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Marseille
Marseille ( , , ; also spelled in English as Marseilles; oc, Marselha ) is the prefecture of the French department of Bouches-du-Rhône and capital of the Provence-Alpes-Côte d'Azur region. Situated in the camargue region of southern France, it is located on the coast of the Gulf of Lion, part of the Mediterranean Sea, near the mouth of the Rhône river. Its inhabitants are called ''Marseillais''. Marseille is the second most populous city in France, with 870,731 inhabitants in 2019 (Jan. census) over a municipal territory of . Together with its suburbs and exurbs, the Marseille metropolitan area, which extends over , had a population of 1,873,270 at the Jan. 2019 census, the third most populated in France after those of Paris and Lyon. The cities of Marseille, Aix-en-Provence, and 90 suburban municipalities have formed since 2016 the Aix-Marseille-Provence Metropolis, an indirectly elected metropolitan authority now in charge of wider metropolitan issues, with a po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tigellinus
Ofonius Tigellinus (c. 10 – 69) was a prefect of the Roman imperial bodyguard, known as the Praetorian Guard, from 62 until 68, during the reign of emperor Nero. Tigellinus gained imperial favour through his acquaintance with Nero's mother Agrippina the Younger, and was appointed prefect upon the death of his predecessor Sextus Afranius Burrus, a position Tigellinus held first with Faenius Rufus and then Nymphidius Sabinus. As a friend of Nero he quickly gained a reputation around Rome for cruelty and callousness. During the second half of the 60s, however, the emperor became increasingly unpopular with the people and the army, leading to several rebellions which ultimately led to his downfall and suicide in 68. When Nero's demise appeared imminent, Tigellinus deserted him and shifted his allegiance to the new emperor Galba. Unfortunately for Tigellinus, Galba was replaced by Otho barely six months after his accession. Otho ordered the execution of Tigellin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menippean Satire
The genre of Menippean satire is a form of satire, usually in prose, that is characterized by attacking mental attitudes rather than specific individuals or entities. It has been broadly described as a mixture of allegory, picaresque narrative, and satirical commentary.Paul Salzman, ''Narrative Contexts for Bacon's New Atlantis'', p. 39, in Bronwen Price (editor), ''Francis Bacon's New Atlantis'' (2002) Other features found in Menippean satire are different forms of parody and mythological burlesque, a critique of the myths inherited from traditional culture, a rhapsodic nature, a fragmented narrative, the combination of many different targets, and the rapid moving between styles and points of view. The term is used by classical grammarians and by philologists mostly to refer to satires in prose (cf. the verse Satires of Juvenal and his imitators). Social types attacked and ridiculed by Menippean satires include "pedants, bigots, cranks, parvenus, virtuosi, enthusiasts, rapacious a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarquinius Superbus
Lucius Tarquinius Superbus (died 495 BC) was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.Livy, ''ab urbe condita libri'', I He is commonly known as Tarquin the Proud, from his cognomen ''Superbus'' (Latin for "proud, arrogant, lofty"). Ancient accounts of the regal period mingle history and legend. Tarquin was said to have been either the son or grandson of Lucius Tarquinius Priscus, the fifth king of Rome, and to have gained the throne through the murders of both his wife and his elder brother, followed by the assassination of his predecessor, Servius Tullius. His reign has been described as a tyranny that justified the abolition of the monarchy. Background The most ancient sources, such as that of Quintus Fabius Pictor, assert Tarquin was the son of Tarquinius Priscus, but modern historians believe that to be "impossible" under the traditional chronology, indicating either h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucretia
According to Roman tradition, Lucretia ( /luːˈkriːʃə/ ''loo-KREE-shə'', Classical Latin: ʊˈkreːtɪ.a died c. 510 BC), anglicized as Lucrece, was a noblewoman in ancient Rome, whose rape by Sextus Tarquinius (Tarquin) and subsequent suicide precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic. The incident kindled the flames of dissatisfaction over the tyrannical methods of Tarquin's father, Lucius Tarquinius Superbus, the last king of Rome. As a result, the prominent families instituted a republic, drove the extensive royal family of Tarquin from Rome, and successfully defended the republic against attempted Etruscan and Latin intervention. There are no contemporary sources of Lucretia and the event. Information regarding Lucretia, her rape and suicide, and the consequence of this being the start of the Roman Republic, come from the accounts of Roman historian Livy and Greco-Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allusion
