Moirae
In ancient Greek religion and mythology, the Moirai (, also spelled Moirae or Mœræ; grc, Μοῖραι, "lots, destinies, apportioners"), often known in English as the Fates ( la, Fata, Fata, -orum (n)=), were the personifications of fate; their Roman equivalent was the Parcae (euphemistically the "sparing ones"), and there are other equivalents in cultures that descend from the Proto-Indo-European culture. Their number became fixed at three: Clotho ("spinner"), Lachesis ("allotter") and Atropos ("the unturnable", a metaphor for death). However, according to the often cited Latin verse ''Clotho colum retinet, Lachesis net, et Atropos occat'', their roles and functions were also seen differently: Clotho, the youngest of the sisters, presided over the moment in which we are born, and held a distaff in her hand; Lachesis spun out all the events and actions of our life; and Atropos, the eldest of the three, cut the thread of human life with a pair of scissors. The role of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ananke
In ancient Greek religion, Ananke (; grc, Ἀνάγκη), from the common noun , "force, constraint, necessity") is the personification of inevitability, compulsion and necessity. She is customarily depicted as holding a spindle. One of the Greek primordial deities, the births of Ananke and her brother and consort, Chronos (the personification of Time, not to be confused with the Titan Cronus) were thought to mark the division between the eon of Chaos and the beginning of the cosmos. Ananke is considered the most powerful dictator of fate and circumstance. Mortals and gods alike respected her power and paid her homage. Sometimes considered the mother of the Fates, she is thought to be the only being to influence their decisions (according to some sources, excepting Zeus also). According to Schowalter and Friesen, she and the Fates "are all sufficiently tied to early Greek mythology to make their Greek origins likely." The ancient Greek traveller Pausanias wrote of a tem ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Themis
In Greek mythology and religion, Themis (; grc, Θέμις, Themis, justice, law, custom) is one of the twelve Titan children of Gaia and Uranus, and the second wife of Zeus. She is the goddess and personification of justice, divine order, fairness, law, and custom, and her symbols include the Scales of Justice. She is also associated with oracles and prophecies, including the Oracle of Delphi. Name ''Themis'' means "divine law" rather than human ordinance, literally "that which is put in place", from the Greek verb ''títhēmi'' ( τίθημι), meaning "to put." To the ancient Greeks she was originally the organizer of the "communal affairs of humans, particularly assemblies." Moses Finley remarked of ''themis'', as the word was used by Homer in the 8th century BCE, to evoke the social order of the 10th- and 9th-century Greek Dark Ages: Finley adds, "There was ''themis''—custom, tradition, folk-ways, ''mores'', whatever we may call it, the enormous power of 'it is ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chronos
Chronos (; grc-gre, Χρόνος, , "time"), also spelled Khronos or Chronus, is a personification of time in pre-Socratic philosophy Pre-Socratic philosophy, also known as early Greek philosophy, is ancient Greek philosophy before Socrates. Pre-Socratic philosophers were mostly interested in cosmology, the beginning and the substance of the universe, but the inquiries of thes ... and later literature. Chronos is frequently confused with, or perhaps consciously identified with, the Titans, Titan Cronus in antiquity due to the similarity in names. The identification became more widespread during the Renaissance, giving rise to the iconography of Father Time wielding the harvesting scythe. Greco-Roman mosaics depicted Chronos as a man turning the zodiac wheel. He is comparable to the Aion (deity), deity Aion as a symbol of cyclical time. He is usually portrayed as an old callous man with a thick grey beard, personifying the destructive and stifling aspects of time. Name ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thallo
In Greek mythology the Horae () or Horai () or Hours ( grc-gre, Ὧραι, Hōrai, , "Seasons") were the goddesses of the seasons and the natural portions of time. Etymology The term ''horae'' comes from the Proto-Indo-European ("year"). Function Horae were originally the personifications of nature in its different seasonal aspects, but in later times they were regarded as goddesses of order in general and natural justice. "They bring and bestow ripeness, they come and go in accordance with the firm law of the periodicities of nature and of life", Karl Kerenyi observed, adding "''Hora'' means 'the correct moment'." Traditionally, they guarded the gates of Olympus, promoted the fertility of the earth, and rallied the stars and constellations. The course of the seasons was also symbolically described as the dance of the Horae, and they were accordingly given the attributes of spring flowers, fragrance and graceful freshness; for example, in Hesiod's ''Works and Days'', th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carpo (mythology)
Carpo may refer to: * In Greek mythology, one of the Horae In Greek mythology the Horae () or Horai () or Hours ( grc-gre, Ὧραι, Hōrai, , "Seasons") were the goddesses of the seasons and the natural portions of time. Etymology The term ''horae'' comes from the Proto-Indo-European ("year"). ... * In astronomy, Carpo (moon), an irregular satellite of Jupiter {{Disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Auxo
