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Bastarda
Bastarda (or bastard) was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The early printers produced regional versions in type which were used especially to print texts in the vernacular languages, more rarely for Latin texts. The earliest bastarda type was produced by the German Gutenberg in 1454–55. The main variety was the one used in France, which was also found in Geneva, Antwerp and London. Another local variety was found in the Netherlands; Caxton's first types were a rather poor copy of this. The French ' passed out of use by the mid-16th century, but the German variety developed into the national ' type, which remained in use until the mid-twentieth century.A.F. Johnson, ''Type designs, their history and development''. Third edition. (London: 1966) pp. 21–23 British typeface designer Jonathan Barnbrook has de ...
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Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Bl ...
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Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Bl ...
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Western Calligraphy
Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions such as Turko- Perso-Arabic, Chinese or Indian calligraphy). A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner." The story of writing is one of aesthetic development framed within the technical skills, transmission speed(s) and material limitations of a person, time and place. A style of writing is described as a ''script'', ''hand'' or ''alphabet''. Calligraphy ranges from functional hand-lettered inscriptions and designs to fine art pieces where the abstract expression of the handwritten mark may or may not supersede the legibility of the letters.Mediavilla 1996 Classical calligraphy differs from typography and non-classical hand-lettering, though a call ...
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Typography
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters ( kerning). The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, ...
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Secretary Hand
Secretary hand is a style of European handwriting developed in the early sixteenth century that remained common in the sixteenth and seventeenth centuries for writing English, German, Welsh and Gaelic. History Predominating before the dominance of Italic script, it arose out of the need for a hand more legible and universally recognizable than the book hand of the High Middle Ages, in order to cope with the increase in long-distance business and personal correspondence, in cities, chanceries and courts. The hand thus used by secretaries was developed from cursive business hands and was in common use throughout the British Isles through the seventeenth century. In spite of its loops and flourishes it was widely used by scriveners and others whose daily employment comprised hours of writing. By 1618 the writing-master Martin Billingsley in his ''The Pen's Excellency'', 1618, distinguished three forms of secretary hand, as well as "mixed" hands that employed some Roman letterform ...
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Round Hand
Round hand (also roundhand) is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals. Origins During the Renaissance, writing masters of the Apostolic Camera developed the '' italic cursiva'' script. When the Apostolic Camera was destroyed during the sack of Rome in 1527, many masters moved to Southern France where they began to refine the renaissance ' script into a new script, '. By the end of the 16th century, ' began to replace '. ' was further adapted into the French style ' in the early 1 ...
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Rotunda (script)
The Rotunda is a specific medieval blackletter script. It originates in Carolingian minuscule. Sometimes, it is not considered a blackletter script, but a script on its own. It was used mainly in southern Europe. Characteristics One of the key differences between Rotunda and other blackletter scripts is that broken bows appear only in a few letters such as ''d''. ''R rotunda'' and ''long S'' The r rotunda (ꝛ), "rounded r", is an old letter variant commonly used in rotunda scripts and other blackletter typefaces. It is thought that this variant form of that letter was originally devised either to save space while writing on expensive parchment or for aesthetic reasons. Italian rotunda There is a form of Italian blackletter known as rotunda, as it was less angular than in northern centres. The most usual form of Italian rotunda was ''littera bononiensis'', used at the University of Bologna The University of Bologna ( it, Alma Mater Studiorum – Università di Bologna ...
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Ronde Script (calligraphy)
('round' in French) is a kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look. It appeared in France at the end of the 16th century, growing out from a late local variant of Gothic cursive influenced by N. Italian Renaissance types in Rotunda, a bookish round Gothic style, as well as Civilité, also a late French variant of Gothic cursive. It was popularized by writing masters such as in the 17th century. While this style of writing fell out of popularity after the invention of a mass-produced pointed pen from steel in the early 19th century, in the 1870s Friedrich Soennecken reintroduced it again (this time with a steel broad-nibbed pen) in the modified form of his ''Rundschrift''. It was still in wide use until the 20th century because it was used in French school manuals to teach the bases of cursive writing, and was also commonly used by the scribes of the French Ministry of Finance until right after World W ...
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Penmanship
Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called "hands" while an individual's style of penmanship is referred to as "handwriting". History Origins The earliest example of systematic writing is the Sumerian pictographic system found on clay tablets, which eventually developed around 3200 BC into a modified version called cuneiform which was impressed on wet clay with a sharpened reed. This form of writing eventually evolved into an ideographic system (where a sign represents an idea) and then to a syllabic system (where a sign represents a syllable). Developing around the same time, the Egyptian system of hieroglyphics also began as a pictographic script and evolved into a system of syllabic writing. Two cursive scripts were eventually created, hi ...
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Palaeography
Palaeography ( UK) or paleography ( US; ultimately from grc-gre, , ''palaiós'', "old", and , ''gráphein'', "to write") is the study of historic writing systems and the deciphering and dating of historical manuscripts, including the analysis of historic handwriting. It is concerned with the forms and processes of writing; not the textual content of documents. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and books were produced, and the history of scriptoria. The discipline is one of the auxiliary sciences of history. It is important for understanding, authenticating, and dating historic texts. However, it generally cannot be used to pinpoint dates with high precision. Application Palaeography can be an essential skill for historians and philologists, as it tackles two main difficulties. First, since the style of a single alphabet in each given l ...
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Law Hand
Court hand (also common law hand, Anglicana, cursiva antiquior, charter hand) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks. "It is noticeably upright and packed together with exaggeratedly long ascenders and descenders, the latter often and the former occasionally brought round in sweeping crescent shaped curves". The hand took its name from the fact that it was particularly associated with formal records of the courts of Common Pleas and King's (or Queen's) Bench, although its use was not confined to them. In the 17th and 18th centuries the writing became increasingly stylised, to the point that it was virtually illegible to any reader unfamiliar with its conventions. The hand was banned from English law courts in 1731 by the Proceedings in Courts of Justice Act (4 Geo. II, c. 26), which required that, with effect from 25 March 1733, court proceedings "shall be written in such a common legible Hand and Cha ...
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Italic Script
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy. History Italic script is based largely on Humanist minuscule, which itself draws on Carolingian minuscule. The capital letters are the same as the Humanist capitals, modeled on Roman square capitals. The Italian scholar Niccolò de' Niccoli was dissatisfied with the lowercase forms of Humanist minuscule, finding it too slow to write. In response, he created the Italic script, which incorporates features and techniques characteristic of a quickly written hand: oblique forms, fewer strokes per character, and the joining of letters. Perhaps the most significant change to any single character was to the form of the ''a'', which he simplified from the two-story form to the one-story form ⟨ɑ⟩ now common to most handwri ...
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