La Loca (opera)
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La Loca (opera)
''La Loca'' ''(The Madwoman)'', also known as ''Juana la Loca'' ''(Crazy Joanna),'' is an opera by Gian Carlo Menotti, composed in 1979. It is a romantic drama about the life of Joanna of Castile (1479–1555). It was written as a vehicle for soprano Beverly Sills and received its premiere on June 3, 1979, at the San Diego Opera, followed by the New York City Opera. Critical response was largely negative, so Menotti completely reworked it. The revised version premiered in 1982 at the Festival of Two Worlds in Spoleto, Italy. The American premiere of the revised version took place at the Spoleto Festival USA in Charleston, South Carolina, on June 1, 1984. Composition history ''La Loca'' was Menotti's tenth opera. He wrote the libretto as well as the music, as was his custom. It was written in English, like most of Menotti's work. It consists of three acts with seven scenes. The opera was barely completed in time for the premiere, with revisions being made as late as the dress re ...
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Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera ''Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to ...
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Maximilian I, Holy Roman Emperor
Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. He was never crowned by the pope, as the journey to Rome was blocked by the Venetians. He proclaimed himself Elected Emperor in 1508 (Pope Julius II later recognized this) at Trent, thus breaking the long tradition of requiring a Papal coronation for the adoption of the Imperial title. Maximilian was the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal. Since his coronation as King of the Romans in 1486, he ran a double government, or ''Doppelregierung'' (with a separate court), with his father until Frederick's death in 1493. Maximilian expanded the influence of the House of Habsburg through war and his marriage in 1477 to Mary of Burgundy, the ruler of the Burgundian State, heir of Charles the Bold, though he also lost his family's original lands in today's Switzerland to the Swiss Confederacy. Through marriage of his so ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Susanne Marsee
Susanne Marsee (born Susan Irene Dowell; November 26, 1941, San Diego, California) is an American mezzo-soprano of note, particularly acclaimed as a singing-actress. Her principal teacher was Nadine Conner, and her educational background includes a Bachelor of Arts from the University of California at Los Angeles, and advanced studies at the American Opera Center of The Juilliard School. She is of Greek, English, and French heritage. New York City Opera Raised in Westchester, California, Marsee was the New York City Opera's leading mezzo-soprano from 1970, when she debuted as Sara, Duchess of Nottingham, opposite Beverly Sills, Plácido Domingo, and Louis Quilico, in Donizetti's ''Roberto Devereux'', with Julius Rudel conducting Tito Capobianco's production. She proceeded to sing a great gallery of roles at the City Opera, including Siébel in ''Faust'', Angelina in ''La Cenerentola'', Rosina in ''Il barbiere di Siviglia'', Sesto in ''Giulio Cesare'', Cherubino in ''Le nozze d ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ...
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Robert Hale (bass-baritone)
Robert Hale (August 22, 1938 – August 23, 2023) was an American operatic bass-baritone. He was first a leading baritone at the New York City Opera for a decade, where he performed, alongside Beverly Sills, mostly in Mozart operas and in the revival of belcanto opera such as Donizetti's ''Lucia di Lammermoor''. Hale then shifted to heavier roles, performing the title role of Wagner's ''Der fliegende Holländer'' first in 1978 at the Opernhaus Wuppertal, Germany. After his success there, he became in demand to perform the role at leading opera houses in Europe and the United States. He went further and tackled the role of Wotan in Wagner's ''Ring'' cycle, which he first performed in Wiesbaden in 1984, then at the Deutsche Oper Berlin in 1986. It became his signature role, performed and recorded worldwide, and he regarded the Berlin company as his artistic home for almost two decades. Life and career Born in Kerrville, Texas, on August 22, 1938, Robert Hale spent his chil ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divided ...
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John Bröcheler
John Bröcheler (born 21 February 1945) is a Dutch operatic baritone who began as a concert singer, specialising in contemporary music such as the world premiere of Mauricio Kagel's ''Mare Nostrum''. His appearance at the Dutch National Opera in Donizetti's ''Maria Stuarda'' alongside Joan Sutherland was followed by an international operatic career, performing for example as Mandryka in '' Arabella'' by Richard Strauss, and again in world premieres such as Menotti's '' La Loca'' at the New York City Opera and the complete version of Henze's ''König Hirsch'' at the Staatsoper Stuttgart. Life Born in Vaals, Bröcheler became a member of the men's choir Het Koninklijk Mannenkoor Cecilia 1837 in 1961, where he performed solo parts beginning with ''Die zwölf Räuber'' at age 17. He studied voice at the Conservatorium Maastricht with Leo Ketelaars and later in Paris with Pierre Bernac. He achieved first prize at the 1969 Landelijk Concours van Nederlandse Vocalisten in 's-Herto ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Calvin Simmons
Calvin Eugene Simmons (April 27, 1950 – August 21, 1982) was an American symphony orchestra conductor. He was the first African-American conductor of a major orchestra. Life and career Simmons was born in San Francisco, California, in 1950. At the age of 9, he entered the Bay Area's musical scene and began living his dream of becoming a world-class musician. He had been taught the piano from an early age by his mother, Matty. By age 11, he was conducting the San Francisco Boys Chorus, started by Madi Bacon, of which he had been a member. Bacon gave him the early artistic freedom to assist with the chorus that would serve him and others for years. Calvin attended Balboa High School in San Francisco. After studying with Max Rudolf at the Curtis Institute of Music 1970-1973"Celebrating-Black-History-Calvin-E-Simmons-Conducting-73/, Feb. 17, 2023, he was assistant conductor with the San Francisco Opera from 1972 to 1975, winning the Kurt Herbert Adler Award.Obituary - Calvin Si ...
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Tordesillas
Tordesillas () is a town and municipality in the province of Valladolid, Castile and León, central Spain. It is located southwest of the provincial capital, Valladolid at an elevation of . The population was c. 9,000 . The town is located on the Douro River although the river is not navigable up to Tordesillas. There are highway connections to Madrid, to the southeast, and with Salamanca, to the southwest. The provincial capital of Valladolid is also linked by four-lane highway. Because of its important highway connections Tordesillas has become a major transit hub. The economy is based on services—especially connected to tourism—and the agricultural production of the surrounding area. Wheat has long been the traditional agricultural product (see Cuisine of the province of Valladolid). The town is well served by hotels with a Parador, four three-star hotels, one two-star hotel, and ten hostels and pensions. There is also a camping site. There is also an ab ...
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