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Rampant
In heraldry, the term attitude describes the ''position'' in which a figure (animal or human) is emblazoned as a charge, a supporter, or as a crest. The attitude of an heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry — the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind". Other heraldic attitudes, such as ''volant'', describe the positions of birds, exemplified by the bird most usual to heraldry — the heraldic eagle; moreover, birds also are described by the positions of their wings. The term ''naiant'' (swimming) applies to fish, swans, ducks, and geese. The term ''segreant'' is applied to the griffin, as an approximation of ''rampant'', and is applied to the dragon. Animal figures are positioned in profile, facing dexter (the viewer's left), and persons are shown ''affronté'' (facing th ...
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Lion (heraldry)
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animal designs in the heraldry of the high medieval period are a continuation of the animal style of the Viking Age, ultimately derived from the style of Scythian art as it developed from c. the 7th century BC. Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. The animals of the "barbarian" (Eurasian) predecessors of heraldic designs are likely to have been us ...
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Charge (heraldry)
In heraldry, a charge is any emblem or device occupying the field of an '' escutcheon'' (shield). That may be a geometric design (sometimes called an '' ordinary'') or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called ''pièces'', and other charges are called ''meubles'' (" hemobile nes). The term ''charge'' can also be used as a verb; for example, if an escutcheon depicts three lions, it is said to be ''charged with three lions''; similarly, a crest or even a charge itself may be "charged", such as a pair of eagle wings ''charged with trefoils'' (as on the coat of arms of Brandenburg). It is important to distinguish between the ordinaries and divisions of the field, as that typically follow similar patterns, such as a shield ''divided'' "per chevron", as distinct from being ''charged with'' a chevron. While thousands of objects found in religion, nature, mythology, or technology have appeared ...
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Heraldic Displayed Eagle
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered togethe ...
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Heraldry
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered tog ...
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Supporter (heraldry)
In heraldry, supporters, sometimes referred to as ''attendants'', are figures or objects usually placed on either side of the shield and depicted holding it up. Early forms of supporters are found in medieval seals. However, unlike the coronet or helmet and crest, supporters were not part of early medieval heraldry. As part of the heraldic achievement, they first become fashionable towards the end of the 15th century, but even in the 17th century were not necessarily part of the full heraldic achievement (being absent, for example, in ''Siebmachers Wappenbuch'' of 1605). The figures used as supporters may be based on real or imaginary animals, human figures, and in rare cases plants or other inanimate objects, such as the pillars of Hercules of the coat of arms of Spain. Often, as in other elements of heraldry, these can have local significance, such as the fisherman and the tin miner granted to Cornwall County Council, or a historical link; such as the lion of England ...
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Supporter (heraldry)
In heraldry, supporters, sometimes referred to as ''attendants'', are figures or objects usually placed on either side of the shield and depicted holding it up. Early forms of supporters are found in medieval seals. However, unlike the coronet or helmet and crest, supporters were not part of early medieval heraldry. As part of the heraldic achievement, they first become fashionable towards the end of the 15th century, but even in the 17th century were not necessarily part of the full heraldic achievement (being absent, for example, in ''Siebmachers Wappenbuch'' of 1605). The figures used as supporters may be based on real or imaginary animals, human figures, and in rare cases plants or other inanimate objects, such as the pillars of Hercules of the coat of arms of Spain. Often, as in other elements of heraldry, these can have local significance, such as the fisherman and the tin miner granted to Cornwall County Council, or a historical link; such as the lion of England ...
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Griffin
The griffin, griffon, or gryphon ( Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. Indeed, as Pliny the Elder wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets." In medieval heraldry, the griffin became a Christian symbol of divine power and a guardian of the divine ...
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Blazon
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb ''to blazon'' means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon (though in modern usage flags are often additionally and more precisely defined using geometrical specifications). ''Blazon'' is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. ''Blazonry'' is the art, craft or practice of creating a blazon. The language employed in ''blazonry'' has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms. ...
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Tincture (heraldry)
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design. Development and history The use of tinctures dates back to the formative period of European heraldry in the twelfth and thirteenth centuries. The range of tinctures and the manner of depicting and describing them has evolved over time, as new variations and practices have developed. The basic scheme and rules of applying the heraldic tinctures dates back to the 12th century. The earliest surviving coloured heraldic illustrations, from the mid-thirteenth century, show the standardized usage of two metals, five colours, and two furs. Since that time, the great majority of heraldic art has employed these nine tinctures. Over time, variations on these basic tinctures were developed, particularly with respect to the furs. Authorities differ as to whether these variations shou ...
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European Dragon
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe. The Roman poet Virgil in his poem ''Culex'' lines 163-201, describing a shepherd having a fight with a big constricting snake, calls it " serpens" and also "draco", showing that in his time the two words probably could mean the same thing. In and after the early Middle Ages, the European dragon is typically depicted as a large, fire-breathing, scaly, horned, lizard-like creature; the creature also has leathery, bat-like wings, four legs, and a long, muscular prehensile tail. Some depictions show dragons with one or more of: feathered wings, crests, ear frills, fiery manes, ivory spikes running down its spine, and various exotic decorations. In folktales, dragon's blood often contains unique powers, keeping them alive for longer or giving them poisonous or acidic properties. The typical dragon in Christian culture protects a cavern or castle filled with gold and tre ...
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Lion Passant Guardant
The lion (''Panthera leo'') is a large cat of the genus ''Panthera'' native to Africa and India. It has a muscular, broad-chested body; short, rounded head; round ears; and a hairy tuft at the end of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called ''prides''. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically don't actively seek out and prey on humans. The lion inhabits grasslands, savannas and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia from Southeast Europe to I ...
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Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a cartouche, or oval. Other shapes are also in use, such as the roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in African heraldry (likewise, Christian organisations and Masonic bodies tend to use the same shape, also kno ...
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