashmir region, primarily in the Indian union territory of Jammu and Kashmir. In 2020, the Parliament of India passed a bill to make Kashmiri an official language of Jammu and Kashmir along with Dogri, Hindi, Urdu and English. Kashmiri is also among the 22 scheduled languages of India. Kashmiri has split ergativity and the unusual verb-second word order. Geographic distribution and status There are about 6.8 million speakers of Kashmiri and related dialects in Jammu and Kashmir and amongst the Kashmiri diaspora in other states of India. The precise figures from the 2011 census are 6,554,36 for Kashmiri as a "mother tongue" and 6,797,587 for Kashmiri as a "language" (which includes closely related smaller dialects/languages). Most Kashmiri speakers are located in the Kashmir Valley and other areas of Jammu and Kashmir. In the Kashmir valley, they form a major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle East
The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabia (including the Arabian Peninsula and Bahrain), Asia Minor (Asian part of Turkey except Hatay Province), East Thrace (European part of Turkey), Egypt, Iran, the Levant (including Ash-Shām and Cyprus), Mesopotamia (modern-day Iraq), and the Socotra Archipelago (a part of Yemen). The term came into widespread usage as a replacement of the term Near East (as opposed to the Far East) beginning in the early 20th century. The term "Middle East" has led to some confusion over its changing definitions, and has been viewed by some to be discriminatory or too Eurocentric. The region includes the vast majority of the territories included in the closely associated definition of Western Asia (including Iran), but without the South Caucasus, and additionally includes all of Egypt (not just the Sinai Region) and all of Turkey (not just the part barring East Thrace). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). " Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his '' Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually contain ten syllables, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lal Ded
Lalleshwari, also known locally as Lal Ded (; 1320–1392), was a Kashmiri mystic of the Kashmir Shaivism school of Hindu philosophy. She was the creator of the style of mystic poetry called vatsun or ''Vakhs'', literally "speech" (from Sanskrit ''vaak''). Known as Lal Vakhs, her verses are the earliest compositions in the Kashmiri language and are an important part in the history of modern Kashmiri literature. Lal Ded ("Mother Lal" or "Mother Lalla") is also known by various other names, including Lal Dyad (''Dyad'' means "Grandmother"), Lalla Aarifa, Lal Diddi, Lalleshwari, Lalla Yogishwari/Yogeshwari and Lalishri. Life A great deal of the records of Lal Ded's life are contained in oral tradition, and consequently there is considerable variance on the details of her life and beliefs. Numerous contemporary Kashmiri histories, such as those prepared by Jonaraja, Srivara, Prajyabhatta, and Haidar Malik Chadura, do not mention Lal Ded. The first written record of Lal Ded's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nund Reshi
Nund Rishi ( c. 1377 – c. 1438 AD; sometimes spelled Nund Reshi), also known as Sheikh Noor-ud-Din Noorani, Sheikh-Ul-Alam (spritual guide of the world) and by the title Alamdar-e-Kashmir ("Flag Bearer of Kashmir"), was a Kashmiri Sufi saint, mystic, poet and Islamic preacher.). And Sheikh ul-Alam ( ur, ) among the Muslims and as Nund Laal among the Hindus. Nund Rishi was among the founders of the Rishi order, a Sufi tradition of the region. He influenced many spiritual teachers and saints, including Hamza Makhdoom, Resh Mir Sàeb, and Shamas Faqir. Early life Noor-ud-Din was born in AD 1377 in hi-jogi poraor aimohvillage in Kulgam district to Salar Sanz and Sadra, also called Sadra Moji or Sadra Deddi.Soqte:School Of Orthoepy Quran And Theology::Kashmir [Baidu] |
Nund Rishi
Nund Rishi ( c. 1377 – c. 1438 AD; sometimes spelled Nund Reshi), also known as Sheikh Noor-ud-Din Noorani, Sheikh-Ul-Alam (spritual guide of the world) and by the title Alamdar-e-Kashmir ("Flag Bearer of Kashmir"), was a Kashmiri Sufi saint, mystic, poet and Islamic preacher.). And Sheikh ul-Alam ( ur, ) among the Muslims and as Nund Laal among the Hindus. Nund Rishi was among the founders of the Rishi order, a Sufi tradition of the region. He influenced many spiritual teachers and saints, including Hamza Makhdoom, Resh Mir Sàeb, and Shamas Faqir. Early life Noor-ud-Din was born in AD 1377 in hi-jogi poraor aimohvillage in Kulgam district to Salar Sanz and Sadra, also called Sadra Moji or Sadra Deddi.Soqte:School Of Orthoepy Quran And Theology::Kashmir [Baidu] |
Dina Nath Nadim
Dinanath Kaul "Nadim" (1916–1988) was a prominent Kashmiri poet of the 20th century. He was born on 18 March 1916 in Srinagar city and with him began an era of modern Kashmiri poetry. He also virtually led the progressive writers movement in Kashmir. Literary works Rooted to the soil of Kashmir, Nadim spoke Kashmiri, though he initially wrote in Hindi and Urdu as well. He influenced a large group of poets of his age as well as younger than him. Nadim also wrote operas like ''Vitasta'' (Jhelum River), ''Safar Taa Shehjaar'' (The journey and the Shade), '' Heemaal Taa Naaegrai'' (Heemaal and Naagraaj), ''Shuhul Kull'' (The Shady Tree) and ''Bombur Taa yamberzal'' (Bumblebee and the Narcissus Flower). His most popular operatic work was ''Bombur Taa yamberzal'', which was the first opera to be published in Kashmiri. ''Me Chhum Aash Paghich'' (''I am hopeful of tomorrow'') is the most powerful Anti war poem in Kashmiri which Nadim wrote. He received the Soviet Land Nehru Award in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). " Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his '' Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually contain ten syllables, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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