A bass-baritone is a high-lying bass or low-lying "classical" baritone

voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, ...

which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''

Der fliegende Holländer ' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner cla ...

'', Wotan/Der Wanderer in the ''

Ring Cycle (''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelun ...

'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see

fach The German system (; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used ...

for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal

tessitura In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characte ...

. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''

Die Walküre (; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on ...

'' covers the range from F₂ (the F at the bottom of the bass clef) to F₄ (the F above middle C), but only infrequently descends beyond C₃ (the C below middle C). Bass-baritones are typically divided into two separate categories: lyric bass-baritone and dramatic bass-baritone. Bass-baritones should not be confused with their vocal cousin—the so-called Verdi baritone. This type of Italianate baritone voice has a brighter tone colour and sings at a slightly higher tessitura than that possessed by the bass-baritone. In addition to the operas of Giuseppe Verdi, its natural home is to be found in operatic music composed after about 1830 by the likes of

Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style duri ...

Ponchielli Amilcare Ponchielli (, ; 31 August 1834 – 16 January 1886) was an Italian opera composer, best known for his opera ''La Gioconda''. He was married to the soprano Teresina Brambilla. Life and work Born in Paderno Fasolaro (now Paderno Ponchiel ...

Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) ...

Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...

and the

verismo In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an ...

composers. The term bass-baritone is roughly synonymous with the Italian vocal classification basso cantante; for example, in the Verdian repertoire, Philip II in ''

Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Fried ...

'' is sung by a true bass, while Ferrando in ''

Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...

'' is often taken by a bass - baritone, though the two roles' ranges are very similar. In Debussy's '' Pelléas et Mélisande'' the role of Golaud, created by

Hector Dufranne Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and hi ...

, sits between Pelleas (high baritone) and Arkel (bass). Some of the classical Mozart baritone roles such as Don Giovanni, Figaro and Gugliemo—composed before the term "baritone" gained currency—are occasionally played by a bass-baritone. Gilbert and Sullivan's

Savoy opera Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impr ...

s usually featured a comic bass-baritone character, created to make use of D'Oyly Carte company member Richard Temple. In short: the ''bass-baritone'' is a voice that has the resonant low notes of the typical bass allied with the ability to sing in a baritonal tessitura. Colloquially, it refers to a voice with a

range Range may refer to: Geography * Range (geographic), a chain of hills or mountains; a somewhat linear, complex mountainous or hilly area (cordillera, sierra) ** Mountain range, a group of mountains bordered by lowlands * Range, a term used to i ...

and tone somewhere between a bass and a baritone. The bass-baritone's required range can vary tremendously based on the role, with some less demanding than others. Many bass-baritones have ventured into the baritone repertoire, including (among others) Leopold Demuth,

Georges Baklanoff Georgy Andreyevich Baklanoff, known as Georges Baklanoff (sometimes spelled Baklanov; 6 December 1938) was a Russian operatic baritone who had an active international career from 1903 until his death in 1938. Possessing a powerful and flexible v ...

Rudolf Bockelmann Rudolf Bockelmann (born 2 April 1892 in Bodenteich, died 9 October 1958 in Dresden) was a German dramatic baritone and Kammersänger. He built an international career as an outstanding Wagnerian singer but damaged his reputation during the 1930s ...

, George London, Thomas Stewart, James Morris, and

Bryn Terfel Sir Bryn Terfel Jones, (; born 9 November 1965) (known professionally as Bryn Terfel) is a Welsh bass-baritone opera and concert singer. Terfel was initially associated with the roles of Mozart, particularly '' Figaro'', '' Leporello'' and '' ...

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The following operatic parts are performed by bass-baritones but sometimes by high basses: * Don Pizarro, ''

Fidelio ''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, wi ...

'' by

Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...

* Golaud, '' Pelléas et Mélisande'' by Claude Debussy * Olin Blitch, '' Susannah'' by

Carlisle Floyd Carlisle Sessions Floyd (June 11, 1926September 30, 2021) was an American composer primarily known for his operas. These stage works, for which he wrote the librettos, typically engage with themes from the American South, particularly the Post ...

* Méphistophélès, ''

Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...

'' by

Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...

* Leporello, '' Don Giovanni'' by

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

* Don Alfonso, '' Così fan tutte'' by

* Figaro, '' The Marriage of Figaro'' by

Core bass-baritone operatic parts: * Escamillo, '' Carmen'' by Georges Bizet * Igor, ''

Prince Igor ''Prince Igor'' ( rus, Князь Игорь, Knyáz Ígor ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic '' The Lay of Igor's Host'', which re ...

'' by Alexander Borodin (also sung by 'standard' baritones) * Porgy, ''

Porgy and Bess ''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', it ...

'' by

George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...

* The 4 Villains, ''

Les contes d'Hoffmann ''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in ...

'' by

Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ' ...

* Scarpia, ''

Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language drama ...

'' by

Giacomo Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...

(also sung by 'standard' baritones) * Dutchman ''

The Flying Dutchman The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dut ...

'' by Richard Wagner * Hans Sachs ''

Die Meistersinger Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semicondu ...

'' by Richard Wagner * Wotan ''

Der Ring des Nibelungen (''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...

'' by Richard Wagner * Amfortas ''

Parsifal ''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival ...

'' by Richard Wagner Bass-baritone parts in Gilbert and Sullivan works: * ''

Trial by Jury A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significan ...

'': Usher * ''

The Sorcerer ''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Lo ...

'': Sir Marmaduke Pointdextre * ''

H.M.S. Pinafore ''H.M.S. Pinafore; or, The Lass That Loved a Sailor'' is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, whic ...

'': Dick Deadeye * ''

The Pirates of Penzance ''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 187 ...

'': The Pirate King * ''

Patience (or forbearance) is the ability to endure difficult circumstances. Patience may involve perseverance in the face of delay; tolerance of provocation without responding in disrespect/anger; or forbearance when under strain, especially when face ...

'': Colonel Calverley * '' Iolanthe '': Lord Mountararat * ''

Princess Ida ''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a ru ...

'': King Hildebrand * ''

The Mikado ''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, whe ...

'': The Mikado of Japan * ''

Ruddigore ''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written tog ...

'': Sir Roderic Murgatroyd * ''

The Yeomen of the Guard ''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh ...

'': Sergeant Meryll * ''

The Gondoliers ''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the ...

'': Don Alhambra del Bolero Other bass-baritone parts: * ''Roméo et Juliette'' by Hector Berlioz * Symphony No.15 by

Rued Langgaard Rued Langgaard (; born Rud Immanuel Langgaard; 28 July 1893 – 10 July 1952) was a late-Romantic Danish composer and organist. His then-unconventional music was at odds with that of his Danish contemporaries but was recognized 16 years afte ...

* ''Cantabile'', symphonic suite by

Frederik Magle Frederik Reesen Magle (; born 17 April 1977) is a Danish composer, concert organist, and pianist. He writes contemporary classical music as well as fusion of classical music and other genres. His compositions include orchestral works, cantatas, ...

* ''

Gurre-Lieder ' is a large cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by ). The title means "songs of Gurre", ref ...

'' by Arnold Schoenberg

References

{{DEFAULTSORT:Bass-Baritone Voice types Opera terminology Pitch (music)

Repertoire

See also

References