In Greek mythology the Horae () or Horai () or Hours ( grc-gre, Ὧραι, Hōrai, , "Seasons") were the goddesses of the seasons and the natural portions of time. Etymology The term ''horae'' comes from the Proto-Indo-European ("year"). Function Horae were originally the personifications of nature in its different seasonal aspects, but in later times they were regarded as goddesses of order in general and natural justice. "They bring and bestow ripeness, they come and go in accordance with the firm law of the periodicities of nature and of life", Karl Kerenyi observed, adding "''Hora'' means 'the correct moment'." Traditionally, they guarded the gates of Olympus, promoted the fertility of the earth, and rallied the stars and constellations. The course of the seasons was also symbolically described as the dance of the Horae, and they were accordingly given the attributes of spring flowers, fragrance and graceful freshness; for example, in Hesiod's ''Works and Days'', th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Horae
In Greek mythology the Horae () or Horai () or Hours ( grc-gre, Ὧραι, Hōrai, , "Seasons") were the goddesses of the seasons and the natural portions of time. Etymology The term ''horae'' comes from the Proto-Indo-European ("year"). Function Horae were originally the personifications of nature in its different seasonal aspects, but in later times they were regarded as goddesses of order in general and natural justice. "They bring and bestow ripeness, they come and go in accordance with the firm law of the periodicities of nature and of life", Karl Kerenyi observed, adding "''Hora'' means 'the correct moment'." Traditionally, they guarded the gates of Olympus, promoted the fertility of the earth, and rallied the stars and constellations. The course of the seasons was also symbolically described as the dance of the Horae, and they were accordingly given the attributes of spring flowers, fragrance and graceful freshness; for example, in Hesiod's '' Works and Days'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eleos
In ancient Athens, Eleos (Ancient Greek m.) or Elea was the personification of mercy, clemency, compassion and pity – the counterpart of the Roman goddess Clementia. Pausanias described her as "among all the gods the most useful to human life in all its vicissitudes."''Dictionary of Greek and Roman Biography and Mythology''. Cited in Family Eleos was the daughter of the primordial gods, Nyx (Night) and Erebus (Darkness).Hyginus, ''Fabulae'' Preface"From Nox/ Nyx (Night) and Erebus ere born Fatum/ Moros (Fate), Senectus/ Geras (Old Age), Mors/ Thanatos (Death), Letum (Dissolution), Continentia (Moderation), Somnus/ Hypnos (Sleep), Somnia/ Oneiroi (Dreams), Amor (Love)--that is Lysimeles, Epiphron (Prudence), Porphyrion, Epaphus, Discordia/ Eris (Discord), Miseria/ Oizys (Misery), Petulantia/ Hybris (Wantonness), Nemesis (Envy), Euphrosyne (Good Cheer), Amicitia/ Philotes (Friendship), Misericordia/ Eleos (Compassion), Styx (Hatred); the three Parcae/ Moirai ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hybris (mythology)
Hybris (; Ancient Greek: Ὕβρις means 'hubris') was a spirit ( daemon) of insolence, violence, and outrageous behaviour. In Roman mythology, the personification was Petulantia who reflected the Greek conception of hubris. Family Hybris was the daughter of the primordial gods, Nyx (Night) and Erebus (Darkness)Hyginus, ''Fabulae'Prefaceas the goddess Petulantia or of Aether (Air) and Gaea (Earth).Hyginus, ''Fabulae'Prefaceas the goddess Superbia In some accounts, her mother was Dyssebia (Impiety). According to Apollodorus, she and Zeus had Pan together. Aeschylus' account I have a timely word of advice: arrogance (''hybris'') is truly the child of impiety (''dyssebia''), but from health of soul comes happiness, dear to all, much prayed for. Hyginus' account From Nox/ Nyx (Night) and Erebus ere born Fatum/ Moros (Fate), Senectus/ Geras (Old Age), Mors/ Thanatos (Death), Letum/ Ker (Dissolution), Continentia (Moderation), Somnus/ Hypnos (Sleep), Somnia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sophrosyne
Sophrosyne ( el, σωφροσύνη) is an ancient Greek concept of an ideal of excellence of character and soundness of mind, which when combined in one well-balanced individual leads to other qualities, such as temperance, moderation, prudence, purity, decorum, and self-control. An adjectival form is "sophron." It is similar to the concepts of '' zhōngyōng'' (中庸) of Chinese Confucianism and ''sattva'' () of Indian thought. Ancient Greek literature In Ancient Greek literature, sophrosyne is considered an important quality and is sometimes expressed in opposition to the concept of hubris. A noted example of this occurs in Homer's ''The Iliad''. When Agamemnon decides to take the queen Briseis away from Achilles, it is seen as Agamemnon behaving with hubris and lacking sophrosyne.North, Helen. 1966. ' (''Cornell Studies in Classical Philology'' 35). Ithaca: Cornell University Press. . . In Homer's ''Odyssey'', Odysseus avoids being turned by Circe the enchantress into ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Epiphron
In Greek mythology, Epiphron ( (Ancient Greek: Ἐπίφρων means 'prudence, care') was the daimon or spirit of prudence, shrewdness, thoughtfulness, carefulness, and sagacity. According to Hyginus, Epiphron was the son of Erebus (Darkness) and Nyx (Night).Hyginus, ''Fabulae'Preface Note References * Gaius Julius Hyginus Gaius Julius Hyginus (; 64 BC – AD 17) was a Latin author, a pupil of the scholar Alexander Polyhistor, and a freedman of Caesar Augustus. He was elected superintendent of the Palatine library by Augustus according to Suetonius' ''De Gramma ..., ''Fabulae from The Myths of Hyginus'' translated and edited by Mary Grant. University of Kansas Publications in Humanistic StudiesOnline version at the Topos Text Project. Children of Nyx Greek gods Personifications in Greek mythology {{Greek-deity-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |