William Hogarth
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William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraving, engraver, pictorial social satire, satirist, editorial cartoonist and occasional writer on art. His work ranges from Realism (visual arts), realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and ''Marriage A-la-Mode (Hogarth), Marriage A-la-Mode''. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in the City of London into a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of payment of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge ...
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The Painter And His Pug
''The Painter and his Pug'' is a 1745 self-portrait created by William Hogarth featuring his pug dog, Trump (dog), Trump. He began the portrait a decade earlier. The portrait was originally created with the intention of Hogarth wearing formal attire, but was changed to the informal attire sometime during the painting process. In the portrait, Hogarth himself is in a painting as the pug is alongside him, making Trump "real" as opposed to the created person. The dog is indifferent to the painting, to the books and to the painting palette (which shows Hogarth's Line of Beauty). So the painting seems to be a Vanitas still life. But, as an ironic disruption, the cloth behind the dog comes out of the painting. The painting is part of the collections of the Tate Gallery. See also * List of works by William Hogarth References

Paintings by William Hogarth 1745 paintings Self-portraits Dogs in art Paintings in the Tate galleries Books in art {{1740s-painting-stub ...
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Marriage A-la-Mode (Hogarth)
''Marriage A-la-Mode'' is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London. This series was not received as well as his other moral tales, ''A Harlot's Progress'' (1732) and ''A Rake's Progress'' (1735), and when the paintings were finally sold in 1751, it was for a much lower sum than the artist had hoped for. Overview In ''Marriage A-la-Mode'' Hogarth challenges the traditional view that the nobility and the rich live virtuous lives, and satirises arranged marriages. In each piece, he shows the young couple and their family and acquaintances at their worst: engaging in affairs, drinking, gambling, and numerous other vices. This is regarded by some as his finest project, and the best example of his serially-plan ...
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Fleet Prison
Fleet Prison was a notorious London prison by the side of the River Fleet. The prison was built in 1197, was rebuilt several times, and was in use until 1844. It was demolished in 1846. History The prison was built in 1197 off what is now Farringdon Street, on the eastern bank of the River Fleet after which it was named. It came into particular prominence from being used as a place of reception for persons committed by the Star Chamber, and, afterwards, as a debtor's prison and for persons imprisoned for contempt of court by the Court of Chancery. In 1381, during the Peasants' Revolt, it was deliberately destroyed by Wat Tyler's men. During the 15th century, inmates were usually imprisoned here for civil rather than criminal cases, and the prison was considered at the time as more comfortable than Ludgate Prison, Ludgate prison. Inmates had to pay for board and Lodging, lodgings, provide tips for prison servants and pay a fee for when they entered and left the prison. Priso ...
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Debtors' Prison
A debtors' prison is a prison for people who are unable to pay debt. Until the mid-19th century, debtors' prisons (usually similar in form to locked workhouses) were a common way to deal with unpaid debt in Western Europe.Cory, Lucinda"A Historical Perspective on Bankruptcy" , ''On the Docket'', Volume 2, Issue 2, U.S. Bankruptcy Court, District of Rhode Island, April/May/June 2000, retrieved December 20, 2007. Destitute people who were unable to pay a court-ordered judgment would be incarcerated in these prisons until they had worked off their debt via labour or secured outside funds to pay the balance. The product of their labour went towards both the costs of their incarceration and their accrued debt. Increasing access and lenience throughout the history of bankruptcy law have made prison terms for unaggravated indigence obsolete over most of the world. Since the late 20th century, the term ''debtors' prison'' has also sometimes been applied by critics to criminal justice ...
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St John's Gate
St John's Gate, in Clerkenwell, Middlesex, now within central London, is one of the few tangible remains from Clerkenwell's monastic past. It was built in 1504 by Prior Thomas Docwra as the south entrance to the inner precinct of Clerkenwell Priory, the English headquarters of the Knights of the Order of St John (known as the Knights Hospitaller). The substructure is of brick, while the north and south façades are of stone. After centuries of decay and much rebuilding, very little of the stone facing is original. Heavily restored in the 19th century, the Gate today is in large part a Victorian recreation, the handiwork of a succession of architects— William Pettit Griffith, R. Norman Shaw, and J. Oldrid Scott. History The Priory was established in the 1140s in Clerkenwell as the English headquarters of the Order. The Order was dissolved by King Henry VIII as part of the Dissolution of the Monasteries when its lands and wealth were seized by the Crown. The Order wa ...
