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Round Hand
Round hand (also roundhand) is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals. Origins During the Renaissance, writing masters of the Apostolic Camera developed the '' italic cursiva'' script. When the Apostolic Camera was destroyed during the sack of Rome in 1527, many masters moved to Southern France where they began to refine the renaissance ' script into a new script, '. By the end of the 16th century, ' began to replace '. ' was further adapted into the French style ' in the early 1 ...
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Bastarda
Bastarda (or bastard) was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The early printers produced regional versions in type which were used especially to print texts in the vernacular languages, more rarely for Latin texts. The earliest bastarda type was produced by the German Gutenberg in 1454–55. The main variety was the one used in France, which was also found in Geneva, Antwerp and London. Another local variety was found in the Netherlands; Caxton's first types were a rather poor copy of this. The French ' passed out of use by the mid-16th century, but the German variety developed into the national ' type, which remained in use until the mid-twentieth century.A.F. Johnson, ''Type designs, their history and development''. Third edition. (London: 1966) pp. 21–23 British typeface designer Jonathan Barnbrook has de ...
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Ronde Script (calligraphy)
('round' in French) is a kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look. It appeared in France at the end of the 16th century, growing out from a late local variant of Gothic cursive influenced by N. Italian Renaissance types in Rotunda, a bookish round Gothic style, as well as Civilité, also a late French variant of Gothic cursive. It was popularized by writing masters such as in the 17th century. While this style of writing fell out of popularity after the invention of a mass-produced pointed pen from steel in the early 19th century, in the 1870s Friedrich Soennecken reintroduced it again (this time with a steel broad-nibbed pen) in the modified form of his ''Rundschrift''. It was still in wide use until the 20th century because it was used in French school manuals to teach the bases of cursive writing, and was also commonly used by the scribes of the French Ministry of Finance until right after World W ...
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Penmanship
Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called "hands" while an individual's style of penmanship is referred to as "handwriting". History Origins The earliest example of systematic writing is the Sumerian pictographic system found on clay tablets, which eventually developed around 3200 BC into a modified version called cuneiform which was impressed on wet clay with a sharpened reed. This form of writing eventually evolved into an ideographic system (where a sign represents an idea) and then to a syllabic system (where a sign represents a syllable). Developing around the same time, the Egyptian system of hieroglyphics also began as a pictographic script and evolved into a system of syllabic writing. Two cursive scripts were eventually created, hi ...
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Palaeography
Palaeography ( UK) or paleography ( US; ultimately from grc-gre, , ''palaiós'', "old", and , ''gráphein'', "to write") is the study of historic writing systems and the deciphering and dating of historical manuscripts, including the analysis of historic handwriting. It is concerned with the forms and processes of writing; not the textual content of documents. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and books were produced, and the history of scriptoria. The discipline is one of the auxiliary sciences of history. It is important for understanding, authenticating, and dating historic texts. However, it generally cannot be used to pinpoint dates with high precision. Application Palaeography can be an essential skill for historians and philologists, as it tackles two main difficulties. First, since the style of a single alphabet in each given l ...
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Law Hand
Court hand (also common law hand, Anglicana, cursiva antiquior, charter hand) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks. "It is noticeably upright and packed together with exaggeratedly long ascenders and descenders, the latter often and the former occasionally brought round in sweeping crescent shaped curves". The hand took its name from the fact that it was particularly associated with formal records of the courts of Common Pleas and King's (or Queen's) Bench, although its use was not confined to them. In the 17th and 18th centuries the writing became increasingly stylised, to the point that it was virtually illegible to any reader unfamiliar with its conventions. The hand was banned from English law courts in 1731 by the Proceedings in Courts of Justice Act (4 Geo. II, c. 26), which required that, with effect from 25 March 1733, court proceedings "shall be written in such a common legible Hand and Cha ...
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Italic Script
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy. History Italic script is based largely on Humanist minuscule, which itself draws on Carolingian minuscule. The capital letters are the same as the Humanist capitals, modeled on Roman square capitals. The Italian scholar Niccolò de' Niccoli was dissatisfied with the lowercase forms of Humanist minuscule, finding it too slow to write. In response, he created the Italic script, which incorporates features and techniques characteristic of a quickly written hand: oblique forms, fewer strokes per character, and the joining of letters. Perhaps the most significant change to any single character was to the form of the ''a'', which he simplified from the two-story form to the one-story form ⟨ɑ⟩ now common to most handwri ...
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History Of Writing
The history of writing traces the development of expressing language by systems of markings and how these markings were used for various purposes in different societies, thereby transforming social organization. Writing systems are the foundation of literacy and literacy learning, with all the social and psychological consequences associated with literacy activities. In the history of how writing systems have evolved in human civilizations, more complete writing systems were preceded by ''proto-writing'', systems of ideographic or early mnemonic symbols (symbols or letters that make remembering them easier). ''True writing'', in which the content of a linguistic utterance is encoded so that another reader can reconstruct, with a fair degree of accuracy, the exact utterance written down, is a later development. It is distinguished from proto-writing, which typically avoids encoding grammatical words and affixes, making it more difficult or even impossible to reconstruct the exac ...
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Hand (writing Style)
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ...
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Cursive
Cursive (also known as script, among other names) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", " italic" or "connected". The cursive method is used with many alphabets due to infrequent pen lifting and beliefs that it increases writing speed. Despite this belief, more elaborate or ornamental styles of writing can be slower to reproduce. In some alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke. A study of gradeschool children in 2013 discovered that the speed of their cursive writing ...
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Court Hand
Court hand (also common law hand, Anglicana, cursiva antiquior, charter hand) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks. "It is noticeably upright and packed together with exaggeratedly long ascenders and descenders, the latter often and the former occasionally brought round in sweeping crescent shaped curves". The hand took its name from the fact that it was particularly associated with formal records of the courts of Common Pleas and King's (or Queen's) Bench, although its use was not confined to them. In the 17th and 18th centuries the writing became increasingly stylised, to the point that it was virtually illegible to any reader unfamiliar with its conventions. The hand was banned from English law courts in 1731 by the Proceedings in Courts of Justice Act (4 Geo. II, c. 26), which required that, with effect from 25 March 1733, court proceedings "shall be written in such a common legible Hand and Cha ...
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Chancery Hand
The term "chancery hand" can refer to either of two distinct styles of historical handwriting. A chancery hand was at first a form of handwriting for business transactions that developed in the Lateran chancery (the ) of the 13th century, then spread to France, notably through the Avignon Papacy, and to England after 1350. This early "chancery hand" is a form of blackletter. Versions of it were adopted by royal and ducal chanceries, which were often staffed by clerics who had taken minor orders. A later cursive "chancery hand", also developed in the Vatican but based on humanist minuscule (itself based on Carolingian minuscule), was introduced in the 1420s by Niccolò Niccoli; it was the manuscript origin of the typefaces we recognize as '' italic''. Blackletter chancery English chancery hand In medieval England each of the royal departments tended to develop its own characteristic hand: the chancery hand used in the royal chancery at Westminster from the mid-cen ...
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