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Pixinguinha
Alfredo da Rocha Viana Filho, known as Pixinguinha (; April 23, 1897February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha is considered one of the greatest Brazilian composers of popular music, particularly within the genre of music known as choro. By integrating the music of the older ''choro'' composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced ''choro'' to a new audience and helped to popularize it as a uniquely Brazilian genre. He was also one of the first Brazilian musicians and composers to take advantage of the new professional opportunities offered to musicians by the new technologies of radio broadcasting and studio recording. Pixinguinha composed dozens of ''choros'', including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero". Early life and early career Pixinguinha was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pixinguinha Tocando Harmônio (restored)
Alfredo da Rocha Viana Filho, known as Pixinguinha (; April 23, 1897February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha is considered one of the greatest Brazilian composers of popular music, particularly within the genre of music known as choro. By integrating the music of the older ''choro'' composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced ''choro'' to a new audience and helped to popularize it as a uniquely Brazilian genre. He was also one of the first Brazilian musicians and composers to take advantage of the new professional opportunities offered to musicians by the new technologies of radio broadcasting and studio recording. Pixinguinha composed dozens of ''choros'', including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero". Early life and early career Pixinguinha was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton De Holanda
Hamilton de Holanda is a Brazilian bandolinist known for his mixture of choro and contemporary jazz, and for his instrumental virtuosity. Born in Rio de Janeiro he moved to Brasilia with his family as a boy. He started playing the mandolin at 5 and appeared at his first performance at six. With his brother Fernando César he formed the group Dois de Ouro and throughout his career he has collaborated with many other significant artists such as Yamandu Costa, Mike Marshall and Joel Nascimento. He has received several Latin Grammys. He has taught at the Raphael Rabello Choro academy. He plays a custom made 10 string Bandolim. In 2015, his album ''Bossa Negra'', a partnership with Diogo Nogueira, was nominated for the 16th Latin Grammy Awards in the Best Samba/Pagode Album category. The title track of the album was also nominated for the same award, in the Best Brazilian Song category. In 2016, he was nominated for the Latin Grammys again, this time for Best Instrumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seu Jorge
Jorge Mário da Silva, more commonly known by his stage name Seu Jorge (Seu, an abbreviation of "Senhor"; born June 8, 1970; ), is a Brazilian musical artist, songwriter, and actor. He is considered by many a renewer of Brazilian pop samba. Seu Jorge cites samba schools and American soul singer Stevie Wonder as major musical influences. Jorge is also known for his film roles as Mané Galinha in the 2002 film '' City of God'' and as Pelé dos Santos in the 2004 film '' The Life Aquatic with Steve Zissou''. His musical work has received praise from many of his fellow musicians including Beck and David Bowie. Biography The first-born of four children (the others being Charles, Vitório and Rogério), Seu Jorge had a tough childhood in the neighborhood of Gogó da Ema, in Belford Roxo. He started working in a tire shop when he was only 10 years old, the first of various jobs such as courier, joiner, and potato peeler in a bar. Seu Jorge served in the Brazilian Army from 1989 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Os Oito Batutas
Oito Batutas have been deemed to be one of the most influential groups on Brazilian music. They were led by Pixinguinha Alfredo da Rocha Viana Filho, known as Pixinguinha (; April 23, 1897February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha is considered one of the greatest Brazilian composers of pop ... with whom they debuted on April 7, 1919 at the Cinema Palais in Rio de Janeiro. External links *Free recordingsin International Music Score Library Project (IMSLP) Musical groups established in 1919 Musical groups disestablished in 1927 Samba ensembles 1919 establishments in Brazil 1927 disestablishments in Brazil {{Brazil-band-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxixe (dance)
The maxixe (), occasionally known as the Brazilian tango, is a dance, with its accompanying music (often played as a subgenre of choro), that originated in the Brazilian city of Rio de Janeiro in 1868, at about the same time as the tango was developing in neighbouring Argentina and Uruguay. It is a dance developed from Afro-Brazilian dances (mainly the lundu) and from European dances (mainly the polka). Like the tango, the maxixe travelled to Europe and the United States in the early years of the 20th century. The music was influenced by various other forms including the Spanish tango, lundu, polka and habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred ''Brazilian Tango'' to ''maxixe''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiquinha Gonzaga
Francisca Edwiges Neves Gonzaga, better known as Chiquinha Gonzaga (; October 17, 1847 – February 28, 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of "choro" and author of the first carnival march, "Ó Abre Alas" (1899). Her plays and operettas, such as ''Forrobodó'' and ''Jurití'', were a great success with the public because they used elements of Brazilian popular culture of the time. Biography Early life Chiquinha Gonzaga was born in Rio de Janeiro, from a mestizo mother and a wealthy white father – after she was born her father became a marshal. Her godfather was Luís Alves de Lima e Silva, Duke of Caxias. For her mother, a mestizo and poor woman, the birth of Chiquinha was a very difficult, in part because of the risk that the father would not recognize the paternity of her daughter. Indeed, José Basileu, the military promising career, from a wealthy family, suffered from the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Do Bandolim
Jacob do Bandolim born Jacob Pick Bittencourt (February 14, 1918 – August 13, 1969) was a Brazilian composer and musician. Born to a Brazilian-Jewish mother and a gentile father in Rio de Janeiro, his stage name means "Mandolin Jacob", after the instrument he played. A perfectionist, Jacob was able to achieve from his band ''Época de Ouro'' the highest levels of quality. Jacob hated the stereotype of the "dishevelled, drunk folk musician" and required commitment and impeccable dress from his musicians who, like himself, all held "day jobs." Jacob worked as a pharmacist, insurance salesman, street vendor, and finally notary public, to support himself while also working "full time" as a musician. In addition to his virtuoso playing, he is famous for his many choro compositions, more than 103 tunes,Choro: a social history of a Brazilian popular music. Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia. Indiana University Press, 2005, pp. 122 which range from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ipanema
Ipanema () is a neighbourhood located in the South Zone of the city of Rio de Janeiro, Brazil, between Leblon and Arpoador. The beach at Ipanema became known internationally with the popularity of the bossa nova jazz song, "The Girl from Ipanema" ("''Garota de Ipanema''"), written by Antônio Carlos Jobim and Vinícius de Moraes. Etymology The name ''Ipanema'' derives from the Tupi language words ''ipá'' (pond) and ''nem-a'' (stinking). Possible translations for its original meaning are "worthless water", "stinking lake", "turbid water", or "water worthless for human consumption". The historian Teodoro Sampaio translated ''Ipanema'' as "bad water". The border area between Copacabana and Ipanema is known locally as "Copanema". History Ipanema today consists mostly of land that once belonged to José Antonio Moreira Filho, Baron of Ipanema. The name "Ipanema" did not refer originally to the beach, but to the homeland of the baron at São Paulo. Character Ipanema is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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