Allusion is a figure of speech, in which an object or circumstance from unrelated context is referred to covertly or indirectly. It is left to the audience to make the direct connection. Where the connection is directly and explicitly stated (as opposed to indirectly implied) by the author, it is instead usually termed a reference. In the arts, a literary allusion puts the alluded text in a new context under which it assumes new meanings and denotations. It is not possible to predetermine the nature of all the new meanings and inter-textual patterns that an allusion will generate. Literary allusion is closely related to parody and pastiche, which are also "text-linking" literary devices.Ben-Porot (1976) pp. 107–8 quotation: In a wider, more informal context, an allusion is a passing or casually short statement indicating broader meaning. It is an incidental mention of something, either directly or by implication, such as "In the stock market, he met his Waterloo." Scope of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimalchio
Trimalchio is a character in the 1st-century AD Roman work of fiction '' Satyricon'' by Petronius. He features as the ostentatious, nouveau-riche host in the section titled the "Cēna Trīmalchiōnis" (The Banquet of Trimalchio, often translated as "Dinner with Trimalchio"). Trimalchio is an arrogant former slave who has become quite wealthy as a wine merchant. The name "Trimalchio" is formed from the Greek prefix τρις and the Semitic מלך ( melech) in its occidental form Malchio or Malchus. The fundamental meaning of the root is "King", and the name "Trimalchio" would thus mean "Thrice King" or "greatest King". Character description His full name is "Gaius Pompeius Trimalchio Maecenatianus"; the references to Pompey and Maecenas in his name serve to enhance his ostentatious character. His wife's name is Fortunata, a former slave and chorus girl. Trimalchio is known for throwing lavish dinner parties, where his numerous slaves bring course after course of exotic delicacies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cognomen
A ''cognomen'' (; plural ''cognomina''; from ''con-'' "together with" and ''(g)nomen'' "name") was the third name of a citizen of ancient Rome, under Roman naming conventions. Initially, it was a nickname, but lost that purpose when it became hereditary. Hereditary ''cognomina'' were used to augment the second name, the ''nomen gentilicium'' (the family name, or clan name), in order to identify a particular branch within a family or family within a clan. The term has also taken on other contemporary meanings. Roman names Because of the limited nature of the Latin ''praenomen'', the ''cognomen'' developed to distinguish branches of the family from one another, and occasionally, to highlight an individual's achievement, typically in warfare. One example of this is Gnaeus Pompeius Magnus, whose cognomen ''Magnus'' was earned after his military victories under Sulla's dictatorship. The ''cognomen'' was a form of distinguishing people who accomplished important feats, and those who al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Profligate
A spendthrift (also profligate or prodigal) is someone who is extravagant and recklessly wasteful with money, often to a point where the spending climbs well beyond his or her means. "Spendthrift" derives from an obsolete sense of the word "thrift" to mean prosperity rather than frugality, so a "spendthrift" is one who has spent their prosperity. Historical figures who have been characterised as spendthrifts include George IV of the United Kingdom, King Ludwig II of Bavaria, and Marie Antoinette the Queen of France. The term is often used by news media as an adjective applied to governments who are thought to be government waste, wasting public money. Etymology While the pair of words may seem to imply the opposite of its meaning (as if you are thrifty in your spending), it follows the tradition of the earlier word "scattergood", the first part being an undoing of the second. In artwork William Hogarth's ''A Rake's Progress'' (1732–33) displays in a series of paintings the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annals (Tacitus)
The ''Annals'' ( la, Annales) by Roman historian and senator Tacitus is a history of the Roman Empire from the reign of Tiberius to that of Nero, the years AD 14–68. The ''Annals'' are an important source for modern understanding of the history of the Roman Empire during the 1st century AD; it is Tacitus' final work, and modern historians generally consider it his greatest writing. Historian Ronald Mellor calls it "Tacitus's crowning achievement", which represents the "pinnacle of Roman historical writing". Tacitus' ''Histories'' and ''Annals'' together amounted to 30 books; although some scholars disagree about which work to assign some books to, traditionally 14 are assigned to ''Histories'' and 16 to ''Annals''. Of the 30 books referred to by Jerome about half have survived. Modern scholars believe that as a Roman senator, Tacitus had access to '' Acta Senatus''—the Roman senate's records—which provided a solid basis for his work. Although Tacitus refers to part of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
