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Les Sylphides
''Les Sylphides'' () is a short, non-narrative '' ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Pavlova
Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of '' The Dying Swan'' and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia. Early life Anna Matveyevna Pavlova was born in the Preobrazhensky Regiment hospital, Saint Petersburg where her father, Matvey Pavlovich Pavlov, served. Some sources say that her parents married just before her birth, others—years later. Her mother, Lyubov Feodorovna Pavlova, came from peasants and worked as a laundress at the house of a Russian-Jewish banker, Lazar Polyakov, for some time. When Anna rose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Magazine
''Dance Magazine'' is an American trade publication for dance published by the Macfadden Communications Group. It was first published in June 1927 as ''The American Dancer''. ''Dance Magazine'' has multiple sister publications, including '' Pointe'', ''Dance Spirit'', ''Dance Teacher'', ''Dance 212'', and ''DanceU101''. ''Dance Magazine'' was owned by Macfadden Communications Group from 2001 to 2016 when it was sold to Frederic M. Seegal, an investment banker with the Peter J. Solomon Company. Description of the collection and its provenance. Editors The first editor and publisher was Ruth Eleanor Howard. Sometime in the 1930s, Paul R. Milton took over as editor. In 1942, the magazine was purchased by Rudolf Orthwine. Lydia Joel became the editor in 1952. In 1970, William Como replaced her, and he was the editor-in-chief until his death in 1989. Richard Philp was the editor-in-chief from 1989 to 1999. Janice Berman took over from Philip late in 1999. Wendy Perron Wendy Perro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winter Garden Theatre
The Winter Garden Theatre is a Broadway theatre at 1634 Broadway in the Midtown Manhattan neighborhood of New York City. It opened in 1911 under designs by architect William Albert Swasey. The Winter Garden's current design dates to 1922, when it was completely remodeled by Herbert J. Krapp. Due to the size of its auditorium, stage, and backstage facilities, it is favored for large musical productions. It has 1,600 seats and is operated by The Shubert Organization. The auditorium interior is a New York City landmark. The Winter Garden Theatre was adapted from the old building of the American Horse Exchange, completed in 1896. Its original facade consisted of several arches on Broadway, which were subsequently converted to a brick wall with a large sign. The interior is covered with detailing in the Adam style. Though the auditorium contains a single balcony above the orchestra level, the boxes are arranged in two levels above the orchestra. The auditorium contains a ribbed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Taglioni
Marie Taglioni, Comtesse de Voisins (23 April 1804 – 22 April 1884) was a Swedish-born ballet dancer of the Romantic ballet era partially of Italian descent, a central figure in the history of European dance. She spent most of her life in the Austrian Empire and France. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed as) being the first ballerina to truly dance '' en pointe''. Early life Taglioni was born in Stockholm, Sweden, to the Italian choreographer Filippo Taglioni and the Swedish ballet dancer Sophie Karsten, maternal granddaughter of the Swedish opera singer Christoffer Christian Karsten and of the Polish opera singer and actress Sophie Stebnowska. Her brother, Paul (1808–1884), was also a dancer and an influential choreographer; they performed together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Ballet
In ballet, the ''corps de ballet'' (; French for "body of the ballet") is the group of dancers who are not principal dancers or soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Specific roles are sometimes made for the ''corps de ballet'', such as Swan Lake, the Snow Corps de Ballet and the Flower Corps in ''The Nutcracker''. See also *Ballet dancer A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on ye ... References * Ballet occupations Ballet terminology it:Glossario della danza classica#Corps de ballet {{ballet-dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Tutu
A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the Classical tutu is short and stiff, projecting horizontally from the waist and hip. Etymology The word tutu can refer to only the skirt part of the costume. The bodice and tutu make up what is usually the entire costume, but which is called the tutu (by synecdoche, wherein the part – the skirt – can embody the whole). The derivation of the word '' tutu'' is unknown. The word was not recorded anywhere until 1881. One theory is that it is simply derived from the word '' tulle'' (one of the materials from which it is made). A second theory is that the word comes from the slang of French children that refers to the buttocks (''cul''). During that era, the ''abonnés'' (rich male subscribers at the Paris Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Ballet Theatre
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress. History In 1939 Pleasant and Chase committed to the creation of "a large scale company with an eclectic repertory". The pair and a small group from Mordkin Ballet formed Ballet Theatre. Their new company's first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. The active years of Diaghilev’s career can be divided into two periods: the one in St Petersburg (1898–1906) and the other in emigration (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs housed a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—''Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-ana
-ana (variant: -iana) is a Latin-origin suffix that is used in English to convert nouns—usually proper names—into mass nouns, most commonly in order to refer to a collection of things, facts, stories, memorabilia, and anything else, that relate to a specific place, period, person, etc. For instance, '' Americana'' is used to refer to things that are distinctive of the US, while ''Canadiana'' is for Canada; in literature, ''Shakespeareana'' and ''Dickensiana'' are similarly used in reference to items or stories related to William Shakespeare or Charles Dickens, respectively. The suffix ''-ana'', ''-iana'', or ''-eana'' have also often been used in the titles of musical works, as a way for a composer to pay tribute to an earlier composer or noted performer. History and lexicology The suffix has been around since at least the 16th century, typically in book titles, with the first recorded use of ''-ana'' being between 1720 and 1730. The recognition of the usage of ''-ana'' o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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