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Coffee House
A coffeehouse, coffee shop, or café (), is an establishment that serves various types of coffee, espresso, latte, Caffè americano, americano and cappuccino, among other hot beverages. Many coffeehouses in West Asia offer ''shisha'' (actually called ''nargile'' in Levantine Arabic, Greek language, Greek, and Turkish language, Turkish), flavored tobacco smoked through a hookah. An #Espresso bar, espresso bar is a type of coffeehouse that specializes in serving espresso and espresso-based drinks. Some coffeehouses may serve iced coffee among other cold beverages, such as iced tea, as well as other non-caffeinated beverages. A coffeehouse may also serve food, such as light snacks, sandwiches, muffins, cakes, breads, Pastry, pastries or donuts. Many List of doughnut shops, doughnut shops in Canada and the U.S. serve coffee as an accompaniment to doughnuts, so these can be also classified as coffee shops, although doughnut shop tends to be more casual and serve lower-end fare which ...
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Trade Card
A trade card is a small card, similar to a visiting card, formerly distributed to advertise businesses. Larger than modern business cards, they could be rectangular or square, and often featured maps useful for locating a business in the days before house numbering. They first became popular at the end of the 17th century in Paris, Lyon and London. Definition The term, trade card, refers to a varied group of items made of paper or of card of varying sizes and shapes. Trade cards evolved in different ways in Britain, America and Europe, giving rise to wide variation in their format and design. The characteristic features of a trade card are that it is a small printed item, used by merchants and traders to give to their customers for their use as an aid to memory. Trade cards were sufficiently small so that they could be carried in the gentleman's pocket or lady's purse. History In its original sense, the "trade" in ''trade card'' refers to its use by the proprietor of a busine ...
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Leicester Fields
Leicester Square ( ) is a pedestrianised square in the West End of London, England, and is the centre of London's entertainment district. It was laid out in 1670 as Leicester Fields, which was named after the recently built Leicester House, itself named after Robert Sidney, 2nd Earl of Leicester. The square was originally a gentrified residential area, with tenants including Frederick, Prince of Wales and the artists William Hogarth and Joshua Reynolds. It became more down-market in the late 18th century as Leicester House was demolished and retail developments took place, becoming a centre for entertainment. Major theatres were built in the 19th century, which were converted to cinemas towards the middle of the next. Leicester Square is the location of nationally significant cinemas such as the Odeon Luxe Leicester Square and Empire, Leicester Square, which are often used for film premieres. The nearby Prince Charles Cinema is known for its screenings of cult films and mara ...
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Latin School
The Latin school was the grammar school of 14th- to 19th-century Europe, though the latter term was much more common in England. Other terms used include Lateinschule in Germany, or later Gymnasium. Latin schools were also established in Colonial America. Emphasis was placed on learning Latin, initially in its Medieval Latin form. Grammar was the most basic part of the trivium and the Liberal arts. Latin schools aimed to prepare students for university, as well as seeking to enable those of middle-class status to rise above their station. It was therefore not unusual for children of commoners to attend Latin schools, especially if they were expected to pursue a career within the church.Wiesner-Hanks, p122. Although Latin schools existed in many parts of Europe in the 14th-century and were more open to the laity, prior to that the Church allowed for Latin schools for the sole purpose of training those who would one day become clergymen.Grendler, p6. Latin schools began to devel ...
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William Hogarth By Roubiliac, 1741, National Portrait Gallery, London
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford Univ ...
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Charles Lamb
Charles Lamb (10 February 1775 – 27 December 1834) was an English essayist, poet, and antiquarian, best known for his '' Essays of Elia'' and for the children's book '' Tales from Shakespeare'', co-authored with his sister, Mary Lamb (1764–1847). Friends with such literary luminaries as Samuel Taylor Coleridge, Robert Southey, William Wordsworth, Dorothy Wordsworth and William Hazlitt, Lamb was at the centre of a major literary circle in England. He has been referred to by E. V. Lucas, his principal biographer, as "the most lovable figure in English literature". Youth and schooling Lamb (née Field) was born in London, the son of John Lamb (–1799) and Elizabeth (died 1796), . Lamb had an elder brother, also John, and sister, Mary; four other siblings did not survive infancy. John Lamb (Lamb's father) was a lawyer's clerk and spent most of his professional life as the assistant to barrister Samuel Salt, who lived in the Inner Temple in the legal district of London; ...
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Robin Simon (critic)
Robin Simon (born 23 July 1947) is a Welsh art historian and critic, and editor of the '' British Art Journal''. Simon was a tenured academic at the University of Nottingham, teaching both English Literature and Art History, and was then Director of the Institute of European Studies in London before becoming editor of ''Apollo'' magazine in 1990, where he remained until 1997. In 1999 he founded ''The British Art Journal'' (with art director David N Hodgson). He has written and lectured extensively on Italian art of the fourteenth century and on British art, especially of the eighteenth century, on theatre and music, and on the history of cricket. He was art critic of the ''Daily Mail'' from 1987 until 2023. From 2007 until 2023 he was visiting professor in the Department of English at University College London University College London (Trade name, branded as UCL) is a Public university, public research university in London, England. It is a Member institutions of the U ...
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