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Scrovegni
The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Museo Civico of Padua. The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of the 14th-century fresco cycles comprehending 8 historical buildings in Padua city centre. Specifically the Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Description Giotto and his team covered all the internal surfaces of the chapel with frescoes, including the walls and the ceiling. The nave is 20.88 metres long, 8.41 metres wide, and 12.6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scrovegni Pisano02 Pushkin
The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Museo Civico of Padua. The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of the 14th-century fresco cycles comprehending 8 historical buildings in Padua city centre. Specifically the Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Description Giotto and his team covered all the internal surfaces of the chapel with frescoes, including the walls and the ceiling. The nave is 20.88 metres long, 8.41 metres wide, and 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto - Scrovegni - -31- - Kiss Of Judas
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Degli Scrovegni
Enrico Scrovegni was a Paduan money-lender who lived around the time of Giotto and Dante. He was the son of Reginaldo degli Scrovegni and Capellina Malacapelli, and was married twice, first to a member of the Carrara family, then to Jacopina (Giacomina) d'Este, daughter of Francesco d'Este, Marquis of Ferrara. He may have been a member of the Cavalieri Gaudenti. Enrico is most famous as the patron of Giotto, commissioning the great painter to paint the famous Scrovegni Chapel, c.1303-5, which he also commissioned. There is a tradition that he hired Giotto to atone for the sin of usury Usury () is the practice of making unethical or immoral monetary loans that unfairly enrich the lender. The term may be used in a moral sense—condemning taking advantage of others' misfortunes—or in a legal sense, where an interest rate is ch ..., although there is debate about whether this idea has any foundation. Dante placed his father in the Seventh Circle of Hell for his notoriously il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua, Italy
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden, the most ancient of the world, and the 14th-century Frescoes, situated in differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden, the most ancient of the world, and the 14th-century Frescoes, situated in d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Christ In Art
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects narrating the events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element. They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the choice of scenes for the remainder of the Middle Ages became largely settled in the Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars. The most common subjects were grouped around the birth and childhood of Jesus, and the Passion of Christ, leading to his Crucifixion and Resurr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of The Virgin
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples. Scenes shown The Life of the Virgin sometimes merges into a cycle of the Life of Christ, sometimes includes scenes from the Passion of Christ, but often jumps from the childhood of Christ to the Death of the Virgin. The Finding in the Temple, the last episode in the childhood of Christ, often ends the cycle. Important examples whose scenes are listed in the table below, include those in the Tornabuoni Chapel by Domenico Ghirlandai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as '' brunaille'', and paintings executed in green are called '' verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Civico Of Padua
The Musei Civici di Padova or degli Eremitani is a complex of museums and historic sites, centered on the former convent of the Eremitani (Augustinian order), and its famous Cappella degli Scrovegni with its Giotto fresco masterpieces. The complex is located on Piazza Eremitani, at the edge of the historic center of Padua, region of Veneto, Italy. The complex includes halls of archaeological objects and – in the nearby Palazzo Zuckermann – a museum of modern and medieval applied art. History The original collection arose with the acquisition of works from suppressed ecclesiastical institutions, including in 1783 of the convent of San Giovanni da Verdara and in 1810 of many other institutions. In 1825, the abbot Giuseppe Furlanetto displayed his collection of Roman and Greek lapidary inscriptions in the logge del Palazzo della Ragione. The collection was expanded by the donation of 1864 by Leonardo Capodilista. Under the patron Andrea Gloria, this collection and other work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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