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The Resurrected Christ
''The Resurrected Christ'' is a c.1511-1512 oil on panel painting by Titian, now in the Uffizi in Florence with catalogue number 10093. It was acquired by that collection on 18 October 2001 and restored in 2001-2002. A print of the work was made by Remoldus Eynhoudt and appears in David Teniers the Younger's 1660 ''Theatrum Pictorium'', a collection of 243 engravings by various authors showing paintings then in Leopold William of Austria's collections, now mostly in the Kunsthistorisches Museum in Vienna. That work misattributes ''The Resurrected Christ'' to Palma il Vecchio and reverses the original painting's composition. It is one of several works by the artist showing Christ just after his Resurrection, also including a 1542-1544 processional standard now in two parts with that subject on its reverse ( Galleria Nazionale delle Marche) and '' Christ Appearing to his Mother after his Resurrection'' (parish church of the Assumption, Medole), the latter being his only altarpiece ...
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Titian - Christ Resurrected Uffizi
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princ ...
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Resurrection Of Jesus
The resurrection of Jesus ( grc-x-biblical, ἀνάστασις τοῦ Ἰησοῦ) is the Christian belief that God raised Jesus on the third day after his crucifixion, starting – or restoring – his exalted life as Christ and Lord. According to the New Testament writing, Jesus was firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing repenters, and ascended to Heaven. For the Christian tradition, the bodily resurrection was the restoration to life of a transformed body powered by spirit, as described by Paul and the Gospel authors, that led to the establishment of Christianity. In Christian theology, the resurrection of Jesus is "the central mystery of the Christian faith". It provides the foundation for that faith, as commemorated by Easter, along with Jesus' life, death and sayings. For Christians, his resurrection is the guarantee that all ...
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Paintings In The Collection Of The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Religious Paintings By Titian
Religion is usually defined as a social- cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, transcendental, and spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the divine, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, feasts, trances, initiations, funerary services, matrimonial services, meditation, prayer, music, art, dance, public service, or other aspects of human culture. Religions have ...
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Paintings Of The Resurrection Of Christ
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Mantua
Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the medieval and Renaissance cityscape. ...
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Medole
Medole ( Upper Mantovano: ) is a ''comune'' (municipality) in the Province of Mantua in the Italian region Lombardy, located about east of Milan and about northwest of Mantua. Medole borders the following municipalities: Castel Goffredo, Castiglione delle Stiviere, Cavriana, Ceresara, Guidizzolo, Solferino, Carpenedolo Carpenedolo (Brescian: ) is a town and '' comune'' in the province of Brescia, in Lombardy (man), (woman) lmo, lumbard, links=no (man), (woman) , population_note = , population_blank1_title = , population_blank1 = , ... Notable people * Vindizio Nodari Pesenti - painter References External links Official website Cities and towns in Lombardy {{Mantua-geo-stub ...
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Christ Appearing To His Mother After His Resurrection
''Christ Appearing to his Mother after his Resurrection'' ( it, Il Risorto appare alla Madre) is a 1554 oil on canvas painting by Titian. He painted it whilst in Medole in Mantua, where he was staying with the archpriest of Assunzione della Vergine, the town's parish church, the church in which it still hangs. It forms part of a series of works planned in his old age by the artist and it is his only altarpiece still in the province or city of Mantua. Along with the titular figures, to the left the work also shows Noah, Abraham, Adam (carrying Christ's cross) and Eve, all just released during Christ's Harrowing of Hell. It formed part of the major 1935 retrospective of the artist's work in Venice. It was stolen in April 1968 but returned on 12 May the same year, but the work was damaged during the robbery and was subsequently sent to the Istituto Centrale del Restauro in Rome until being returned to the church in 1971. It then appeared in Mantua Mantua ( ; it, Mantova ; Lomb ...
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Galleria Nazionale Delle Marche
The Ducal Palace ( it, Palazzo Ducale) is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it is listed as UNESCO World Heritage Site since 1998. History The construction of the Ducal Palace was begun for Duke Federico III da Montefeltro around the mid-fifteenth century by the Florentine Maso di Bartolomeo. The new construction included the pre-existing Palace of the Jole. The solid rock hillside salient was impregnable to siege but was problematic for carving out the foundation of a palace. Thus, a prominent fortress-builder, Luciano Laurana, from Dalmatia, was hired to build the substructure; but Laurana departed Urbino before the living quarters of the palace were begun. After Laurana, the designer or designers of the Ducal Palace are unknown with certainty. Leading High Renaissance architect Donato Bramante was a native of Urbino and may have worked on the completion of the palace. The Ducal Palace is famou ...
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Palma Il Vecchio
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the High Renaissance, Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina, Lombardy, Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symmet ...
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