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River Landscape With A Boar Hunt
''River Landscape with a Boar Hunt'', or Dutch: ''Rivierlandschap met everzwijnjacht'', is a c. 1600 painting by the Flemish artist Joos de Momper, now in the Rijksmuseum, in Amsterdam. The artist uses a high point of view, like in Altdorfer's ''The Battle of Alexander at Issus'' (1528-1529) and Brueghel's ''The Hunters in the Snow'' (1565). Later, de Momper mostly used a lower point of view, establishing what would become a typical feature of 17th century Dutch and Flemish landscapes, such as ''Windmill at Wijk bij Duurstede The ''Windmill of Wijk bij Duurstede'' (c. 1670) is an oil-on-canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum. ...''. References {{17C-painting-stub Paintings by Joos de Momper Landscape paintings 1600 paintings Hunting in art Dogs in art Horses in art Rivers in art Maritime paintings ...
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Joos De Momper
Joos de Momper the Younger or Joost de Momper the Younger (1564February5, 1635) was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.de Momper
at Oxford Artist Index


Life

Joos de Momper was born in an artistic family of Antwerp and was named after his gra ...
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Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation
Rijksmuseum. Retrieved on 4 April 2013.
On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by
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Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the City Region of Amsterdam, urban area and 2,480,394 in the Amsterdam metropolitan area, metropolitan area. Located in the Provinces of the Netherlands, Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a World Heritage Site, UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is th ...
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The Battle Of Alexander At Issus
''The Battle of Alexander at Issus'' (German: ''Alexanderschlacht'') is a 1529 oil painting by the German artist Albrecht Altdorfer (c. 1480–1538), a pioneer of landscape art and a founding member of the Danube school. The painting portrays the 333 BC Battle of Issus, in which Alexander the Great secured a decisive victory over Darius III of Persia and gained crucial leverage in his campaign against the Persian Empire. The painting is widely regarded as Altdorfer's masterpiece, and is one of the most famous examples of the type of Renaissance landscape painting known as the world landscape, which here reaches an unprecedented grandeur. Duke William IV of Bavaria commissioned ''The Battle of Alexander at Issus'' in 1528 as part of a set of historical pieces that was to hang in his Munich residence. Modern commentators suggest that the painting, through its abundant use of anachronism, was intended to liken Alexander's heroic victory at Issus to the contemporary European co ...
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The Hunters In The Snow
''The Hunters in the Snow'' ( nl, Jagers in de Sneeuw), also known as ''The Return of the Hunters'', is a 1565 oil-on-wood painting by Pieter Bruegel the Elder. The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year. The painting is in the collection of the Kunsthistorisches Museum in Vienna, Austria. This scene is set in the depths of winter during December/January. Background and origins ''The Hunters in the Snow'', and the series to which it belongs, are in the medieval and early Renaissance tradition of the Labours of the Months: depictions of various rural activities and work understood by a spectator in Breugel's time as representing the different months or times of the year. Description and composition The painting shows a wintry scene in which three hunters are returning from an expedition accompanied by their dogs. By appearances the outing was not successful; the hunters appear to trudge wearily, ...
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Windmill At Wijk Bij Duurstede
The ''Windmill of Wijk bij Duurstede'' (c. 1670) is an oil-on-canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum. Subject, date, and provenance The painting shows Wijk bij Duurstede, a riverside town about 20 kilometers from Utrecht, with a dominating cylindrical windmill, harmonised by the lines of river bank and sails, and the contrasts between light and shadow working together with the intensified concentration of mass and space. The attention to detail is remarkable. Art historian Seymour Slive reports that both from an aeronautical engineering and a hydrological viewpoint the finest levels of details are correct, in the windmill's sails and the river's waves respectively. It is not known for certain when Ruisdael painted the ''Windmill''. The painting is not dated, as very few of his works are after 1653. Dating subsequent work has therefore ...
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Paintings By Joos De Momper
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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Landscape Paintings
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be ent ...
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1600 Paintings
Sixteen or 16 may refer to: * 16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Hig ...
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Hunting In Art
Hunting is the human practice of seeking, pursuing, capturing, or killing wildlife or feral animals. The most common reasons for humans to hunt are to harvest food (i.e. meat) and useful animal products (fur/ hide, bone/ tusks, horn/antler, etc.), for recreation/ taxidermy (see trophy hunting), to remove predators dangerous to humans or domestic animals (e.g. wolf hunting), to eliminate pests and nuisance animals that damage crops/livestock/poultry or spread diseases (see varminting), for trade/tourism (see safari), or for ecological conservation against overpopulation and invasive species. Recreationally hunted species are generally referred to as the ''game'', and are usually mammals and birds. A person participating in a hunt is a hunter or (less commonly) huntsman; a natural area used for hunting is called a game reserve; an experienced hunter who helps organize a hunt and/or manage the game reserve is known as a gamekeeper. Many non-human animals also hunt (see pr ...
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Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ...
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Horses In Art
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made. Horses often appear in artworks singly, as a mount for an important person, or in teams, hitched to a variety of horse-drawn vehicles. History Prehistory The horse appeared in prehistoric cave paintings such as those in Lascaux, estimated to be about 17,000 years old. Prehistoric hill figures have been carved in the shape of the horse, specifically the Uffington White Horse, an example of the traditi ...
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