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Spring Reverb
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. Echo chambers The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. American Producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song " Peg o' My Heart" by the Harmonicats. Putnam placed a microphone and loudspeaker in the studio bathroom to create a natural echo chamber, adding an "eerie dimension". Plate reverb A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal which may be added to the original "dry" signal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Noise Gate
A noise gate or gate is an electronic device or software that is used to control the volume of an audio signal. Comparable to a compressor, which attenuates signals ''above'' a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register ''below'' the threshold. However, noise gates attenuate signals by a fixed amount, known as the range. In its simplest form, a noise gate allows a main signal to pass through only when it is above a set threshold: the gate is "open". If the signal falls below the threshold, no signal is allowed to pass (or the signal is substantially attenuated): the gate is "closed". A noise gate is used when the level of the "signal" is above the level of the unwanted "noise". The threshold is set above the level of the "noise", and so when there is no main "signal", the gate is closed. A common application is with electric guitar to remove hum and hiss noise caused by distortion effects units. A noise gate does ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Delay Line (audio)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and adj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Some Sounds On The Meris Mercury7 Reverb Pedal , German pop duo
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Some may refer to: *''some'', an English word used as a determiner and pronoun; see use of ''some'' *The term associated with the existential quantifier *"Some", a song by Built to Spill from their 1994 album ''There's Nothing Wrong with Love'' *Socialist-oriented market economy, the Vietnamese economic system occasionally abbreviated SOME *Social market economy, the German socioeconomic model abbreviated SOME *So Others Might Eat (SOME), a Washington, D.C.-based non-profit organization *SoMe, short for social media * ''Some'' (film), a 24 film * "Some" (song), a duet by Junggigo and Soyou *Some & Any Some & Any was a German pop duo, formed during the eighth season of the German television talent show ''Popstars''. The group consisted of then-18-year-old Vanessa Meisinger and 20-year-old half-Brazilian, half-Swiss Leonardo Ritzmann. The seaso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Strymon BigSky DSCF3842
Strymon may refer to: * Strymon (river), a river in Bulgaria and Greece * Strymonian Gulf, a branch of the Thracian Sea * Strymon (theme) The Theme of Strymon ( el, θέμα Στρυμόνος) was a Byzantine military-civilian province ( theme) located in modern Greek Macedonia, with the city of Serres as its capital. Founded probably by the mid-to-late 9th century, its history as ..., a Byzantine province * ''Strymon'' (butterfly), the genus of scrub hairstreaks, butterflies in the family Lycaenidae * Strymon (mythology), a god in Greek mythology * Strymon (company), a California-based brand of music electronics; specialized in guitar effects pedals See also * Strymonas, a former municipality in Greece {{disambig, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Laurens Hammond
Laurens Hammond (January 11, 1895 – July 1, 1973), was an American engineer and inventor. His inventions include the Hammond organ, the Hammond clock, and the world's first polyphonic musical synthesizer, the Novachord. Youth Laurens Hammond was born in Evanston, Illinois, on January 11, 1895 to William Andrew and Idea Louise Strong Hammond. Laurens showed his great technical prowess from an early age. His father, William, took his own life in January 1897, ostensibly due to failure of the First National Bank of Illinois, which he had founded. Upon her husband's death, Idea, who was an artist, relocated to France with Laurens to further her studies, and the family spent the next eleven years in France and Germany. Early inventions When the family returned to Evanston in 1909, Laurens, then 14, was fluent in French and German. While in Europe, he had already designed a system for automatic transmission for automobiles. At his mother's suggestion, he submitted his de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s. Tubby's innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Guitar Amplifier
A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier (and preamplifier) circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance. Guitar amplifiers can also modify an instrument's tone by emphasizing or de-emphasizing certai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Dick Dale
Richard Anthony Monsour (May 4, 1937 – March 16, 2019), known professionally as Dick Dale, was an American rock guitarist. He was a pioneer of surf music, drawing on Middle Eastern music scales and experimenting with reverb. Dale was known as "The King of the Surf Guitar", which was also the title of his second studio album. Dale was one of the most influential guitarists of all time and especially of the early 1960s. Most of the leading bands in surf music, such as The Beach Boys, Jan and Dean and The Trashmen, were influenced by Dale's music, and often included recordings of Dale's songs in their albums. His style and music influenced guitarists such as Jimi Hendrix, Pete Townshend, Eddie Van Halen and Brian May. He has been credited with popularizing tremolo picking, a technique that is now widely used in many musical genres (such as extreme metal, folk etc.). His speedy single-note staccato picking technique was unrivaled until guitarists like Eddie Van Halen entere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |