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Stefan Remenkov
Stefan Nikolov Remenkov ( Bulgarian: Стефан Николов Ременков) (born 30 April 1923, Silistra - 30 October 1988, Sofia) was a Bulgarian composer and pianist. Biography Remenkov comes from a family of teachers. His father Nikolay Remenkov taught history and philosophy, and was a headteacher. His mother Angelina was a chemistry teacher. He received piano lessons from an early age and began composing already in school. He completed his high school education in Constanta, Romania where the family lived at the time. During World War II he served as a soldier on the front with the Bulgarian army. After the war he studied music graduating in 1950 from the Bulgarian State Conservatoire majoring in composition under Prof. Pancho Vladigerov and Prof. Veselin Stoyanov; and piano under Prof. Dimitar Nenov. He taught Musical Forms at the Bulgarian State Conservatoire from 1950 - 1955 as assistant-lecturer to Prof. Veselin Stoyanov, then specialised for a year at the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silistra
Silistra ( bg, Силистра ; tr, Silistre; ro, Silistra) is a town in Northeastern Bulgaria. The town lies on the southern bank of the lower Danube river, and is also the part of the Romanian border where it stops following the Danube. Silistra is the administrative center of the Silistra Province and one of the important towns of the historical region of Southern Dobrudzha. Silistra is a major cultural, industrial, transportation, and educational center of Northeastern Bulgaria. There are many historical landmarks including a richly-decorated Late Roman tomb, remains of the Medieval fortress, an Ottoman fort, and an art gallery. Etymology The name Silistra is possibly derived from the root of the old Thracian name of the lower part of the Danube "Istrum". By another theory, the city's name comes from the Latin words "silo" and "stra", meaning "awl" and "strategy". Geography Silistra is in the northeastern part of Bulgaria on the southern bank of the Danube River ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet (music)
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quintet
A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous '' Eine kleine Nachtmusik'' may be performed with this instrumentation (the double bass being optional). Alternative additions include clarinet or piano (see clarinet quintet, piano quintet); and other closely related chamber music genres include the string quartet (much more common), the string trio, and the string sextet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quintet
In classical music, a piano quintet is a work of chamber music written for piano and four other instruments, most commonly a string quartet (i.e., two violins, viola, and cello). The term also refers to the group of musicians that plays a piano quintet. The genre particularly flourished during the nineteenth century. Until the middle of the nineteenth century, most piano quintets were scored for piano, violin, viola, cello, and double bass. Following the success of Robert Schumann's Piano Quintet in E major, Op. 44 in 1842, which paired the piano with a string quartet, composers increasingly adopted Schumann's instrumentation, and it was this form of the piano quintet that dominated during the second half of the nineteenth century and into the twentieth century. Among the best known and most frequently performed piano quintets, aside from Schumann's, are those by Franz Schubert, Johannes Brahms, César Franck, Antonín Dvořák and Dmitri Shostakovich. The piano quintet befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody (music)
A rhapsody in music is a one- movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations. The word ''rhapsody'' is derived from the gr, ῥαψῳδός, ''rhapsōidos'', a reciter of epic poetry (a rhapsodist), and came to be used in Europe by the 16th century as a designation for literary forms, not only epic poems, but also for collections of miscellaneous writings and, later, any extravagant expression of sentiment or feeling. In the 18th century, literary rhapsodies first became linked with music, as in Christian Friedrich Daniel Schubart's ''Musicalische Rhapsodien'' (1786), a collection of songs with keyboard accompaniment, together with a few solo keyboard pieces. The first solo piano compositions with the title, however, were Václav Jan Tomášek’s fifteen Rhapsodies, the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento
''Divertimento'' (; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the '' divertimento'' is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light. Genre As a separate genre, it appears to have no specific form, although most of the ''divertimenti'' of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical ''divertimento''), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical ''divertimento''). There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), '' Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Raichev
Alexander Raichev ( bg, Александър Райчев) (11 April 1922 – 28 October 2003) was a Bulgarian music educator and composer. Raichev was born in Lom, Bulgaria, and studied with Pancho Vladigerov at the State Musical Academy in Sofia where he graduated in 1947. He then studied with Zoltán Kodály and Janos Ferencsik at the Budapest Conservatory from 1949-50. After completing his studies, he taught at the Bulgarian State Conservatory, serving as Rector from 1970 to 1978. Notable students include Rosica Petkova. In 1969 ''Vasheto prisatvie'' (Your Presence) was the earliest Bulgarian radio opera Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. ... to be broadcast. Selected works *1937: Suite for chamber orchestra *1943: Largo and Scherzo for string orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
