The Painter And His Pug
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The Painter And His Pug
''The Painter and his Pug'' is a 1745 self-portrait created by William Hogarth. He began the portrait a decade earlier. The portrait was originally created with the intention of Hogarth wearing formal attire, but was changed to the informal attire sometime during the painting process. He also added his Pug, Trump. In the portrait, Hogarth himself is in a painting as the pug is alongside him, making the dog "real" as opposed to the created person. The dog is indifferent to the painting, to the books and to the painting palette (which shows Hogarth's Line of Beauty). So the painting seems to be a Vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-kn ... still life. But, as an ironic disruption, the cloth behind the dog comes out of the painting. The painting is part of the col ...
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The Painter And His Pug By William Hogarth
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series '' A Harlot's Progress'', '' A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly ...
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Tate Britain
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. but still ranked 50th on the list of most-visited art museums in the world. History The gallery is on Millbank, on the site of the former Millbank Prison. Construction, undertaken by Higgs and Hill, commenced in 1893, and the gal ...
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Trump (dog)
Trump (c. 1730 – c. 1745) was a pug owned by English painter William Hogarth. The artist included the dog in several works, including his 1745 self-portrait '' Painter and his Pug'', held by the Tate Gallery. In the words of the Tate's display caption, "Hogarth's pug dog, Trump, serves as an emblem of the artist's own pugnacious character."''The Painter and his Pug''
Tate Gallery


History

Hogarth owned several different pugs through his life. For example, in December 1730, he placed an advertisement offering a half guinea reward for the return of a dog named "Pugg". Pugs appear in several of Hogarth's paintings. An early example is his 1730 group portrait of ''The Wollaston Famil ...
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Line Of Beauty
Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects. This theory originated with William Hogarth (18th-century English painter, satirist, and writer), and is an essential part of Hogarth's theory of aesthetics as described in his 1753 book '' Analysis of Beauty''. According to this theory, S-shaped curved lines signify liveliness and activity and excite the attention of the viewer as contrasted with straight lines, parallel lines, or right-angled intersecting lines, which signify stasis, death, or inanimate objects. In contrast to grand compositional lines, which are regularly found in Baroque or Rococo art, the serpentine line is not primarily dictating the whole composition of a canvas. Instead, the line should be understood as being found in specific subject matter, like ...
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Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Art of the Low Countries, Low Countries of the 16th and 17th centuries; they have also been created at other times and in other medium (art), media and Genre#Visual arts, genres. Etymology The Latin noun wikt:vanitas#Latin, ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th centu ...
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Paintings By William Hogarth
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1745 Paintings
Events January–March * January 7 – War of the Austrian Succession: The Austrian Army, under the command of Field Marshal Károly József Batthyány, makes a surprise attack at Amberg and the winter quarters of the Bavarian Army, and scatters the Bavarian defending troops, then captures the Bavarian capital at Munich * January 8 – The Quadruple Alliance treaty is signed at Warsaw by Great Britain, Austria, the Dutch Republic and the Duchy of Saxony. * January 20 – Less than two weeks after the disastrous Battle of Amberg leaves Bavaria undefended, the electorate's ruler (and Holy Roman Emperor) Karl VII Albrecht dies from gout at the age of 47, leaving the duchy without an adult to lead it. His 17-year-old son, Maximilian III Joseph, signs terms of surrender in April. * February 22 – The ruling white colonial government on the island of Jamaica foils a conspiracy by about 900 black slaves, who had been plotting to seize control and to mass ...
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Self-portraits
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ...
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Collection Of The Tate Galleries
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer sci ...
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